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The most frequently performed part of the Baudelaire cycle by Vladimir Genin, Les Fleurs du Mal, is composed on the poet's most famous verses - L'invitation au voyage. The atmosphere of this poem, at...
The most frequently performed part of the Baudelaire cycle by Vladimir Genin, Les Fleurs du Mal, is composed on the poet's most famous verses - L'invitation au voyage. The atmosphere of this poem, at...
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The most frequently performed part of the Baudelaire cycle by Vladimir Genin, Les Fleurs du Mal, is composed on the poet's most famous verses - L'invitation au voyage. The atmosphere of this poem, at...
The most frequently performed part of the Baudelaire cycle by Vladimir Genin, Les Fleurs du Mal, is composed on the poet's most famous verses - L'invitation au voyage. The atmosphere of this poem, at...
- Voice (high), Violin, Viola, Cello and Piano
- Piano Score and Part(s)
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The most frequently performed part of the Baudelaire cycle by Vladimir Genin, Les Fleurs du Mal, is composed on the poet's most famous verses - L'invitation au voyage. The atmosphere of this poem, at...
The most frequently performed part of the Baudelaire cycle by Vladimir Genin, Les Fleurs du Mal, is composed on the poet's most famous verses - L'invitation au voyage. The atmosphere of this poem, at...
- Voice (high), Violin, Viola, Cello and Piano
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Wind Orchestra
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Wind Orchestra
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This book contains primarily studies for warming-up, lip-flexibility and technique, intended for professionals. But the beginner will also be able to make good use of the first exercises in each serie...
This book contains primarily studies for warming-up, lip-flexibility and technique, intended for professionals. But the beginner will also be able to make good use of the first exercises in each serie...
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For a quick and easy warm-up
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For a quick and easy warm-up
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The Changing Meter Studies are intended to provide the student with practical exercises dealing with changing meters as they occur in much contemporary music. The format for these studies is as follow...
The Changing Meter Studies are intended to provide the student with practical exercises dealing with changing meters as they occur in much contemporary music. The format for these studies is as follow...
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The Changing Meter Studies are intended to provide the student with practical exercises dealing with changing meters as they occur in much contemporary music. The format for these studies is as follow...
The Changing Meter Studies are intended to provide the student with practical exercises dealing with changing meters as they occur in much contemporary music. The format for these studies is as follow...
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antiphonal strings, 14 brass and percussion Exact instrumentation: 4 horns, 4 trumpets, 2 trombones, 2 tubas - xylophpone, glockenspiel, woodblock - strings (antiphonal)
antiphonal strings, 14 brass and percussion Exact instrumentation: 4 horns, 4 trumpets, 2 trombones, 2 tubas - xylophpone, glockenspiel, woodblock - strings (antiphonal)
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antiphonal strings, 14 brass and percussion Exact instrumentation: 4 horns, 4 trumpets, 2 trombones, 2 tubas - xylophpone, glockenspiel, woodblock - strings (antiphonal)
antiphonal strings, 14 brass and percussion Exact instrumentation: 4 horns, 4 trumpets, 2 trombones, 2 tubas - xylophpone, glockenspiel, woodblock - strings (antiphonal)
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3(picc).3(eh).3(bcl).2(cbs)- 4.4.3.1- percussion, piano, strings
3(picc).3(eh).3(bcl).2(cbs)- 4.4.3.1- percussion, piano, strings
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3(picc).3(eh).3(bcl).2(cbs)- 4.4.3.1- percussion, piano, strings
3(picc).3(eh).3(bcl).2(cbs)- 4.4.3.1- percussion, piano, strings
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Symphony orchestra: 2(picc).2.2.2-4.2.3.1-timpani, percussion, harp, strings
Symphony orchestra: 2(picc).2.2.2-4.2.3.1-timpani, percussion, harp, strings
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Symphony orchestra: 2.2.2.2-4.3.3.1-harp, piano, percussion and strings
Symphony orchestra: 2.2.2.2-4.3.3.1-harp, piano, percussion and strings
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Symphony orchestra: 2.2.2.2-4.3.3.1-harp, piano, percussion and strings
Symphony orchestra: 2.2.2.2-4.3.3.1-harp, piano, percussion and strings
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Symphony Orchestra Exact instrumentation: 2.2(eh).2.2.-4.4.4.0-percussio (2): xylophone, cymbal, woodblock, glockenspiel - strings
Symphony Orchestra Exact instrumentation: 2.2(eh).2.2.-4.4.4.0-percussio (2): xylophone, cymbal, woodblock, glockenspiel - strings
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Symphony Orchestra Exact instrumentation: 3(1picc).3(eh).2.2. - 4.4.3.0. - perc.(2) - strings Weiter is a short work for orchestra that uses a single rhythmic motif as its main impulse. This motif (a...
Symphony Orchestra Exact instrumentation: 3(1picc).3(eh).2.2. - 4.4.3.0. - perc.(2) - strings Weiter is a short work for orchestra that uses a single rhythmic motif as its main impulse. This motif (a...
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Symphony Orchestra Exact instrumentation: 3(picc).3(eh).2.2 - 4.4.4.0 - percussion, strings
Symphony Orchestra Exact instrumentation: 3(picc).3(eh).2.2 - 4.4.4.0 - percussion, strings
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The studies with alternating time signatures are practical exercises in changing time signatures as they occur in contemporary literature. Studies I-XIV are regular metrical sequences, those from XV-X...
The studies with alternating time signatures are practical exercises in changing time signatures as they occur in contemporary literature. Studies I-XIV are regular metrical sequences, those from XV-X...
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Emile Joseph Trognée was born on July 4, 1868 in Tirimon, Belgium. He studied trumpet at the Brussels Conservatory. After winning a pan-European competition, he was engaged as solo trumpeter and corne...
Emile Joseph Trognée was born on July 4, 1868 in Tirimon, Belgium. He studied trumpet at the Brussels Conservatory. After winning a pan-European competition, he was engaged as solo trumpeter and corne...
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Emile Joseph Trognée was born on July 4, 1868 in Tirimon, Belgium. He studied trumpet at the Brussels Conservatory. After winning a pan-European competition, he was engaged as solo trumpeter and corne...
Emile Joseph Trognée was born on July 4, 1868 in Tirimon, Belgium. He studied trumpet at the Brussels Conservatory. After winning a pan-European competition, he was engaged as solo trumpeter and corne...
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