Symétrie
The title of this piece comes from the magnificent great Gregorian antiphon Salve Regina, probably written in the 11th century that has been since inspiring musicians for almost a thousand years. This...
The title of this piece comes from the magnificent great Gregorian antiphon Salve Regina, probably written in the 11th century that has been since inspiring musicians for almost a thousand years. This...
- Mixed Choir (SATB) and Organ
- Score
- Symétrie
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This edition of the Variations on a theme by Gluck is based on the sole existent source, that is, the edition published during the composer's lifetime by Gambaro of Paris. The opening theme, on which...
This edition of the Variations on a theme by Gluck is based on the sole existent source, that is, the edition published during the composer's lifetime by Gambaro of Paris. The opening theme, on which...
- Piano
- Sheet Music
- Michael Bulley
- Symétrie
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This edition of the Sonata in G major, Op. 46, No. 1, is based on that of the Trois Sonates pour le Pianoforte (Three Sonatas for Pianoforte) published in 1804 by Breitkopf & Härtel. With the exceptio...
This edition of the Sonata in G major, Op. 46, No. 1, is based on that of the Trois Sonates pour le Pianoforte (Three Sonatas for Pianoforte) published in 1804 by Breitkopf & Härtel. With the exceptio...
- Piano
- Sheet Music
- Michael Bulley
- Symétrie
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This edition of the Sonata in B flat major, Op. 46, No. 2, is based on that of the Trois Sonates pour le Pianoforte (Three Sonatas for Pianoforte) published in 1804 by Breitkopf & Härtel. With the exc...
This edition of the Sonata in B flat major, Op. 46, No. 2, is based on that of the Trois Sonates pour le Pianoforte (Three Sonatas for Pianoforte) published in 1804 by Breitkopf & Härtel. With the exc...
- Piano
- Sheet Music
- Michael Bulley
- Symétrie
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This edition of the Sonata in E major, Op. 46, No. 3, is based on that of the Trois Sonates pour le Pianoforte (Three Sonatas for Pianoforte) published in 1804 by Breitkopf & Härtel. With the exceptio...
This edition of the Sonata in E major, Op. 46, No. 3, is based on that of the Trois Sonates pour le Pianoforte (Three Sonatas for Pianoforte) published in 1804 by Breitkopf & Härtel. With the exceptio...
- Piano
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- Michael Bulley
- Symétrie
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This edition of the work entitled Fantaisie sur un thème de Frescobaldi (Fantasia on a theme by Frescobaldi), composed around 1800, is based on the sole surviving source, namely the manuscript Ms 1206...
This edition of the work entitled Fantaisie sur un thème de Frescobaldi (Fantasia on a theme by Frescobaldi), composed around 1800, is based on the sole surviving source, namely the manuscript Ms 1206...
- Piano
- Sheet Music
- Michael Bulley
- Symétrie
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This edition of the 57 Variations on a theme by Grétry is based on the sole existing source, namely, the edition published by Zetter in Paris in 1824 under the title Étude de Piano ou 57 Variations su...
This edition of the 57 Variations on a theme by Grétry is based on the sole existing source, namely, the edition published by Zetter in Paris in 1824 under the title Étude de Piano ou 57 Variations su...
- Piano
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- Michael Bulley
- Symétrie
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This Sonata was initially conceived (in 1995) for solo cello. It rapidly proved unplayable in this form. In 1996 it was entirely recast for two cellos. This was not simply a matter of transcribing it,...
This Sonata was initially conceived (in 1995) for solo cello. It rapidly proved unplayable in this form. In 1996 it was entirely recast for two cellos. This was not simply a matter of transcribing it,...
- Cello Duet
- Sheet Music
- Nicolas Bacri
- Symétrie
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Known above all for his operas, such as Manon (1884), Werther (1892) and Thaïs (1894), Jules Massenet (1842-1912) also left nearly 300 art songs for voice and piano or orchestral accompaniment. Most o...
Known above all for his operas, such as Manon (1884), Werther (1892) and Thaïs (1894), Jules Massenet (1842-1912) also left nearly 300 art songs for voice and piano or orchestral accompaniment. Most o...
- Piano and Voice
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- Jean-Christophe Branger
- Symétrie
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Refus (1901) It was not until its publication on the 12th of January 1901 in Le Figaro that Refus was acknowledged to be one of Massenet's works. However, it marked the beginning of an interesting but...
Refus (1901) It was not until its publication on the 12th of January 1901 in Le Figaro that Refus was acknowledged to be one of Massenet's works. However, it marked the beginning of an interesting but...
- Piano and Voice
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- Jean-Christophe Branger
- Symétrie
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Massenet composed Amoureux d'une étoile in August 1911, just one year before his death on the 13th of August 1912. The poem comes from a collection by Vice Admiral Eugène de Jonquières (1850-1919),...
Massenet composed Amoureux d'une étoile in August 1911, just one year before his death on the 13th of August 1912. The poem comes from a collection by Vice Admiral Eugène de Jonquières (1850-1919),...
- Piano and Voice
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- Jean-Christophe Branger
- Symétrie
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The composer, known for his power of seduction, thus put his work at the service of his public image. He needed the press which, in turn, wished to benefit from his assistance, so much so that his pop...
The composer, known for his power of seduction, thus put his work at the service of his public image. He needed the press which, in turn, wished to benefit from his assistance, so much so that his pop...
