Schott Musik

Volker David Kirchner's works encompass every genre. His Three Meditations for Violoncello were theatrical in their inspiration, were as the Pietà for solo violin exploits the full technical range of...

These attributes mentioned here: Ease -Swiftness - Precision - Vividness - Complexity - are used by Benjamin Schweitzer as signposts for putting the pop into the weasel in his solo violin part. Out of...

Dieses Auftragswerk für den 5. Internationalen Violinwettbewerb Leopold Mozart in Augsburg ist im Berlioz-Jahr 2003 eine liebevoll-ironische Hommage an Harriet Smithson, die berühmte englische Darstel...

Carl Ditters von Dittersdorf (1739-1799) drew attention to himself even as a child due to his musical talent: At the age of seven he took violin lessons, only three years later he was hired as a violi...

This arrangement for violin and guitar instead of violin and piano by Peter E. Segal suits the character of the folkloric miniatures very well. It is precisely the guitar which can give excellent expr...

Fritz Kreisler's (1875-1962) collection Klassische Manuskripte written by the violin virtuoso around the turn of the century who pretended they were transcriptions of movements by old masters such as...

In her music, the composer Johanna Senfter, student of Max Reger in Leipzig, devoted herself entirely to the late Romanticism. While her music had been regarded as old-fashioned for a long time, the p...

In his Violin Sonata, the internationally renowned Turkish pianist Faz?l Say combines the classical western form with folk music elements of his home country, spiced with jazz-like intensified rhythms...

In his Violin Sonata, the internationally renowned Turkish pianist Faz?l Say combines the classical western form with folk music elements of his home country, spiced with jazz-like intensified rhythms...

In November 1885 Camille Saint-Saëns set out on a concert tour with the Cuban violinist Diaz Albertini which led him to the north of France on his way to Germany. On a cold and damp evening, the crack...

Louis-Gabriel Guillemain (1705-1770) was born in Paris and entered the court orchestra of Versailles as a violinist in 1737. As a composer he was influenced by Corelli and apparently self-taught.This...

On 11 August 2011 it is fifty years since the death of the composer Johanna Senfter from Oppenheim who actually was a trained violinist for she had studied with renowned violinists at the Hoch Conserv...

Johanna Senfter (1879-1961) was a pupil of Max Reger.Beginning with an expressive violin theme in a densely packed, 'Brahms-like' piano setting, the classical four-movement work centres around two cap...

In the time of travelling violin virtuosos in the 19th century, the Belgian composer Henri Vieuxtemps was regarded as one of the 'greatest', next to Paganini, Spohr, Bériot, Wieniawski and others. His...

'In an easier style, intended rather for its use at home than for concert performances', this is how Bedrich Smetana described his two 'duos' for violin and piano Aus der Heimat, written 'in a truly n...

Like Holliger's standard work Trema (a piece made up of theme, tremolo and breathing), Souvenirs tremaësques too can be played by various instruments of the string family. After the original version f...

Deep Slavic emotion and riveting virtuosity - this is what characterises many compositions by Rodion Shchedrin. Even though he has been a cosmopolitan for a long time, the Moscow-born Shchedrin has re...

The compositions published here for the first time are highly interesting, especially because they represent two creative periods: Poème lyrique was written in the 1910s and is a proof of the composer...

The Vienna-born Fritz Kreisler (1875-1962) felt at home in the coffee houses of his home town where he not only met the cultural elite of his time but also absorbed the entertainment and folk music of...