Southern Music Company

2007 Texas University Interscholatic League Sightreading for 1B and 1C Varsity Tenor-Bass (TTB) Choirs and 3B, 2B, 1B, 3C, 2C, and 1C Non-Varsity Tenor-Bass (TTB) Choirs. Text by Lord Byron.

As the title suggests, this up-tempo number is a swingin' jazz-style show stopper for percussion octet. Instruments list: bells, xylophone, marimba, vibes, chimes, kameso, timpani, tom-toms, bongos, a...

As the title suggests, this up-tempo number is a swingin' jazz-style show stopper for percussion octet. Instruments list: bells, xylophone, marimba, vibes, chimes, kameso, timpani, tom-toms, bongos, a...

Antonio Carlos Jobim (1927-1994) was a composer, songwriter, and singer who combined Brazilian samba and jazz to create the bossa nova style, which achieved worldwide popularity in the early 1960s. Hi...

This piece for saxophone quartet (AATB) opens with the ballad, moves to the waltz section, and closes with a return to the ballad theme. The harmonic language for both sections is rooted in common jaz...

This jazz variations on the famous spiritual includes both improvisational sections and cadenzas.

Though in 1744 Handel presented the oratorio BELSHAZZAR as an oratorio, or religious work, it was later staged many times operatically. The opening should be neither too slow or too fast, and perhaps...

Dating prior to the Civil War, Every Time I Feel the Spirit is one of the most beloved spirituals. Like many spirituals, this one is both a song and a prayer. This arrangement begins with a driving ei...

This intermediate arrangement is for string orchestra or string quartet with optional bass.

It is assumed the player has mastered the fundamentals of correct embouchure and tone production and is now ready to attach the problem of moving the fingers quickly. These etudes have been compiled t...