Theodore Presser Company Sheet Music

Ravel's TZIGANE is among the only concerto-like violin solos from the coloristically rich Impressionist repertoire. This exotic showpiece is thoroughly infused with melodies and accompaniments in the...

For Contrabass Solo. Classical. Soft Cover. 15 pages.

Inspired by a commissioned premiere at the International Clarinet Association's 2013 ClarinetFest in Assisi; and by his penchant for creating musical works depicting nature; composer and bass clarinet...

Arranged and Edited from Music of the Sixteenth to Eighteenth Centuries

Arranged by Ryohei Nakagawa. For Flute, Oboe, Clarinet, French Horn, Bassoon.

Edited by Henri Elkan, Gregor Piatigorsky. Arranged by Gregor Piatigorsky. For Viola Solo and Piano accompaniment. Classical. Score and parts. 8 pages.

Dance Set for Unaccompanied Contrabassoon

By Lowell Liebermann. For Flute, Guitar. Premiered by Paula Robison, Flutem, and Eliot Fisk, Guitar, March 15, 1989 at St. Paul's Chapel, New York City. Score and parts. Composed 29-May-88. Opus 25. 1...

By Lowell Liebermann. For Flute. Classical. Solo part. Composed 1993. Opus 44. 6 pages. Duration 5:00.

For solo Flute

The beauty and elegance of Gary Schocker's neo-baroque inspirations, and the charming French influence on his language come together in this ravishing suite. Schocker's picturesque movements are prese...

A songbook for flute; Memory Book includes five sonic poems; each with a strong melodic line; a Schocker signature. Here; Gary muses on: Remembering; Orange Moon; Enter December; That Night and Dragon...

For Bb Clarinet and Piano

Amanda Harberg's Sonata for Bb Clarinet and Piano is a substantial addition to the clarinet repertoire. With a uniquely American sound, Harberg gives voice to the clarinet's expressive and virtuosic p...

By Jiri Laburda. For Guitar, Contrabass, Cello. Classical. Set of performance scores. 12 pages.

For Trumpet, Piano.

For Trumpet Solo. Classical. Solo part. Opus 127. 3 pages. Duration 4:20.

The Hollow Men is firmly rooted in American symphonic tradition and is an evocative response to the poems of T.S. Elliot. This piece is arranged for solo trumpet and piano accompaniment.

For Unaccompanied Tuba

For Violin and Piano

For Violin and Piano

A Spiritual