Southern Music Company

This jazz band method is designed as training material for any number of heterogenous instruments and is written in unison for C, B-flat, E-flat, and Bass Clef instruments. Rhythm parts are provided f...

This jazz band method is designed as training material for any number of heterogenous instruments and is written in unison for C, B-flat, E-flat, and Bass Clef instruments. Rhythm parts are provided f...

This jazz band method is designed as training material for any number of heterogenous instruments and is written in unison for C, B-flat, E-flat, and Bass Clef instruments. Rhythm parts are provided f...

This jazz band method is designed as training material for any number of heterogenous instruments and is written in unison for C, B-flat, E-flat, and Bass Clef instruments. Rhythm parts are provided f...

This jazz band method is designed as training material for any number of heterogenous instruments and is written in unison for C, B-flat, E-flat, and Bass Clef instruments. Rhythm parts are provided f...

This piece, written for two flutes and string orchestra, has been edited by Louis Moyse and can be played by two flutes or flute and oboe. A piano reduction is also available from the publisher.

Commissioned by the brass choir of Ithica, New York High School, Ronald Socciarelli, cond. Movement titles: 1. Sounds of Clusters 2. Scales and Skips 3. Miniature March 4. Interrupted Song 5. Toccatin...

Thomas Tyra's 'Suite for Brass and Tympani' is scored for 3 trumpets, 4 horns, 4 trombones, baritone, tuba, and timpani. The work is in three movements: I. Fanfare, II. Chorale, III. Finale

Thomas Tyra's 'Suite for Brass and Tympani' is scored for 3 trumpets, 4 horns, 4 trombones, baritone, tuba, and timpani. The work is in three movements: I. Fanfare, II. Chorale, III. Finale

The excerpts in this transcription were chosen from the choruses of this oratorio and include both lyric and dramatic types. The introductory solo recitative is followed by three choral sections: 'Baa...

This version of the famous melody by J.S. Bach has been arranged for brass choir (3 trumpets, 2 horns, 2 trombones, baritone, tuba) and optional tympani by Fisher Tull.

This version of the famous melody by J.S. Bach has been arranged for brass choir (3 trumpets, 2 horns, 2 trombones, baritone, tuba) and optional tympani by Fisher Tull.

This sonata (from 'Canzoni e Sonate') is comparable to Gabrieli's 'Pian 'e Forte' since both were written for two, four-voiced choirs, and both were among the first compositions to have designated dyn...

This arrangement of the prelude and fanfare for brass choir from 'The Fairy-Queen' (1692; Purcell catalogue number Z.629) is a masque or semi-opera by Henry Purcell; a 'Restoration spectacular'. The l...

This three-movement piece for brass choir adopts the fast-slow-fast form, with the third movement a recapituation of the 1st.

A three movement work written for brass sextet. Gives a developing ensemble practice asymetrical meters. Scored for two trumpets, horn, trombone, baritone and tuba.

A three movement work written for brass sextet. Gives a developing ensemble practice asymetrical meters. Scored for two trumpets, horn, trombone, baritone and tuba.

This suite for brass and percussion is in four movements: I. Homage to Gabrieli II. Sound Game III. Veneration IV. Jubilation. Dedicated to Leon F. Brown and commissioned by his students and friends.

This suite for brass and percussion is in four movements: I. Homage to Gabrieli II. Sound Game III. Veneration IV. Jubilation. Dedicated to Leon F. Brown and commissioned by his students and friends.