Southern Music Company

Almost all flutist are familiar with Karg-Elert's Thirty Caprices, Opus 107. However, his study materials for other instruments, which are also valuable, have been ignored. Arthur Ephross has selected...

Most Drouet's large volume of music has been lost. These excellent studies, however, have survived, and they are most useful at the intermediate level. As with all studies, their value can be enhanced...

This easy to read trill chart covers the entirety of the instrument.

This edition, revised by John Wummer and Jean Albert de la Tournerie, contains detailed and helpful markings in both the accompaniment and solo parts, including dynamics, articulation, and ornamentati...

The Pavane for Oboe (or Flute) and Piano by Paris Conservatory professor and composer Charles-Marie Widor has become a favorite for recitals as well as auditions over the decades.

This adagio and variations is a wonderful recital selection for the advancing flutist, allowing players to showcase their technical skills in a musical a setting.

Composed orignally as the Paris National Conservatory Contest Piece of 1902, this solo for flute and piano is a brilliant contest or recital piece for advancing players.

This is a perfect recital piece for advanced flutists looking to perform 20th Century repertoire written in a contemporary idiom.

These pieces were conceived as a suite, and should be performed as such whenever possible, with an exception for the third movement which can be played alone. Challenging players both technically and...

A piece for unaccompanied clarinet in seven movements, with a variety of styles for an early intermediate student's first solos collection. Movements: I. Slowly and quietly moving, II. Gracefully, III...

Stuart Scott's Egyptian Suite, op. 33, was dedicated to Jane Rowland. This advanced, unaccompanied flute solo references the 4th dynasty of the ancient Egyptian Empire. This dynasty included the great...

This fun solo is wonderful recital or contest selection for the beginning to intermediate flute player.

Fantasia on a Sonata of D. Scarlatti was commissioned by the Houston Music Guild and received its premiere performance by Jan Cole, bass flute and John Paul, Harspichord. As indicated in the title, th...

This theme and variations on the famous 'Carnival of Venice' melody was written by P.A. Genin. This arrangement for flute and guitar was edited by Irene Maddox and Doug James.

Originally for violin (Op. 16), this transcription for flute by Arthur Ephross is technically demanding. It is a wonderful selection for the advanced player.

I. Sheperd's Lament, II. Minuet

Faure's 'Pavane' op. 50 in F# minor was written in 1887. Originally it was conceived as a piano piece, but his version for orchestra and optional chorus is better known. It is the piano reduction of t...

This Sicilienne is from 'Pelleas et Melisande'. Arranged for flute and guitar by Michael Fink and part of the Guitar Plus series.

Originally written for violin and piano, Pable de Sarasate's Romanza Andaluza has been arranged for flute and guitar by Irene Maddox and Doug James. It is part of the Guitar Plus series, Michael Fink,...

This work for unaccompanied flute was written for James Galway. The sonata is in three movements. A fast, but gently moving first movement is followed by a slow, yet intense, middle movement. The thir...