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The Horn Concerto No. 2 for horn and chamber orchestra is written in three traditional movements with harmonies tending to be more tonal oriented, but within the immediately recognizable musical idiom...
The Horn Concerto No. 2 for horn and chamber orchestra is written in three traditional movements with harmonies tending to be more tonal oriented, but within the immediately recognizable musical idiom...
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The Horn Concerto No. 2 for horn and chamber orchestra is written in three traditional movements with harmonies tending to be more tonal oriented, but within the immediately recognizable musical idiom...
The Horn Concerto No. 2 for horn and chamber orchestra is written in three traditional movements with harmonies tending to be more tonal oriented, but within the immediately recognizable musical idiom...
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This one-movement concerto stands out by Adjemian's elegant writing which links flashing rhythmical passages with meditative sequences, a solo or accompanied cadenza, all together attached within that...
This one-movement concerto stands out by Adjemian's elegant writing which links flashing rhythmical passages with meditative sequences, a solo or accompanied cadenza, all together attached within that...
- Flute and Chamber Orchestra
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This one-movement concerto stands out by Adjemian's elegant writing which links flashing rhythmical passages with meditative sequences, a solo or accompanied cadenza, all together attached within that...
This one-movement concerto stands out by Adjemian's elegant writing which links flashing rhythmical passages with meditative sequences, a solo or accompanied cadenza, all together attached within that...
- Flute and Chamber Orchestra
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2 solistes, choeur d'enfants et orchestre de chambre Exact instrumentation: soprano, baryton, choeur d'enfants, 2.1.1.1 - 2.2.1.1. - celesta, harpe, 2 percussions, cordes (6.5.4.3.2 min. 5.4.2.2.1)
2 solistes, choeur d'enfants et orchestre de chambre Exact instrumentation: soprano, baryton, choeur d'enfants, 2.1.1.1 - 2.2.1.1. - celesta, harpe, 2 percussions, cordes (6.5.4.3.2 min. 5.4.2.2.1)
- Soloists, Children's Choir and Chamber Orchestra
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Plato: Timaeus 24D–25D "For the sea there was navigable at that time; for at the mouth of the strait—which you Greeks, as you say, call the ‘Pillars of Heracles’—there lay an island larger than Libya...
Plato: Timaeus 24D–25D "For the sea there was navigable at that time; for at the mouth of the strait—which you Greeks, as you say, call the ‘Pillars of Heracles’—there lay an island larger than Libya...
- Mixed Choir (SATB) and Chamber Orchestra
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Plato: Timaeus 24D–25D "For the sea there was navigable at that time; for at the mouth of the strait—which you Greeks, as you say, call the ‘Pillars of Heracles’—there lay an island larger than Libya...
Plato: Timaeus 24D–25D "For the sea there was navigable at that time; for at the mouth of the strait—which you Greeks, as you say, call the ‘Pillars of Heracles’—there lay an island larger than Libya...
- Mixed Choir (SATB) and Chamber Orchestra
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Chamber Orchestra Exact instrumentation: 1(picc).1(eh).1(bcl).1(cbs). - 1.1(picc,flg).0.0. - percussion (1) - piano - strings
Chamber Orchestra Exact instrumentation: 1(picc).1(eh).1(bcl).1(cbs). - 1.1(picc,flg).0.0. - percussion (1) - piano - strings
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Chamber Orchestra Exact instrumentation: 2.2.2.2-2.2.0.0.-timpani, percussion, vibraphone, celesta, strings
Chamber Orchestra Exact instrumentation: 2.2.2.2-2.2.0.0.-timpani, percussion, vibraphone, celesta, strings
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Chamber Orchestra Exact instrumentation: 2.2.2.2.-2.2.0.0. - timpani, percussion, strings
Chamber Orchestra Exact instrumentation: 2.2.2.2.-2.2.0.0. - timpani, percussion, strings
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Chamber Orchestra Exact instrumentation: 2.1.2.2.-2.1.0.0 - strings
Chamber Orchestra Exact instrumentation: 2.1.2.2.-2.1.0.0 - strings
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Simmelibärg-Suite for solo accordion and small chamber orchestra follows six movements, each of which refers to a different and well-known Swiss folk music song. These are by no means just new arrange...
