Southern Music Company

This jazz and blues variations on the famous melody is a great selection for intermediate players wanting to add some variety to their recital.

This beautiful, espressivo ballade alternates between duple and triple meters.

Jive Five' is an original solo in up-tempo jazz swing style. Versions for trumpet and baritone are available from the publisher.

This composition offers players the opportunity to play expressively on music that borders on atonality. Arrangements for trumpet, alto saxophone, baritone saxophone, baritone, and cello are available...

This suite for Bb trumpet and piano was arranged by Sergey Balasanian. Movement titles: I. Sweet Reverie II. Old French Air III. Mazurka

This piece for trumpet and piano, edited by Himie Voxman and R.P. Block, is written in as fast-slow-fast single movement.

Calixa Lavallee (1842-1891) was a 19th Century Canadian composer, noted for his varied prolific output. This Meditation was composed for the celebrated cornet virtuoso, Matthew Arbuckle. It is a lyric...

Arthur Pryor, the virtuoso trombonist, wrote this piece in 1897 while touring with the Sousa band. A version for baritone (T.C/B.C), trombone, or cornet is also available from the publisher.

Written for trumpeter Allen Vizzuti, this edition for piano and trumpet includes both the original solo part and a version as performed by Allen Vizzuti.

Sounds from Hudson is a 'valse brillante' (brilliant waltz) by legendary 20th century cornet virtuoso Herbert Clark.

This collection of etudes was written for Talia Paul. They address many aspects of musical performance and technique the player will encounter in contemporary music. Areas of focus include: range, mul...

These twenty etudes by Don Haddad emphasize phrasing and melodic playing in a variety of meters, tempi, and keys for the intermediate to advancing tuba player.

The Prelude is derived from Telemann's Sonata in G Minor and the Allegretto from his Sonata 1 in Bb Major.

This collection of reciitative, song and chorus by Henry Purcell (1658-1695) from Dido and Aeneas serves as a fine example of early opera style and is a wonderful selection for recital or contest play...

These two expressive songs are wondeful recital or contest selections for the intermediate tuba player. Songs: I. Sea Slumber-Song, II. Where Corals Lie

Versions for solo tuba, trombone/baritone, and horn are all available from the publisher.