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Although Fanny Hensel (1805-1847) always came second after her brother, Felix Mendelssohn Bartholdy, with regard to the publication of her compositions in her own time, she has recently been given the...
Although Fanny Hensel (1805-1847) always came second after her brother, Felix Mendelssohn Bartholdy, with regard to the publication of her compositions in her own time, she has recently been given the...
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Das Spielbuch bietet eine Auswahl der schönsten Charakterstücke von Richard Krentzlin in einem Reprint-Band, darunter auch Entdeckungen aus dem Archiv. In den reizvollen kurzen Klavierstücken zeigt si...
Das Spielbuch bietet eine Auswahl der schönsten Charakterstücke von Richard Krentzlin in einem Reprint-Band, darunter auch Entdeckungen aus dem Archiv. In den reizvollen kurzen Klavierstücken zeigt si...
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Von Nicolas Lavaux sind nur wenige biographische Daten überliefert. Geburts- und Todesdatum sind unbekannt. Wahrscheinlich war Lavaux kein Franzose, doch lebte er in Paris und muss recht populär gewes...
Von Nicolas Lavaux sind nur wenige biographische Daten überliefert. Geburts- und Todesdatum sind unbekannt. Wahrscheinlich war Lavaux kein Franzose, doch lebte er in Paris und muss recht populär gewes...
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The composer' s identity has not yet been clarified for sure. The Sonatas op. 4 can be dated back to around 1730. Both booklets of this edition were carefully edited on the basis of the original print...
The composer' s identity has not yet been clarified for sure. The Sonatas op. 4 can be dated back to around 1730. Both booklets of this edition were carefully edited on the basis of the original print...
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This collection, based on the original score and published by Antonio Gardane in Venice in 1538, gives us insight into the chanson genre which was at its peak at the beginning of the 16th century. Ink...
This collection, based on the original score and published by Antonio Gardane in Venice in 1538, gives us insight into the chanson genre which was at its peak at the beginning of the 16th century. Ink...
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Michel Blavet (1700-1768) was a very famous and popular musician in his lifetime. Although he was an autodidact on many instruments, his main instrument was the flute traversière which he played left-...
Michel Blavet (1700-1768) was a very famous and popular musician in his lifetime. Although he was an autodidact on many instruments, his main instrument was the flute traversière which he played left-...
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Michel Blavet (1700-1768) was a very famous and popular musician even in his lifetime. Although he was an autodidact on many instruments, his main instrument was the flute traversière which he played...
Michel Blavet (1700-1768) was a very famous and popular musician even in his lifetime. Although he was an autodidact on many instruments, his main instrument was the flute traversière which he played...
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Michel Blavet (1700-1768) war bereits zu seiner Zeit ein sehr berühmter und begehrter Musiker. War er auch Autodidakt auf vielen Instrumenten, so bildete doch die Flûte traversière, die er linksseitig...
Michel Blavet (1700-1768) war bereits zu seiner Zeit ein sehr berühmter und begehrter Musiker. War er auch Autodidakt auf vielen Instrumenten, so bildete doch die Flûte traversière, die er linksseitig...
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Michel Blavet (1700-1768) was a very famous and popular musician even in his lifetime. Although he was an autodidact on many instruments, his main instrument was the flute traversière which he played...
Michel Blavet (1700-1768) was a very famous and popular musician even in his lifetime. Although he was an autodidact on many instruments, his main instrument was the flute traversière which he played...
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Gastoldi (vers 1550 - 1622) fut sous-diacre, chanteur et maître de chapelle de Sainte Barbara de Mantoue, la chapelle ducale des Gonzague, avant d'exercer de semblable fonctions à Milan. A côté de nom...
Gastoldi (vers 1550 - 1622) fut sous-diacre, chanteur et maître de chapelle de Sainte Barbara de Mantoue, la chapelle ducale des Gonzague, avant d'exercer de semblable fonctions à Milan. A côté de nom...
