Southern Music Company

This collection contains four original works in different Latin American styles. Two Hears is written in the slow and sultry fashion of the Afro-Peruvian lando. Brazilian Rondo is a Brazilian samba wi...

This breakthrough piece by Argentine composer Astor Piazzolla has been arranged for tango band by Tristan Willems.

Hebrew Dance is the third of four Hebraic Pictures in the Klezmer tradition, a series of short pieces arranged for clarinet and piano by Simeon Bellison and edited by Sidney Forrest.

The Maypole' by Jacob Weinberg is the 4th movement of his Four Hebraic Pictures in the Klezmer Tradition. This arrangement for clarinet and piano is by Simeon Bellison, edited by Sidney Forrest. This...

Written as a tribute to the Army Paratrooper team, this tuneful, mid-tempo march contains interesting parts for each section, with a short drum break before the trio that makes the piece a good choice...

From Grainger: Gum-suckers is a nick-name for Australians hailing from the state of Victoria, the home state of the composer. The leaves of the 'gum' (Eucalyptus) trees are very refreshing to suck in...

Hail to the 514th is a lively march in a traditional style by West Texas A&M University Professor Emeritus and master band composer Gary Garner. The work is a salute to the 514th Air Force Band and wa...

Sousa composed this march at the request of his nephew, who was sponsoring his uncle's entrance into the Ancient Arabic Order of Nobles of the Mystic Shrine in 1922. The following year, the march rece...

This march was written for the Durham MS Band in Lewisville, TX, an enthusiastic group of young musicians, growing in their technique and musicality and eager to sound like the big kids. Pride of the...

GLENDOWER is a delightful march in 6/8 meter. It has a few dynamic twists to keep your players on their toes and the audience fully invested in the performance. It is a wonderful addition to the reper...

Originally published in 1961, THE BAND OF BANDS was composed for the Wisconsin Band Masters. It is unique in style, with terrific melodies and interesting harmonic changes. It makes a wonderful change...

This piece is part of the Music Your Band Can Play series, a series dedicated to providing familiar folk songs, carefully selected and properly arranged for the elementary band program, in an effort t...

This piece is part of the Music Your Band Can Play series, a series dedicated to providing familiar folk songs, carefully selected and properly arranged for the elementary band program, in an effort t...

This piece is part of the Music Your Band Can Play series, a series dedicated to providing familiar folk songs, carefully selected and properly arranged for the elementary band program, in an effort t...

This march for beginning band and bass drum solo gives young percussionists an opportunity to shine early in their education.

This piece for beginning to intermediate band weaves together well-known American anthems including: 'Nobody Knows the Trouble I've Seen,' 'Red River Valley,' 'Billy Boy,' 'When Johnny Comes Marching...

Three of the movements of 'Symphonie Fantastique' have been transcribed for band and are available from he publisher: Movement II- 'Un Bal', Movement IV- 'March To The Scaffold', and Movement V- 'Drea...

Eric Osterling (1926-2005), sometimes referred to as the 'Schubert' of the band world due to his unusual give for melody, was a noted band composer and Director of Music for the Portland, Connecticut...

Castle Gap Pass, which is located west of Rankin, Texas between King and Castle Mountains, has a long history of being used as a busy crossroad for nomadic tribes of Indians, by marauding Comanches to...

This work is easily approachable for most bands in the area of technique but requires the highest concern for phrasing and musicality. Reflections Past was commissioned by the outstanding Camden High...

As the title suggests, this march is written in the ragtime style of the 1920s and 1930s. An optional banjo part is included in the scoring.

As the title suggests, this march is written in the ragtime style of the 1920s and 1930s. An optional banjo part is included in the scoring.