Schott Musik

Dieses Werk in zwei Sätzen ist von der mexikanischen Marimba-Tradition inspiriert. Von Veracruz bis San Cristobal de la Casas ist mir diese fröhliche oder auch melancholische, jedoch immer festliche M...

In his earlier orchestral works between 1952 and 1955, Luigi Nono wrote several interludes or independent movement sections for percussion instruments only. During Nono's time in Freiburg, a fruitful...

Das Werk wurde in Auftrag gegeben, um unter der monumentalen Skulptur Proverb von Mark di Suvero aufgeführt zu werden, und ist von der fast 20 m hohen, leuchtend roten Stahlskulptur inspiriert, die au...

The first of three songs written by Faure in the 1870s, that he would later publish as Op. 7. Après un rêve is a hauntingly romantic song that is now available in this setting for trombone and piano.

Martland's arrangements of Purcell's music are wonderfully inventive and beautiful. Fantazia 7 for the unusual line up of trombone quartet is no exception and offers performers music that transports b...

This short study explores the entire dynamic range of the instrument. It is based on a Russian fairy-tale which can be recited (ad lib.) towards the end of the piece.

In Prayer on the Hills Peter Wittrich musically portrays the atmosphere of tranquility and vastness of a mountain landscape. The highly religious undertone is, only by way of exception, interrupted ef...

Written for marimbist Leigh Howard Stevens, Velocities is characterized by a continuously unfolding texture of rapid gestures within a framework of continually shifting meters. The first major divisio...

At the piano, I listen for how the contortions of the hand can suggest the surges of a body in motion. In my trio music, I'm often evolving rhythmic shapes, shaping gestural patterns with an embodied...

Stimmensatz - 5 Violinen I, 5 Violinen II, 3 Violen, 5 Bassi - 2 Violinen, Viola, Bassi; Cembalo ad lib.

2 Violinen, Violoncello und Kontrabass (solistisch oder chorisch)

2 Violinen, Violoncello und Kontrabass (solistisch oder chorisch)

Telemann's work in Sorau as music director in the court of Count Erdmann von Promnitz and the trips involved as far as Cracow put him in touch with Polish folk music. One example of his artistic exami...

Telemann's work in Sorau as music director in the court of Count Erdmann von Promnitz and the trips involved as far as Cracow put him in touch with Polish folk music. One example of his artistic exami...

The three-movement overture is a succinct work full of contrasts. The 3rd movement Paesana imitates the popular violin-playing of Scotland that Barsanti got to know there (from the age of 24, he lived...