Southern Music Company

Composed originally for flute and alto flute duo with chamber orchestra, this tuneful and songlike piece was later arranged by the composer for various duo and solo combinations with both orchestra an...

Hubert Bauersachs (1882-1964) was an American violin virtuoso, pianist, transcriber, composer and publisher. He was born in St. Louis, Missouri. He was classically trained receiving violin instruction...

Hubert Bauersachs (1882-1964) was an American violin virtuoso, pianist, transcriber, composer and publisher. He was born in St. Louis, Missouri. He was classically trained receiving violin instruction...

Originally for violin and piano, Dancla's Air Varie on a Theme by Pacini, Op. 89, No. 1 has been transcribed for alto or tenor saxophone and piano by Rami El-Farrah.

Originally for violin and piano, Dancla's Air Varie on a Theme by Pacini, Op. 89, No. 1 has been transcribed for alto or tenor saxophone and piano by Rami El-Farrah.

Transcribed for alto saxophone and piano by Rami El-Farrah, Richard Hofman's Cello Sonatine, Op. 42, No. 2 is a lyrical showcase ideally suited to the abilities of a developing soloist.

Transcribed for tenor saxophone and piano by Rami El-Farrah, Richard Hofman's Cello Sonatine, Op. 42, No. 2 is a lyrical showcase ideally suited to the abilities of a developing soloist.

This baritone aria from Puccini's opera Edgar gives the baritone saxophone soloist a rare opportunity to sing in the upper register. Transcribed by Rami El-Farrah

This baritone aria from Puccini's opera Edgar gives the tenor saxophone soloist a rare opportunity to sing in the upper register. Transcribed by Rami El-Farrah

This lyrical and beautifully melancholy melody was originally written for the English horn with piano. This transcription by Tristan Willems includes parts for both alto and soprano saxophones.

This serenade from Haydn's String Quartet Op. 3, No. 5 (Andante Cantabile) is a beautifully lyrical selection for the intermediate player. Arrangements by Elwyn Wienandt are available from the publish...

Firmly established as one of the most performed alto saxophone solos on contest and festival lists throughout the world. This solo piece, originally written for oboe and continuo in C minor, includes...

This arrangement for tenor saxophone by Harry Gee includes and Andante in 3/4 followed by an Allegro in a 6/8 which includes quick slur-staccato patterns and a few large leaps to both the upper and lo...

This arrangement by Cailliet is a great recital or contest selection for the intermediate saxophone quartet (SATB), offering the opportunity to focus on technical skills such as articulation, grace no...

Opening with the full melody played entirely by solo baritone sax, this arrangement for SATB saxophone quartet follows with a very standard harmonization and voicing of Beethoven's most famous melody...

Due to the origins of this piece as a vocal work, performers are encouraged to consider alternate styles of articulation. One alternative interpretation can be seen on the piano score. The artist perf...

Songs: I. Standchen, II. O kühler Wald, III. Minnelied, IV. Sonntag, V. Vergebliches Ständchen

Los Colores de Fiesta was commissioned by the Pride of San Antonio Show Band to celebrate the year-long 300th Anniversary Fiesta of the city in 2018. As a former member of the South San Antonio and Jo...

Carpe Diem was written for the Argyle Secondary School in Vancouver and premiered at the final senior band concert of 2016, with the composer conducting his peers. The work is intended to have fun par...

Commissioned by the Durham Middle School Wind Ensemble in Lewisville, Texas, in the Fall of 2019, for its first performance under their new Director, Ms. Ellie Murphy, Kings and Angels Dancing begins...

Like most of Leroy Anderson's efforts, Belle of the Ball is light, effervescent, and devoid of conflict or disharmony. Anderson looked upon the piece as a modern-day American revival -- or revitalizat...