Sierra Music Publications

As recorded by the Tonight Show Band on Once More With Feeling (Amherst), this bright, swinging chart is a blast ! Bill Holman is at his best, weaving descending unison lines with the tune stated by t...

As recorded by the Tonight Show Band on Once More With Feeling (Amherst), this is one of Tommy's classic charts .... swinging, inventive and just plain wonderful. The arrangement moves through a serie...

As recorded on 'Tonight Show Band, Vol. 2' (Amherst), Holman has created a warm and wonderful chart on this superb standard. Set in a 'swingy ballad' feel, it features a short trumpet solo (in the 1st...

This wonderful chart is recorded on 'Tonight Show Band, Vol. 2' (Amherst). Once again, Holman takes a fresh look at a great standard tune. Although the piccolo, flute and clarinet doubles make this a...

This piece was never recorded by the Pat Metheny Group. It was 'lost in history' until discovered on a 1985 radio transcription. Pat says this was written for a gig with Charlie Haden, Billy Higgins a...

This was written for Doc Severinsen to premier at the Midwest Band & Orchestra Conference. It is a bright, swinging chart that features trumpet throughout (of course). This can be performed with an ou...

If you're familiar with the great chart on I Can't Stop Loving You that was created for the Basie Band, then you know what this one is about. This tune is set in a heavy shuffle feel, with lots of Bas...

This is a fast-paced, swinging opening movement, with lots of solo space for alto sax, tenor sax, trumpet and drums. There is also plenty of high-powered ensemble playing throughout. This serves as a...

As recorded on Libertango ! Hommage to Astor Piazzolla by the HR Big Band (Germany), this arrangement will surely lift your audiences out of their seats. It features a main soloist of your choice (ori...

Bill Perkins recorded this stunning, swinging arrangement with the Metropole Orchestra. Although there is solo space for tenor saxophone, the real 'star' of this arrangement is the whole ensemble. Rob...

If you're familiar with the great chart on "I Can't Stop Loving You" that was created for the Basie Band, then you know what this one is about. This tune is set in a heavy shuffle feel, with lots of B...

This piece has been in the catalog for a while, but it has been totally recomposed and notated in Finale. It now comes with a full score (and parts). It was written for Stan Kenton, and it features a...

Another re-scoring of the original arrangement done for Stan Kenton. A lower key for younger players. No solo piano. A GREAT CROWD PLEASER which serves as a wonderful encore piece. (10 brass)

This is about an 8-minute, multi-sectional composition. It is beautifully melodic and interesting, while moving from mood to mood and using various tempi and styles. It is a terrific piece to program...

This chart is a sensational version of the old standard, all dressed up with a new look only Holman could create. Lots of counterpoint (surprise!). Humorous and clever. Solo space for trumpet, alto sa...

Holman really gets into his imitative writing with this chart. Solo space for drums, trumpet and alto. 1st trpt. does not go higher than a written D#. Great writing....great chart! 5-4-4-4

Bill Holman's Great Big Band was a sensational ensemble! That album has just been re-issued on Mosaic Records. This chart is an example of Bill's talent for investing old material with brilliant new i...

This chart was recorded by the Count Basie Orchestra on the CD 'I Told You So.' It is a feature for your drummer. It also has solo space for tenor saxophone and piano (a la Basie). This rip-roaring ch...

Exactly as recorded on the View From the Side CD, this wonderful chart was written for Pete Christlieb to be featured on tenor saxophone. It is a tenor feature throughout. Lots of blowing space for yo...

benötigt Sopransax, Klarinette, Flöte und Bass-Klarinette

Joyful Noise Suite 2

Don Sebesky has taken Ellington's melody and created a warm, sensuous chart which will be played for years to come. The ensemble voicings and colorful harmonies are set in a kind of Li'l Darlin'-ish t...

A monumental piece of big band jazz. This was written for Les' fantastic Chicago band. It is an extensive work (about 12 minutes) which features trumpet (or flugelhorn) throughout in various settings...

As the title implies, this chart does not rest for a moment. It moves from one tempo to another, doubling up and then doubling in tempo again. Needless to say, Stop/Go is an exciting excursion into th...

The finale to this wonderful suite is set at a fast pace, with a great theme (unison trombones and tenors to start) and lots of solo spaces for tenor sax, trumpet and drums. Holman really out does him...