Schott Musik

Heinrich Poos (born 1928) is one of the great German composers of choral music of our time. In his 'Orpheus' cycle, Poos takes up the ancient myth of the singer and poet Orpheus who is a symbol of the...

Heinrich Poos (born 1928) is one of the great German composers of choral music of our time. In his 'Orpheus' cycle, Poos takes up the ancient myth of the singer and poet Orpheus who is a symbol of the...

Es war 1996, als mir Christoph Poppen, der damalige Leiter des Münchener Kammerorchesters, von einem kuriosen Konzert in Münsing (Ammerland) erzählte: während eines seiner Konzerte mit dem Orchester i...

We owe it to Paul Hindemith's interest in education, which, in turn, was owed not only to the professional musicians and composers, that he composed for children and amateur musicians as well. Dame Mu...

We owe it to Paul Hindemith's interest in education, which, in turn, was owed not only to the professional musicians and composers, that he composed for children and amateur musicians as well. Dame Mu...

We owe it to Paul Hindemith's interest in education, which, in turn, was owed not only to the professional musicians and composers, that he composed for children and amateur musicians as well. Dame Mu...

We owe it to Paul Hindemith's interest in education, which, in turn, was owed not only to the professional musicians and composers, that he composed for children and amateur musicians as well. Dame Mu...

We owe it to Paul Hindemith's interest in education, which, in turn, was owed not only to the professional musicians and composers, that he composed for children and amateur musicians as well. Dame Mu...

Harald Genzmer (1909-2007) schrieb in seinen letzten Lebensjahren mehrere geistliche Solokantaten und leistete damit wichtige musikalische Beiträge für die Liturgie und das geistliche Konzert. Die bei...

Written by Christian Tetzlaff, one of the most interesting and most versatile violinists of his generation, this cadenza for Beethoven's Violin Concerto for violin and timpanis is published for the fi...

An Zimmern was initially planned to be part of a cycle of Hölderlin settings. Hölderlin's late lyrics offer a certain riveness between equation, lunatic bursts and a dissociated smoothness. This 'rive...

Hummel's piece for solo violoncello and 13 strings follows Hermann Hesse's famous poem 'Stufen' ('Steps') with regard to form and content. Hummel, a cellist himself, arranges the solo part with playin...

Eine etwa zehnminütige Komposition über den alttestamentarischen Bericht von der Belagerung und Eroberung Jerichos durch die Israeliten für Männerchor und 7 Blechbläser, alternativ auch mit Orgelbegle...

Eine etwa zehnminütige Komposition über den alttestamentarischen Bericht von der Belagerung und Eroberung Jerichos durch die Israeliten für Männerchor und 7 Blechbläser, alternativ auch mit Orgelbegle...

At first described as a 'religious song' by Schumann, the motet 'Verzweifle nicht' could be heard with organ accompaniment for the first time on 4 July 1850 on the occasion of the 25th anniversary of...

Frauenstimme, Saxophon, Klavier und Schlagzeug. Schlagzeugbesetzung: Drum Set (Becken, kleine Trommel, große Trommel), Röhrenglocken, Tamtam, Guiro, Triangel, Waldteufel, Gong, chinesisches Becken).

Mild und leise...': does that not come from 'Tristan'? Ingeborg Bachmann's drafts of poems dating from her year of crisis in 1963 are in fact teeming with quotations from Wagner operas which form a ra...

Jörg Widmann dedicated 'Freie Stücke' to his teacher Wolfgang Rihm on his fiftieth birthday in 2002. The ten pieces for mixed ensemble or orchestra are 'inspired by the wish for concentration and redu...

In addition to the two magnificent string quartet parodies 'Repertorium für Militärmusik Minimax' [Repertory for military music 'Minimax'] (ED 6735) and 'Ouvertüre zum Fliegenden Holländer, wie sie ei...

Fünf Lieder für Barbara are Georg Kreisler's last complete compositions. In them, he turned again to serious music. Kreisler's strong bonds to the musical tradition of his native town of Vienna, in th...

This narrative is about the fate of Miss Ophelia who, with great ambition, tries to make a career as an actress, but only manages to become a prompter because of her small voice. Michael Ende tells a...