- Piano and Voice
- Score
- Jean-Christophe Branger
- Symétrie
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Already practised in the salons of the second half of the 18th century, the genre of the romance experienced an unprecedented vogue under the Empire and then the Restoration. Defined in Jean-Jacques R...
Already practised in the salons of the second half of the 18th century, the genre of the romance experienced an unprecedented vogue under the Empire and then the Restoration. Defined in Jean-Jacques R...
- Piano and Voice
- Score
- Céline Carenco Nicolas Moron
- Symétrie
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These poetic 'collages' were born from a freedom left to words to arrange themselves in images, almost without the assent of thought. I say 'almost'. In this field, regardless of what one might allege...
These poetic 'collages' were born from a freedom left to words to arrange themselves in images, almost without the assent of thought. I say 'almost'. In this field, regardless of what one might allege...
- Medium Voice and Piano
- Sheet Music
- Symétrie
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Contrary to my custom, I decided to bring together in this cahier songs set to poems by three different writers. Their date of composition, which provides this (false) semblance of title, would certai...
Contrary to my custom, I decided to bring together in this cahier songs set to poems by three different writers. Their date of composition, which provides this (false) semblance of title, would certai...
- Medium Voice and Piano
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- Symétrie
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I came to Reverdy late - I was already in my twenties - through two verses from Les Ardoises du toit, that I happened to be leafing through by chance at a friend's home: 'The last belltower still stan...
I came to Reverdy late - I was already in my twenties - through two verses from Les Ardoises du toit, that I happened to be leafing through by chance at a friend's home: 'The last belltower still stan...
- Medium Voice and Piano
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- Symétrie
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In the preface to my Trois Poèmes de Supervielle, recently published by Symétrie, I describe his poetry as 'familiar, peaceful and reassuring', deeming it 'faithful to all stages of our life'. But I d...
In the preface to my Trois Poèmes de Supervielle, recently published by Symétrie, I describe his poetry as 'familiar, peaceful and reassuring', deeming it 'faithful to all stages of our life'. But I d...
- Medium Voice and Piano
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I can never repeat too often how much my taste in poetry - a certain kind of poetry - is indebted to Georges Schehadé. After a childhood carpeted with Victor Hugo's alexandrines, and an adolescence in...
I can never repeat too often how much my taste in poetry - a certain kind of poetry - is indebted to Georges Schehadé. After a childhood carpeted with Victor Hugo's alexandrines, and an adolescence in...
- Medium Voice and Piano
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- Symétrie
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Only seven secular compositions of his larger musical output have survived. Despite the small sample size, Pierre Fontaine's songs exhibit an originality and beauty that foreshadowed those of his famo...
Only seven secular compositions of his larger musical output have survived. Despite the small sample size, Pierre Fontaine's songs exhibit an originality and beauty that foreshadowed those of his famo...
- 2-4 Voices
- Sheet Music
- Mathias Le Rider
- Symétrie
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La Légende de saint Nicolas (The Legend of Saint Nicholas) The Legend of Saint Nicholas was published on 1 January 1880 in the first issue of Saint-Nicolas: Journal illustré pour garçons et filles, a...
La Légende de saint Nicolas (The Legend of Saint Nicholas) The Legend of Saint Nicholas was published on 1 January 1880 in the first issue of Saint-Nicolas: Journal illustré pour garçons et filles, a...
- Piano and Voice
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- Jean-Christophe Branger
- Symétrie
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Recently discovered, Reynaldo Hahn's Sagesse cycle, inspired by Verlaine's collection, is among the works composed during his romantic relationship with Marcel Proust, between 1894 and 1896. He first...
Recently discovered, Reynaldo Hahn's Sagesse cycle, inspired by Verlaine's collection, is among the works composed during his romantic relationship with Marcel Proust, between 1894 and 1896. He first...
- Medium Voice and Piano
- Choral Score
- Philippe Blay Jean-Yves Aizic
- Symétrie
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In a tale by Anatole France, the king of Persia wanted to learn 'the universal history of men'. However, his scholars having taken so long in compiling the volumes, he will no longer have the time to...
In a tale by Anatole France, the king of Persia wanted to learn 'the universal history of men'. However, his scholars having taken so long in compiling the volumes, he will no longer have the time to...
- Medium Voice and Piano
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- Symétrie
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My liking for Schehadé dates back to when I was very young. One of my aunts acted as secretary to the poet, and in the silken cocoon of those long afternoons when she was typing out the chansonnettes...
My liking for Schehadé dates back to when I was very young. One of my aunts acted as secretary to the poet, and in the silken cocoon of those long afternoons when she was typing out the chansonnettes...
- Medium Voice and Piano
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Those who feel intimidated by Le Soulier de satin or the Cinq Grandes Odes (and at the same time fascinated—and dwarfed—by their sheer immensity) are surprised, on opening his Phrases pour éventails,...
Those who feel intimidated by Le Soulier de satin or the Cinq Grandes Odes (and at the same time fascinated—and dwarfed—by their sheer immensity) are surprised, on opening his Phrases pour éventails,...
- Medium Voice and Piano
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My liking for Schehadé dates back to when I was very young. One of my aunts acted as secretary to the poet, and in the silken cocoon of those long afternoons when she was typing out the chansonnettes...
My liking for Schehadé dates back to when I was very young. One of my aunts acted as secretary to the poet, and in the silken cocoon of those long afternoons when she was typing out the chansonnettes...
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