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Cataclysms was composed in 2019 by the Hungarian composer Roland Szentpali (*1977) for the Swiss Brass Band Competition in Montreux as an own choice piece. The title is the term for large scale, all-d...
Cataclysms was composed in 2019 by the Hungarian composer Roland Szentpali (*1977) for the Swiss Brass Band Competition in Montreux as an own choice piece. The title is the term for large scale, all-d...
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Cataclysms was composed in 2019 by the Hungarian composer Roland Szentpali (*1977) for the Swiss Brass Band Competition in Montreux as an own choice piece. The title is the term for large scale, all-d...
Cataclysms was composed in 2019 by the Hungarian composer Roland Szentpali (*1977) for the Swiss Brass Band Competition in Montreux as an own choice piece. The title is the term for large scale, all-d...
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Cataclysms was composed in 2019 by the Hungarian composer Roland Szentpali (*1977) for the Swiss Brass Band Competition in Montreux as an own choice piece. The title is the term for large scale, all-d...
Cataclysms was composed in 2019 by the Hungarian composer Roland Szentpali (*1977) for the Swiss Brass Band Competition in Montreux as an own choice piece. The title is the term for large scale, all-d...
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Opening Tune is a new brilliant and festive work by Jean-François Michel, and it was specifically conceived as a brass band concert starter. The dramatic effects commence with the very first measure o...
Opening Tune is a new brilliant and festive work by Jean-François Michel, and it was specifically conceived as a brass band concert starter. The dramatic effects commence with the very first measure o...
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Opening Tune is a new brilliant and festive work by Jean-François Michel, and it was specifically conceived as a brass band concert starter. The dramatic effects commence with the very first measure o...
Opening Tune is a new brilliant and festive work by Jean-François Michel, and it was specifically conceived as a brass band concert starter. The dramatic effects commence with the very first measure o...
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Opening Tune is a new brilliant and festive work by Jean-François Michel, and it was specifically conceived as a brass band concert starter. The dramatic effects commence with the very first measure o...
Opening Tune is a new brilliant and festive work by Jean-François Michel, and it was specifically conceived as a brass band concert starter. The dramatic effects commence with the very first measure o...
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Opening Tune is a new brilliant and festive work by Jean-François Michel, and it was specifically conceived as a brass band concert starter. The dramatic effects commence with the very first measure o...
Opening Tune is a new brilliant and festive work by Jean-François Michel, and it was specifically conceived as a brass band concert starter. The dramatic effects commence with the very first measure o...
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An exciting and virtuosic showpiece composed for the Venezuelan Brass Ensemble which stems from the famous Simon Bolivar Youth Orchestra of Venezuela. Grand Fanfare gave its name to a DVD of the ensem...
An exciting and virtuosic showpiece composed for the Venezuelan Brass Ensemble which stems from the famous Simon Bolivar Youth Orchestra of Venezuela. Grand Fanfare gave its name to a DVD of the ensem...
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An exciting and virtuosic showpiece composed for the Venezuelan Brass Ensemble which stems from the famous Simon Bolivar Youth Orchestra of Venezuela. Grand Fanfare gave its name to a DVD of the ensem...
An exciting and virtuosic showpiece composed for the Venezuelan Brass Ensemble which stems from the famous Simon Bolivar Youth Orchestra of Venezuela. Grand Fanfare gave its name to a DVD of the ensem...
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For 'Eastwind', Jean-François Michel was cleverly inspired by the rich Balkan or Eastern European musical folklore, which was introduced by the gypsies in countless variations wherever they settled. T...
For 'Eastwind', Jean-François Michel was cleverly inspired by the rich Balkan or Eastern European musical folklore, which was introduced by the gypsies in countless variations wherever they settled. T...
- Brass Band (Solo/Feature: Trumpet and Trombone)
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Snare Drum and Orchestra or Brass Band or Wind Band or Piano or Percussion Ensemble. Exact instrumentation: Orchestra version: 2.2.2.2 - 6 (horn 5 & 6 ad lib.).2.3.1 - 3 percussion, timpani(4), string...
Snare Drum and Orchestra or Brass Band or Wind Band or Piano or Percussion Ensemble. Exact instrumentation: Orchestra version: 2.2.2.2 - 6 (horn 5 & 6 ad lib.).2.3.1 - 3 percussion, timpani(4), string...
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Julien-François Zbinden wrote this short Spanish tinted Concerto de Gibraltar for piano, brass orchestra and percussion (instrumentation Roger Volet) for the Ensemble Romand d'Instruments de Cuivre (E...
Julien-François Zbinden wrote this short Spanish tinted Concerto de Gibraltar for piano, brass orchestra and percussion (instrumentation Roger Volet) for the Ensemble Romand d'Instruments de Cuivre (E...
