University Of York Music Press

An anthology of new songs for voice and Piano on poems by Ursula Vaughan Williams. > Nicola LeFanu Finding, for Baritone and Piano > Jeremy Dale Roberts Spoken to a Bronze Head, for Mezzo Soprano/So...

The song repertoire has its origins in the late nineteenth century when every household had a piano and for much of the twentieth century, singers and their pianist collaborators were able to create r...

Canciones Sobre Poemas based on poems by Eduardo Hurtado: 'Globo', 'Luciérnagas' and 'Faro'. 13'; for voice and piano.

David Blake's Songs And Epigrams for Voice and Piano. Performing score. This collection of 11 songs incorporates text by 8 different writers. The pieces together total 35 minutes. Songs include: A Swa...

Moj e Bukura Moré (My Beautiful Morea) has its origin in Southern Italy, in Calabria, where an Albanian community has lived for more than 500 years, and so has the song! The tenderness of the melodic...

Elisabeth Lutyens ' The Numbered : an opera in Prologue and Two Acts. For 13 singers, 2 trebles, 3 male speakers, mixed chorus and orchestra. Based on the play 'Die Befristeten' by Elias Canetti (tran...

Jeremy Dale Roberts ' Beautiful Lie The Dead. Three songs for Voice and Piano. 1. DIRGE (from 'Death's Jestbook') (Text: Thomas Lovell Beddoes) 2. THE MOURNER (W. H. Davies) 3. BEAUTIFUL LIE THE DEAD...

Icarus is the third collaboration between David Blake and Keith Warner : an opera lasting 90 minutes without interval, for five principal singers and six Witnesses, who sing as commentators, crowd and...

For Flute, Clarinet, Violin, Cello, Piano. Published 2000. First performance: Pontino Festival, Latina, Italy, June 2000, Ensemble Alternance, for Luis de Pablo's 70th birthday

For Flute, Clarinet, Violin, Cello, Piano. Published 2000. First performance: Pontino Festival, Latina, Italy, June 2000, Ensemble Alternance, for Luis de Pablo's 70th birthday

Vocal score for Differences In Demolition, A Sevdah Opera by Nigel Osborne. For soprano or high mezzo, mezzo soprano, tenor and 2 baritones, with orchestra of clarinet in Bb (doubling clar in Eb & bas...

For SATB choir. First performed by the Estonian Philharmonic Chamber Choir, conducted by Daniel Reuss, 'Dias da Musica Festival', Lisbon. Centro Cultural de Belem, Pequeno Auditorio, 28th April 2012.

MURAL has been composed by James Weeks for one or more SATB quartets. This work also has two covers, one for the preliminary page booklet (marked 'Performance Notes'), and a second to engulf a shrink-...

A genre-defying collection of songs for female vocal trio, Songspin Songbook is a collaboration between Juice Vocal Ensemble and UYMP, funded by an Arts Council England grant. Described as 'the 21st c...

Cruel Sister for three voices (SSA), a traditional ballad arranged by Sarah Dacey. Duration: 4 minutes. Composed: 2010 Also published as part of UYMP's Songspin Songbook, ISMN M 57036 603 3. This murd...

Venetian Sky was commissioned by Sage Gateshead. It was written for the second CoMA Festival of Contemporary Music for All and first performed by all-comer workshop participants, alongside members of...

15th century lyric 'I syng of a mayden'

For Variable Orchestra (Woodwind, Brass, Strings).

For variable school ensemble - could include 4 wind, 2 brass, 2 tuned percussion, variable strings (including guitar, mandolin).

Published 2001. Commissioned by Sinfonia Iwakuni, Japan. First performance: Iwakuni, Japan, conducted by Nobuaki Tanaka, 3rd March 2002.

Laurence Roman's Columba Canticles was composed in 2013 for Narrator, SATB Chorus, Uilleann pipes, Harp and String Orchestra. This reduction is for Narrator, SATB Choir and Piano. Duration: 41 minutes...

For choir (SSATB) and Organ. Published 2004. Commissioned by St Catharine's College Cambridge for the 300th anniversary of the consecration of the chapel. First performance: Dr Edward Wickham, Max P...