Schott Musik

This piece, juxtaposed with a moment of medieval music around the theme of water, is a descent into the mythological depths of the Amazonian peoples. The score, which is neither opera nor oratorio, un...

The text for my work Taivaanvalot is composed of fragments of a story appearing in the Kalevala – a collection of Finnish heroic folk poetry compiled by Elias Lönnrot (1802–1884). As much of it is sim...

Nikolai Kapustins Divertissement op. 126 für Violine, Violoncello und Klavier stammt aus dem Jahr 2005. Das viersätzige Werk liegt nun erstmals in einer Notenausgabe vor.

Das Divertissement op. 91 für 2 Flöten, Violoncello und Klavier komponierte Nikolai Kapustin im Jahr 1998. Er nahm es selbst mit Alexander Korneev (Flöte), Marina Rubinstein (Flöte) und Alexander Zago...

Meine Introduzione e Allegro alla Polacca wurde vom Trio Gaspard als Teil ihres Haydn-Projekts in Auftrag gegeben. Es ist eine bescheidene Hommage an die unnachahmliche Kunst Haydns, die schon sehr fr...

Enttäuscht, dass er mit seinen musikalischen Ambitionen in der Metropole London nicht reüssieren konnte, zog sich der englische Komponist Edward Elgar in die Provinz zurück. Im Sommer des Jahres 1888...

Mozarts bekannte Konzertarie Ch'io mi scordi di te? (KV 505) für Sopran, Klavier und Orchester wurde von Say kongenial für eine kammermusikalische Besetzung eingerichtet. Dies ermöglicht weitere Auffü...

In his piano quintet, Hilli imagines an image of a palace. A jewel that shines brightly, a symbol of wealth and excellence. Celestial beauty that is captivating yet unattainable. A fine musical protra...

The Trio in G major / E minor op. 103 by the Oppenheim composer and pupil of Max Regers can be assigned to the composer's late work on the basis of the opus number, even if no year of composition and...

Erich Wolfgang Korngold’s Lieder des Abschieds op. 14 were composed in 1920–1921, immediately after his most famous opera Die tote Stadt and in close proximity to the Piano Quintet, op. 15. The close...

Kapustin combines his flair for swinging melodies and improvised harmonies in this work. Intrada and Finale is a welcome challenge for sextet formations, but enchants musicians and audience with its l...

The Sonata for clarinet, viola, horn and piano, op. 37 was composed in 1920 (at the latest). The violist Michael Balling, a friend of Johanna Senfter, wrote to the composer about the work, which he ha...

Zimmermann’s original Konfigurationen are of course influenced by Anton Webern’s structural thinking, but draw their tonal charm to a large extent from the highly nuanced handling of resonances throug...

In this piece, I channel my thoughts for all the people who have suffered and are suffering as a result of Russia’s military aggression in Ukraine. Due to unfortunate events, there is an additional de...