Oxford University Press Sheet Music
This is an evocative setting of the Rudyard Kipling jungle poem 'Now Chil the kite brings home the night'.
This is an evocative setting of the Rudyard Kipling jungle poem 'Now Chil the kite brings home the night'.
- Mixed Choir (SATB)
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This is an upbeat setting of evocative words by Delphine Chalmers about unity and commonality. A syncopated, single-note piano motif roots the tonality and provides an ostinato around which the music...
This is an upbeat setting of evocative words by Delphine Chalmers about unity and commonality. A syncopated, single-note piano motif roots the tonality and provides an ostinato around which the music...
- Mixed Choir (ATBarB)
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An exquisite setting of a love song by Sir Philip Sydney. Also available in versions for solo low version, SSAA, and SATB (from Iirthday Madrigals).
An exquisite setting of a love song by Sir Philip Sydney. Also available in versions for solo low version, SSAA, and SATB (from Iirthday Madrigals).
- High Voice and Mixed Choir (SATB)
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Material for the orchestral and brass accompaniments is available on hire.
Material for the orchestral and brass accompaniments is available on hire.
- Mixed Choir (SATB)
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This tender piece was composed in memory of the victims of Fukushima in 2011. It is both reflective and heartfelt, with a simple, appealing melody, rich harmonies, and a flowing accompaniment. Also av...
This tender piece was composed in memory of the victims of Fukushima in 2011. It is both reflective and heartfelt, with a simple, appealing melody, rich harmonies, and a flowing accompaniment. Also av...
- High Voice and Mixed Choir (SSATB)
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This setting of the Vesper Responsory exudes a confident radiance and sure belief that the 'Lord he shall be with you'. First published in Advent for Choirs, this setting is both approachable and grip...
This setting of the Vesper Responsory exudes a confident radiance and sure belief that the 'Lord he shall be with you'. First published in Advent for Choirs, this setting is both approachable and grip...
- Mixed Choir (SATB)
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The text is that of a standard Latin Missa brevis, to which several relevant English poetic texts have been added. The first and last of these are taken from Bishop Thomas Ken's renowned morning and e...
The text is that of a standard Latin Missa brevis, to which several relevant English poetic texts have been added. The first and last of these are taken from Bishop Thomas Ken's renowned morning and e...
- Women's Choir (SSAA)
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Paul Drayton's setting of three stanzas from Laurence Binyon's poem 'For the Fallen' is poignant, dignified, and atmospheric. A serene and expressive refrain for unison voices (which the congregation...
Paul Drayton's setting of three stanzas from Laurence Binyon's poem 'For the Fallen' is poignant, dignified, and atmospheric. A serene and expressive refrain for unison voices (which the congregation...
- Mixed Choir (SATB)
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This choral octavo is drawn from Larsen's It I am. This is a lovely, hushed and meditative hymn that is simple and eloquent. The brevity and expressive beauty of this piece can be equally used in both...
This choral octavo is drawn from Larsen's It I am. This is a lovely, hushed and meditative hymn that is simple and eloquent. The brevity and expressive beauty of this piece can be equally used in both...
- Mixed Choir (SATB)
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The World's Desire was commissioned by the Choir of Truro Cathedral for their service of Nine Lessons and Carols in December 2008, to be performed after the eighth lesson. Setting a text by G. K. Ches...
The World's Desire was commissioned by the Choir of Truro Cathedral for their service of Nine Lessons and Carols in December 2008, to be performed after the eighth lesson. Setting a text by G. K. Ches...
- Mixed Choir (SATB)
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Originally the second movement of Chilcott's choral work Five Days that Changed the World, this setting of words by Charles Bennett reflects on one of the most significant events of our time. The chor...
Originally the second movement of Chilcott's choral work Five Days that Changed the World, this setting of words by Charles Bennett reflects on one of the most significant events of our time. The chor...
- Mixed Choir (SATB)
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Originally published in a version for mixed voices, this much-loved Rutter carol has now been adapted by the composer for performance by upper-voice choirs.
Originally published in a version for mixed voices, this much-loved Rutter carol has now been adapted by the composer for performance by upper-voice choirs.
- Women's Choir (3-Part) and String Orchestra
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Full score for John Rutter's anthem of haunting simplicity and rich orchestral colours.
Full score for John Rutter's anthem of haunting simplicity and rich orchestral colours.
