Editions Bim

Double Jeu is a four-movement work inspired by the 4 suits of a card game: 1st diamonds, 2nd clubs, 3rd coeur, 4th spades. It was written for the double bass players Richard Dubugnon and Thierry Barbé...

Double Jeu is a four-movement work inspired by the 4 suits of a card game: 1st diamonds, 2nd clubs, 3rd coeur, 4th spades. It was written for the double bass players Richard Dubugnon and Thierry Barbé...

Richard Lane composed this suite in 1985 for the guitar duo Bonenberger - LeBlanc, which was very popular in the USA at the time. Peaceful and delicate music by Richard Lane, where the melodic lines d...

The image of ashes blown away by the wind was permanently in my mind while I was composing this work. Though the four guitars are drawing musical circular lines, the slightest direction change of one...

The image of ashes blown away by the wind was permanently in my mind while I was composing this work. Though the four guitars are drawing musical circular lines, the slightest direction change of one...

2 drum sets.

2 drum sets.

Richard Lane and I were both drafted into the U.S. Army in October, 1956 and met during our second session of basic training at the Band School, Ft. Dix, New Jersey in January, 1957. We became immedia...

The music left by the Czech composers imprisoned in Terezin and then murdered by the Nazis during World War II is one of the marvels of twentieth century art. Had they lived and continued to write, th...

This string quartet was written at the request of the Sebastian String Quartet. These musical postcards express the composer's deep and intimate feelings for the beautiful places on Earth. Boston Blu...

The idea came to me suddenly: It would be Undine or Ophelia, in any case with a connection to water. When I reread the two stories, I decided on Shakespeare's heroine Ophelia, a touching portrayal of...

The Fantasia was commissioned by the Terezin Music Foundation in 2003. The term 'virtual', borrowed from contemporary cyberspace usage, refers to the fact that the choral is not really there - that is...

The brevity of my Quatuor No. 1, op. 60 and the little piece Alligun were probably the incentive to undertake the composition of a more extensive string quartet at an advanced age. It seemed urgent to...