Editions Bim

The edition in fac-similé couleur of this classic work of the world trumpet repertoire is finally available, with its annotations énigmatiques, its various encreses, its incroyables coupures et its no...

The purpose of these instructions is to inform the trumpet student about how to learn to play the trumpet and whether he or she is at all inclined to do so. This is particularly important for brass in...

The purpose of these instructions is to inform the trumpet student about how to learn to play the trumpet and whether he or she is at all inclined to do so. This is particularly important for brass in...

The key work in the history of the trumpet. Girolamo Fantini (?1600-ca.1675) was the first to introduce a new way of playing, thanks to which this instrument was included in art music. Available separ...

The key work in the history of the trumpet. Girolamo Fantini (?1600-ca.1675) was the first to introduce a new way of playing, thanks to which this instrument was included in art music. Available separ...

German translation, biography and critical commentary. The key work in the history of the trumpet. Girolamo Fantini (?1600-ca.1675) was the first to introduce a new way of playing, thanks to which thi...

German translation, biography and critical commentary. The key work in the history of the trumpet. Girolamo Fantini (?1600-ca.1675) was the first to introduce a new way of playing, thanks to which thi...

Traduction française, biographie et commentaire critique. L'oeuvre clé dans l'histoire de la trompette. Girolamo Fantini (?1600 - env. 1675) was the first to introduce a new way of playing thanks to w...

Traduction française, biographie et commentaire critique. L'oeuvre clé dans l'histoire de la trompette. Girolamo Fantini (?1600 - env. 1675) was the first to introduce a new way of playing thanks to w...

Buzzing (lip humming) with the mouthpiece can be very helpful if it is done systematically and in a controlled manner. As the mouthpiece offers less resistance than the instrument, you get used to giv...

Buzzing (lip humming) with the mouthpiece can be very helpful if it is done systematically and in a controlled manner. As the mouthpiece offers less resistance than the instrument, you get used to giv...

Buzzing (lip humming) with the mouthpiece can be very helpful if it is done systematically and in a controlled manner. As the mouthpiece offers less resistance than the instrument, you get used to giv...

Buzzing (lip humming) with the mouthpiece can be very helpful if it is done systematically and in a controlled manner. As the mouthpiece offers less resistance than the instrument, you get used to giv...

Through Bendinelli we can better understand the pitch and range of the trumpet around 1600 and earlier; details of the trumpet's playing technique, such as the leading of the chin, the articulation, t...

Thanks to Bendinelli, we can better understand the height and range of the trumpet around 1600 and before; the details of the trumpet's playing technique, such as the placement of the sound, articulat...

Musical instruments are just tools that everyone chooses personally in order to express themselves musically. To be able to make music, the tool has to work. The same applies to the skill of playing m...

Musical instruments are just tools that everyone chooses personally in order to express themselves musically. To be able to make music, the tool has to work. The same applies to the skill of playing m...

This Concerto is the first work written by Roland Szentpali for the traditional Brass Band instrumentation. The four movements (15 minutes 30'') and their subtitles bear witness of the vivid imaginati...

This Concerto is the first work written by Roland Szentpali for the traditional Brass Band instrumentation. The four movements (15 minutes 30'') and their subtitles bear witness of the vivid imaginati...

This Concerto is the first work written by Roland Szentpali for the traditional Brass Band instrumentation. The four movements (15 minutes 30'') and their subtitles bear witness of the vivid imaginati...

This Concerto is the first work written by Roland Szentpali for the traditional Brass Band instrumentation. The four movements (15 minutes 30'') and their subtitles bear witness of the vivid imaginati...

This Concerto is the first work written by Roland Szentpali for the traditional Brass Band instrumentation. The four movements (15 minutes 30'') and their subtitles bear witness of the vivid imaginati...

This Concerto is the first work written by Roland Szentpali for the traditional Brass Band instrumentation. The four movements (15 minutes 30'') and their subtitles bear witness of the vivid imaginati...

Roller Coaster is the second work written by Hungarian composer Roland Szentpali for the traditional Brass Band instrumentation with two (spicy) solo euphonium parts (or two tenor saxophones, or two t...

Roller Coaster is the second work written by Hungarian composer Roland Szentpali for the traditional Brass Band instrumentation with two (spicy) solo euphonium parts (or two tenor saxophones, or two t...