Oxford University Press Sheet Music

This carol is an original composition on a text in Old French which summarizes the story of the Nativity in rhyming verse. The composer's use throughout of a hypnotic, rhythmic melody alternating with...

Selga Mence's arrangement of this Latvian folksong presents the two phrases of the original song in a variety of textures, beginning and ending with imitations of the sound of bells. An English text b...

An original carol by Ernani Aguiar, Acalanto para o Menino Jesus was written for the feast of the Conception of the Virgin Mary and illustrates the Italian influence on Brazilian culture. An English t...

Immanúel oss í nátt meditates on the birth of Christ with harmonies of increasing richness before ending with echoes of the opening motif. An English text by Bob Chilcott is presented alongside the or...

This work was awarded the British Composer Award for Liturgical Music in 2003, but is published for the first time in 2013. The Roman Catholic Liturgy includes an antiphon to the Magnificat at Vespers...

This reminiscent piece, originally from Three Children's Songs, has been arranged for mixed choir and suits a spring-time programme. Offprinted from Vaughan Williams for Choirs 2.

The music and style of d'Este's compositions are skilful in the art of polyphonic writing and the beautiful Sicut lilium inter spinas, written for five voices, is a fine example of this style.

Here Helvey has created a beautiful musical landscape for George Herbert's tender poem 'Virtue'. Each verse begins with a modal-sounding unison figure which flowers into expressive harmonies built on...

Originally published in Bach Transcriptions for Organ, this dignified Sarabande taken from BWV 812 is rich in expressive dissonances. An ancient Spanish dance, the Sarabande was the usual slow movemen...

This Christmas miniature sets the popular Latin text rejoicing in the birth of the Saviour. A 'vivace' tempo marking and offset rhythms combine with Pott's uniquely striking harmonies and undulating p...

Five Bagatelles were written for Julian Bream and dedicated to Malcolm Arnold 'with admiration and affection for his 50th birthday'. They were given their first performance in Bath on 27th May 1972.

This is a vibrant and varied choral cantata in five movements. Together the movements evoke a contemporary impression of London's sights, sounds, and moods. The music is irresistible, by turns contemp...

This is a new original setting of the well-known Christmas text. With a gentle melody, warm harmonies, and a graceful organ accompaniment, Infant Holy will make a moving feature in any mixed-voice cho...

Kay's setting of this well-known text demonstrates many hallmarks of his style, including modal harmonies, imitation, and the occasional use of word painting. Offprinted from The Oxford Book of Choral...

The three movements of A Winter Breviary are entitled: 'We look for you', 'The year's midnight', and 'The unexpected early hour'. The movements are each based on an Indian classical Raag and reflect u...

McDowall has skilfully united luscious harmonies with fresh melodies and crisp rhythms in this vibrant work. Divided into six movements, the Magnificat is ideal for SATB choirs seeking fresh and inspi...

A haunting and evocative piece, this short anthem is based on a traditional Gaelic prayer of remembrance. Uncluttered harmony and a simple, gentle melody colour this memorial service setting with a pa...

A transcription, made by the composer himself, of the much-loved Candlelight Carol, inspired by Geertgen's painting Nativity at Night. Suitable for pianists at early intermediate level, and clearly pr...

This innovative and moving setting of Robert Herrick's popular Christmas text opens with an uplifting unison melody, and each verse introduces new vocal textures and increasingly expressive harmonies....

This piano transcription of the gentle 'Mary's Lullaby' features a newly written Epilogue, a homage to George Shearing and evoking the style of this celebrated jazz pianist. Suitable for pianists at e...

Written whilst the composer was living in Comeragh Road, the litanies of the title are sixteen discrete sections of music, varying in length from two seconds to a minute. Each of these blocks has a di...

This refreshing dance-like arrangement of this traditional hymn speaks to the praise of God in all of creation. The first verse is sung in unison by the women and the second by the men. Verse three br...

The Prelude and Fugue in C minor (1921) is characterized by a sense of drama and punctuated by bristling dissonances. The Prelude's ritornello-like alternation of chordal grandeur and rapid imitative...

O fear the Lord sets two verses from Psalm 34. A controlled organum-style opening gives way to a more fervent, harmonic middle section. An approachable and beautiful piece.