Warwick Music

These melodic duets are expanded and compiled from many of my favourite studies written for various Warwick Music publications. They are designed to be played by 2 same-pitched instruments.  The upper...

Winner of the Guildhall School of Music and Drama Young Artists Composition Competition 2024

Twenty fun pieces aimed at the younger player.

Twenty fun pieces aimed at the younger player.

Alto Saxophone version of Mark Nightingale's modern suite. 

Tenor Saxophone version of Mark Nightingale's modern suite. 

A one-movement piece for conventional SATB saxophone quartet, Punctus Einz is dedicated to the excellent Aurelia Saxophone Quartet, members of which are drawn from the Netherlands Wind Ensemble. Tradi...

Drifting & Dreaming is intentionally direct in its compositional approach. Beginning with a relaxed and pianistic, Satie-esque opening, the piece develops by way of increasingly chromatic harmony, and...

The primary compositional focus in this childlike rhythmic piece is the intervallic fourth which is utilised throughout. Using a walking bass line as a reference point, various relatively complicated...

Purest Green took its name not from the pleasant surroundings of Greenwich Park, close to where the composer was studying at the time, but from a line in the BBC TV sitcom Blackadder II. The compositi...

The Quartet for Saxophones is in three movements, The Chase, Into the Dark and Ballet Mécanique, the mood of each is perfectly reflected in its title. Having a deep knowledge of the instrument, John R...

This volume contains 30 of the best known Christmas carol tunes arranged straightforwardly for two saxophones in the same key; the tune is always in the first part, the second part is only slightly mo...

A full three movements sonata for alto saxophone and piano, the movements being marked Allegro, Andante, Andante/Allego. It can be performed by a proficient player at an intermediate level or one at a...

A fun piece for Saxophone Quartet with a Spanish feel, as can be expected from the title. Starting confidently there follows a central, more reflective section, which accelerates to a final eight bars...

The composer’s first impressions of New York were from the deck of the Queen Mary 2 before light . Gradually, as the dawn mist lifted, the shape of the New York skyline came into view. On visiting Cen...