Schott Musik

Scharlachrote Buchstaben entstanden 1984 aufgrund eines Kompositionsauftrages, den mir der Pianist und Cembalist Franzpeter Goebels (1920-1988) anlässlich des 300. Geburtstages von Domenico Scarlatti...

'Hämmerklavier' is a full-length cyclical work. The composer tries casting off the straight-jacket of hide-bound musical traditions, sending the listener on a voyage of discovery and liberation. The '...

Widmung / Dedication: dédiée à Ulrich Eckhardt

Widmung / Dedication: dédiée à Volker Banfield

Widmung / Dedication: dédiée à Mauricio Kagel

Widmung / Dedication: dédiée à Pierre-Laurent Aimard

Widmung / Dedication: dédiée à György Kurtág

Widmung / Dedication: dédiée à Pierre-Laurent Aimard

Widmung / Dedication: dédiée à Volker Banfield

Widmung / Dedication: dédiée à Vincent Meyer

Widmung / Dedication: dédiée à Vincent Meyer

'Un poco', commissioned by Southwest German Radio and composed in 1990, incorporates the Persian song 'Carnation Flower' as well as a quote by the French composer Elizabeth Jacquet de la Guerre (1659-...

'Un poco', commissioned by Southwest German Radio and composed in 1990, incorporates the Persian song 'Carnation Flower' as well as a quote by the French composer Elizabeth Jacquet de la Guerre (1659-...

Erwin Schulhoff was a pianist himself. So it is quite easy to understand why his oeuvre includes a particularly large number of works for solo piano in many styles, including Dadaism and jazz. Schott...

The first edition of Kröll's portfolio of works 'Tagebuch für Klavier' (ED 8883) was published in 1999. It contains a large variety of short piano pieces the fundamental notes of which are obtained by...

Georg Kröll (born 1934), studied composition with Frank Martin and Bernd Alois Zimmermann, piano with Else Schmitz-Gohr - herself a student of Max Reger -, he also attended courses and lectures by Pou...

With this charming song, written in December 1937 during the political troubles prior to the Munich agreement, Schulhoff evokes the happier period of the 'Golden Twenties'.

With this charming song, written in December 1937 during the political troubles prior to the Munich agreement, Schulhoff evokes the happier period of the 'Golden Twenties'.