Oxford University Press Sheet Music

An easy anthem with words and music by the composer. There are four different versions of the vocal parts - unison (or two-part) with keyboard, upper voices with keyboard, SA and Men with piano or SAT...

This is the second and most intimate of the composer's 'Three Latin Motets'. Scored for upper voices, this gentle supplication to the Virgin is built on a plainchant opening, and contains expressive d...

Setting an uplifting hymn by Timothy Dudley-Smith, I lift my eyes is a rousing anthem that will appeal to all upper-voice choirs. Unison sections are contrasted with imitative writing, and the soaring...

This piece is a dynamic, uplifting, and highly popular jazz setting of the Latin mass, featuring driving grooves and blues harmonies, with provision for short piano solos (notated or improvised) and g...

There are two versions of the vocal parts - for two-part upper voices with piano or for SATB with organ. An orchestral accompaniment is also available for both versions. Words are from Corinthians 1:1...

This gentle setting has all the tranquillity and grace associated with this ancient text. It is fashioned from a simple rocking theme, which weaves serenely through different keys as the piece unfolds...

An arrangement of Martin Luther's popular hymn Ein feste Burg, with the English translation by F.H. Hedge. Rutter arranges verses 1, 3, and 4, using J.S. Bach's harmonization for verse 2. An accompani...

This anthem from the larger work Snow Angel is in two halves. The first section ('God Will Give Orders') is ethereal, until a vibrant figure in the djembe lifts the music into the uplifting second sec...

A bright and optimistic benediction contrasting passages of unison writing with homophonic chordal sections. The piece builds to a triumphant conclusion.

From the collection Anthems for SA and Men, 'I lift my eyes' is an original hymn setting by Bob Chilcott to a text by Timothy Dudley-Smith. Scored for SA & men with piano, this stirring piece is suita...

The instrumental material is available on hire.

This can be performed on modern instruments or recorder, 3 crumhorns, sackbut, psaltery, lute, and tabor. Instrumental material is available on hire.

This book presents 60 of the very best madrigals for SATB, chosen from the many hundreds of possible candidates. The major composers of the genre are each represented by several madrigals and the less...

A collection of ten of Bob Chilcott's finest and most popular pieces. Ten of the best anthems from Bob Chilcott Approachable for a range of choirs Wide variety of liturgical uses Difficulty: Easy to M...

For SATB and organ, or accompanied by chamber orchestra (oboe, harp, strings) or by small ensemble (oboe, harp, and organ). The instrumental material is available on hire.

This work was inspired by the Radcliffe Ladies' Choir and their motto 'friendship through singing'. The lilting vocal lines are underpinned by a delicate piano part, and the opening performance direct...

Set to a popular text by Walter de la Mare, this secular work is an expressive homage to J. S. Bach, combining lyrical vocal lines with a contrapuntal accompaniment.

With a text by the composer, this work was originally inspired by members of the Radcliffe Ladies' Choir and their motto 'friendship through singing'. The lilting vocal lines are subtly underpinned by...

A simple and beautiful setting describing the wonder of a world seen through the eyes of a deaf child. In the refrain, singers are encouraged to sign the words they are singing, resulting in profoundl...

Solo Time is a three-volume series of concert pieces for the intermediate to more advanced violinist, featuring arrangements and original pieces by the authors of Fiddle Time.

Scored for low voice and piano or organ, this is a moving, traditional Irish blessing set to music of great simplicity and beauty. Chilcott perfectly captures the warmth and sincerity of the text, and...

Originally published in Oxford Solo Songs: Sacred, this is a popular movement from John Rutter's Requiem arranged here for solo high voice and piano (which may be adapted for performance on the organ)...

With plenty of excitement and anticipation, this exuberant carol sets a medieval macronic text, featuring changing metres and a driving piano part. Also available in a version for solo low voice.

The orchestral material is on hire and on sale.