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Julien-François Zbinden wrote this short Spanish tinted Concerto de Gibraltar for piano, brass orchestra and percussion (instrumentation Roger Volet) for the Ensemble Romand d'Instruments de Cuivre (E...
Julien-François Zbinden wrote this short Spanish tinted Concerto de Gibraltar for piano, brass orchestra and percussion (instrumentation Roger Volet) for the Ensemble Romand d'Instruments de Cuivre (E...
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Julien-François Zbinden wrote this short Spanish tinted Concerto de Gibraltar for piano, brass orchestra and percussion (instrumentation Roger Volet) for the Ensemble Romand d'Instruments de Cuivre (E...
Julien-François Zbinden wrote this short Spanish tinted Concerto de Gibraltar for piano, brass orchestra and percussion (instrumentation Roger Volet) for the Ensemble Romand d'Instruments de Cuivre (E...
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Julien-François Zbinden wrote this short Spanish tinted Concerto de Gibraltar for piano, brass orchestra and percussion (instrumentation Roger Volet) for the Ensemble Romand d'Instruments de Cuivre (E...
Julien-François Zbinden wrote this short Spanish tinted Concerto de Gibraltar for piano, brass orchestra and percussion (instrumentation Roger Volet) for the Ensemble Romand d'Instruments de Cuivre (E...
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Julien-François Zbinden wrote this short Spanish tinted Concerto de Gibraltar for piano, brass orchestra and percussion (instrumentation Roger Volet) for the Ensemble Romand d'Instruments de Cuivre (E...
Julien-François Zbinden wrote this short Spanish tinted Concerto de Gibraltar for piano, brass orchestra and percussion (instrumentation Roger Volet) for the Ensemble Romand d'Instruments de Cuivre (E...
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Julien-François Zbinden wrote this short Spanish tinted Concerto de Gibraltar for piano, brass orchestra and percussion (instrumentation Roger Volet) for the Ensemble Romand d'Instruments de Cuivre (E...
Julien-François Zbinden wrote this short Spanish tinted Concerto de Gibraltar for piano, brass orchestra and percussion (instrumentation Roger Volet) for the Ensemble Romand d'Instruments de Cuivre (E...
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Trumpet and wind band (original), or brass band or strings or piano This trumpet concerto (op. 123) was written in 1866 and was first performed by the Banda Nazionale, conducted by the composer, on 15...
Trumpet and wind band (original), or brass band or strings or piano This trumpet concerto (op. 123) was written in 1866 and was first performed by the Banda Nazionale, conducted by the composer, on 15...
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- Emil Hermann
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Trumpet and wind band (original), or brass band or strings or piano This trumpet concerto (op. 123) was written in 1866 and was first performed by the Banda Nazionale, conducted by the composer, on 15...
Trumpet and wind band (original), or brass band or strings or piano This trumpet concerto (op. 123) was written in 1866 and was first performed by the Banda Nazionale, conducted by the composer, on 15...
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- Emil Hermann
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This concerto could have been called 'classical concerto.' It is in the style and form of a true romantic concerto. It requires from the ensemble and soloist lyrical qualities that are sure to delight...
This concerto could have been called 'classical concerto.' It is in the style and form of a true romantic concerto. It requires from the ensemble and soloist lyrical qualities that are sure to delight...
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This concerto could have been called 'classical concerto.' It is in the style and form of a true romantic concerto. It requires from the ensemble and soloist lyrical qualities that are sure to delight...
This concerto could have been called 'classical concerto.' It is in the style and form of a true romantic concerto. It requires from the ensemble and soloist lyrical qualities that are sure to delight...
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This concerto could have been called 'classical concerto.' It is in the style and form of a true romantic concerto. It requires from the ensemble and soloist lyrical qualities that are sure to delight...
This concerto could have been called 'classical concerto.' It is in the style and form of a true romantic concerto. It requires from the ensemble and soloist lyrical qualities that are sure to delight...
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This concerto could have been called 'classical concerto.' It is in the style and form of a true romantic concerto. It requires from the ensemble and soloist lyrical qualities that are sure to delight...
This concerto could have been called 'classical concerto.' It is in the style and form of a true romantic concerto. It requires from the ensemble and soloist lyrical qualities that are sure to delight...
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The Sonata for solo cello is written in a single movement. With a pared-down and refined style, Geghuni Chitchyan offers the possibility to the cello to reveal its full sound amplitude. In this sonata...
The Sonata for solo cello is written in a single movement. With a pared-down and refined style, Geghuni Chitchyan offers the possibility to the cello to reveal its full sound amplitude. In this sonata...
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