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In the second half of the 19th century, in Italy, melodrama was still the most practised musical genre, but space for instrumental production began to grow, especially thanks to the “Quartet societies...
In the second half of the 19th century, in Italy, melodrama was still the most practised musical genre, but space for instrumental production began to grow, especially thanks to the “Quartet societies...
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This volume includes Episodi and Duetti by Alessandro Spazzoli, a pupil from long ago who has remained a friend. In it, there are two series of short compositions which easily go beyond their inborn d...
This volume includes Episodi and Duetti by Alessandro Spazzoli, a pupil from long ago who has remained a friend. In it, there are two series of short compositions which easily go beyond their inborn d...
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This edition of the Messa del Sig.re Niccolò Piccinni is based on the manuscript copies of the time (carried out by several copyists) of the separate parts - soprano, contralto, tenore, basso, tromba...
This edition of the Messa del Sig.re Niccolò Piccinni is based on the manuscript copies of the time (carried out by several copyists) of the separate parts - soprano, contralto, tenore, basso, tromba...
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The following edition of Tomaso Albinoni's 12 Balletti a Quattro is based on the copy kept in Vienna among the 'Estensische Musikalien' in the National Library of Vienna (catalogue number EM 94/94). T...
The following edition of Tomaso Albinoni's 12 Balletti a Quattro is based on the copy kept in Vienna among the 'Estensische Musikalien' in the National Library of Vienna (catalogue number EM 94/94). T...
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The following edition of Tomaso Albinoni's 12 Balletti a Quattro is based on the copy kept in Vienna among the 'Estensische Musikalien' in the National Library of Vienna (catalogue number EM 94/94). T...
The following edition of Tomaso Albinoni's 12 Balletti a Quattro is based on the copy kept in Vienna among the 'Estensische Musikalien' in the National Library of Vienna (catalogue number EM 94/94). T...
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