- Mixed Choir (SATB) and Ensemble
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Full score for this classic Rutter anthem, which is also available in John Rutter Anthems and in a version for upper voices.
Full score for this classic Rutter anthem, which is also available in John Rutter Anthems and in a version for upper voices.
- Mixed Choir (SATB) and Ensemble
- Score Download
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- Mixed Choir (SATB)
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- Oxford University Press
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In this beguiling setting of 'A Dream' from William Blake's Songs of Innocence, Skempton weaves a gentle and chromatic melody through harmonies that are pure yet richly expressive.
In this beguiling setting of 'A Dream' from William Blake's Songs of Innocence, Skempton weaves a gentle and chromatic melody through harmonies that are pure yet richly expressive.
- Mixed Choir (SATB)
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- Oxford University Press
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- Mixed Choir (SATB)
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- Oxford University Press
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In this captivating piece Mahler explores feelings of doubt and insecurity, employing the compelling metaphor of the tide and searching for existential meaning. Bewitching piano cascades and rolling b...
In this captivating piece Mahler explores feelings of doubt and insecurity, employing the compelling metaphor of the tide and searching for existential meaning. Bewitching piano cascades and rolling b...
- Mixed Choir (SATB)
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Composed in 1975 for the liturgical greeting of the Right Reverend Paul Moore, Bishop of New York, this energetic motet is based upon the mode 8 plainsong responsory for the reception of a bishop as f...
Composed in 1975 for the liturgical greeting of the Right Reverend Paul Moore, Bishop of New York, this energetic motet is based upon the mode 8 plainsong responsory for the reception of a bishop as f...
- Mixed Choir (SSAATTBB)
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The strong, no-nonsense tune breaks into canon, while the brisk piano part propels the music to a joyous, 'good cheer' ending. It is No. 3 of a suite of three songs, 'At the Turn of the Year', depicti...
The strong, no-nonsense tune breaks into canon, while the brisk piano part propels the music to a joyous, 'good cheer' ending. It is No. 3 of a suite of three songs, 'At the Turn of the Year', depicti...
- Mixed Choir (SATB)
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This spacious setting of King Henry VI's prayer 'Domine Jesu Christe' presents a seamless arch of music. The influence of the great Tudor composers is especially evident in the rich, long-breathed 'Am...
This spacious setting of King Henry VI's prayer 'Domine Jesu Christe' presents a seamless arch of music. The influence of the great Tudor composers is especially evident in the rich, long-breathed 'Am...
- Mixed Choir (SATB)
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Written for St Cecilia's Day 1694, Purcell's Te Deum and Jubilate in D was the first work of its kind to be scored for orchestra, and it became the model for future settings of the text by Blow, Croft...
Written for St Cecilia's Day 1694, Purcell's Te Deum and Jubilate in D was the first work of its kind to be scored for orchestra, and it became the model for future settings of the text by Blow, Croft...
- Mixed Choir (SATB)
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Phoenix is a series of interlinked, contrasting sections - by turns elegiac, radiant, and menacing - culminating in a luminous cantilena for the four melody instruments against densely clustered chord...
Phoenix is a series of interlinked, contrasting sections - by turns elegiac, radiant, and menacing - culminating in a luminous cantilena for the four melody instruments against densely clustered chord...
- Mixed Choir (SATB)
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This monumental cantata for massed forces sets a text by Charles Bennett on humanity's negligence towards nature. Creating a unique opportunity for adult and children's choirs to collaborate, it offer...
This monumental cantata for massed forces sets a text by Charles Bennett on humanity's negligence towards nature. Creating a unique opportunity for adult and children's choirs to collaborate, it offer...
- Mixed Choir (SATB)
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Yesterday, Today, and Tomorrow is a three-movement work by Bob Chilcott, exploring the concepts of reflecting on the past, living in the present, and not worrying about the future. The words were writ...
Yesterday, Today, and Tomorrow is a three-movement work by Bob Chilcott, exploring the concepts of reflecting on the past, living in the present, and not worrying about the future. The words were writ...
- Mixed Choir (SATB)
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- Oxford University Press
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Oxford University Press
The music publisher Oxford University Press offers a large repertoire of choral sheet music, sheet music for violin, cello and organ from the areas of classical music, church music, sacred music and Christmas. Here you will find the complete range of over 3,770 sheet music from Oxford University Press.