Schott Musik

The pretty Basque song 'Iru erége', which tells of the three wise men from the Orient travelling to Bethlehem to worship the baby Jesus, gave me the idea for a musical interpretation of this astonishi...

Schott's successful series 'Meister der Norddeutschen Orgelschule' is continued with the organ works by Nikolaus Hasse (ca. 1605-1670). Volume 16 of the series contains the four chorale arrangements o...

The organ works by Franz Tunder (1614-1667) are published as volume 17 of the series 'Meister der Norddeutschen Orgelschule'. Containing 9 chorale arrangements, 4 preludes and a canzona as well as an...

The organist and composer Peter Morhard (date of birth unknown, died in Lüneburg in 1685) belongs to the North German organ school. Little is known about his life, but from 1662 until his death he wor...

The composer and organist Paul Siefert, baptized in Gdansk on 28 June 1586 and died there on 6 May 1666, belongs to the 'North German organ school'. Thanks to a grant of the town council of Gdansk, Si...

The successful operetta composer Jean Gilbert (pseudonym of Max Winterfeld) was a cousin of Paul Dessau. Dessau composed the piece for the wedding of Mariana Stark, a relative of both Paul Dessau and...

Melchior Schildt (1592-1667) was organist at the Market Church in Hanover and studied with J.P. Sweelinck, among others. As well as two early free compositions for organ (Praeambulum in G) this volume...

Postlude' was one of 10 birthday candles written for Mobius' 10th anniversary and is scored for flute, clarinet, harp and string quartet. At just 3 minutes in length and with a lento tempo marking, 'P...

Like Goehr's quintet for clarinet and strings op. 79, manere is influenced by early music and more specifically the Gregorian chant Sic eum volo manére found in the Graduale Romanorum. The work itself...

The music for 'Soul Catcher' was originally composed as an electroacoustic work for dance commissioned by English Dance Theatre in 1988. Casken later returned to the work and made a new version for ma...

The distinctive, motor-like rhythm and echoes of Arabian folk music characterise the three variations, rich in contrast, for two pianos and percussion. A perfect addition to the modern classics for th...

The formal thinking behind the piece is based on the interaction between individually determined periodic rhythms and a cumulative polyrhythmic overall structure. Although the overall rhythmic structu...

Moritz Eggert (born 1965, Heidelberg) studied both piano and composition in Frankfurt and Münich In 1989 he was one of the winners at the Gaudeamus-Wettbewerb, an international competition for perform...

Singstimmen (SMezA) und Instrumente (Blockflöten, Streich-, Zupf- und Blasinstrumente ad lib.).

This title brings together 'A Choral Fanfare' and 'Signum' of the festival 'Europa Cantat 2006'. The two short telling pieces can also be performed separately a cappella, but the use of brass achieves...

In these unique and exciting arrangements of Renaissance music and dance, Rempel and Kunzman frame their approach to the monophonic melodies with unifying borduns, accompanying Orff instruments, recor...

With this work, Zimmermann created a score just as transparent as effective and witty which is based on the vigorous melody of the Rhenish dances.