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Gastoldi (around 1550-1622) worked as a sub-deacon, singer and kapellmeister at the Gonzaga's home church, S.Barbara in Mantua, and later on in Milano. Apart from religious compositions, he also wrote...
Gastoldi (around 1550-1622) worked as a sub-deacon, singer and kapellmeister at the Gonzaga's home church, S.Barbara in Mantua, and later on in Milano. Apart from religious compositions, he also wrote...
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Diogenio Bigaglia (approx. 1676-1745) does not only share similar biographical data with Vivaldi (who was two years his junior), but he also came from Venice and was a musician and member of the clerg...
Diogenio Bigaglia (approx. 1676-1745) does not only share similar biographical data with Vivaldi (who was two years his junior), but he also came from Venice and was a musician and member of the clerg...
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Diogenio Bigaglia (approx. 1676-1745) does not only share similar biographical data with Vivaldi (who was two years his junior), but he also came from Venice and was a musician and member of the clerg...
Diogenio Bigaglia (approx. 1676-1745) does not only share similar biographical data with Vivaldi (who was two years his junior), but he also came from Venice and was a musician and member of the clerg...
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A serious piece full of deep feeling! The preference for the darker timbres of the viola gives it a special charm.
A serious piece full of deep feeling! The preference for the darker timbres of the viola gives it a special charm.
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Immerse yourself in the graceful charm of a bygone era: "Musette op. 24", bearing the evocative subtitle "Air du ballet du 17ème siècle", transports both performers and audiences to the melodious eleg...
Immerse yourself in the graceful charm of a bygone era: "Musette op. 24", bearing the evocative subtitle "Air du ballet du 17ème siècle", transports both performers and audiences to the melodious eleg...
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Immerse yourself in the elegant charm of bygone eras with the enchanting "Musette op. 24" (Air du ballet du 17ème siècle). This characterful work for cello and piano seamlessly blends graceful histori...
Immerse yourself in the elegant charm of bygone eras with the enchanting "Musette op. 24" (Air du ballet du 17ème siècle). This characterful work for cello and piano seamlessly blends graceful histori...
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This revised edition is based on the original publication by Schlesinger. The pieces are taken from the suite 'Grande Scène espagnole pour violoncelle' accompanied by a string sextet or a string orche...
This revised edition is based on the original publication by Schlesinger. The pieces are taken from the suite 'Grande Scène espagnole pour violoncelle' accompanied by a string sextet or a string orche...
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Carl Maria von Weber (1786-1826) schrieb die ursprüngliche Version des Andante e Rondo ungarese im Jahre 1809 für seinen Bruder Fritz, einem Bratschisten. Die Bearbeitung für Fagott erfolgte im Jahr 1...
Carl Maria von Weber (1786-1826) schrieb die ursprüngliche Version des Andante e Rondo ungarese im Jahre 1809 für seinen Bruder Fritz, einem Bratschisten. Die Bearbeitung für Fagott erfolgte im Jahr 1...
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Carl Maria von Weber (1786-1826) schrieb die ursprüngliche Version des Andante e Rondo ungarese im Jahre 1809 für seinen Bruder Fritz, einem Bratschisten. Die Bearbeitung für Fagott erfolgte im Jahr 1...
Carl Maria von Weber (1786-1826) schrieb die ursprüngliche Version des Andante e Rondo ungarese im Jahre 1809 für seinen Bruder Fritz, einem Bratschisten. Die Bearbeitung für Fagott erfolgte im Jahr 1...
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Immerse yourself in one of the most brilliant masterpieces of the woodwind repertoire: The Concerto in F major Op. 75 for bassoon and piano unfolds the full tonal and expressive richness of the bassoo...
Immerse yourself in one of the most brilliant masterpieces of the woodwind repertoire: The Concerto in F major Op. 75 for bassoon and piano unfolds the full tonal and expressive richness of the bassoo...
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- 3 Violins, 2 Violas, Cello, Double Bass and Piano
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- 3 Violins, 2 Violas, Cello, Double Bass and Piano
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