Simmelibärg-Suite for solo accordion and small chamber orchestra follows six movements, each of which refers to a different and well-known Swiss folk music song. These are by no means just new arrange...
- Accordion and Chamber Orchestra
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Simmelibärg-Suite for solo accordion and small chamber orchestra follows six movements, each of which refers to a different and well-known Swiss folk music song. These are by no means just new arrange...
Simmelibärg-Suite for solo accordion and small chamber orchestra follows six movements, each of which refers to a different and well-known Swiss folk music song. These are by no means just new arrange...
- Accordion and Chamber Orchestra
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Study score and solo parts.
Study score and solo parts.
- 3 Percussion and Chamber Orchestra
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The Concertino* was written between 17th December 1966 and January 10th 1967 in Belmont, near Lausanne, a few months before the composer's death. It is in three movements: Capriccio (5'30'), Recitativ...
The Concertino* was written between 17th December 1966 and January 10th 1967 in Belmont, near Lausanne, a few months before the composer's death. It is in three movements: Capriccio (5'30'), Recitativ...
- Trumpet and Chamber Orchestra
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The Concertino* was written between 17th December 1966 and January 10th 1967 in Belmont, near Lausanne, a few months before the composer's death. It is in three movements: Capriccio (5'30'), Recitativ...
The Concertino* was written between 17th December 1966 and January 10th 1967 in Belmont, near Lausanne, a few months before the composer's death. It is in three movements: Capriccio (5'30'), Recitativ...
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The Concertino* was written between 17th December 1966 and 10th January 1967 in Belmont, near Lausanne, a few months before the composer's death. It is in three movements: Capriccio (5'30'), Recitativ...
The Concertino* was written between 17th December 1966 and 10th January 1967 in Belmont, near Lausanne, a few months before the composer's death. It is in three movements: Capriccio (5'30'), Recitativ...
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The Concertino* was written between 17th December 1966 and 10th January 1967 in Belmont, near Lausanne, a few months before the composer's death. It is in three movements: Capriccio (5'30'), Recitativ...
The Concertino* was written between 17th December 1966 and 10th January 1967 in Belmont, near Lausanne, a few months before the composer's death. It is in three movements: Capriccio (5'30'), Recitativ...
- Trumpet and Chamber Orchestra
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Trumpet (C or Bb) and chamber orchestra or wind ensemble or piano Exact instrumentation: Orchestra Version: 1.1.0.1.-1.0.0.0 - timpani, strings - wind ensemble version: flute, oboe, clarinet, bassoon,...
Trumpet (C or Bb) and chamber orchestra or wind ensemble or piano Exact instrumentation: Orchestra Version: 1.1.0.1.-1.0.0.0 - timpani, strings - wind ensemble version: flute, oboe, clarinet, bassoon,...
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I wrote Passages with several goals in mind. First, I wanted to write a concertino for solo trumpet that would display many different musical and emotional aspects of the instrument in a fairly access...
I wrote Passages with several goals in mind. First, I wanted to write a concertino for solo trumpet that would display many different musical and emotional aspects of the instrument in a fairly access...
- Trumpet and Chamber Orchestra
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I wrote Passages with several goals in mind. First, I wanted to write a concertino for solo trumpet that would display many different musical and emotional aspects of the instrument in a fairly access...
I wrote Passages with several goals in mind. First, I wanted to write a concertino for solo trumpet that would display many different musical and emotional aspects of the instrument in a fairly access...
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The music of 'Eclipse Finale?' is a fantasy on the well-known German folk song 'Der Mond ist aufgegangen' (The moon has risen). 'Eclipse finale?' is a piece which presents the age-old fear that the mo...
The music of 'Eclipse Finale?' is a fantasy on the well-known German folk song 'Der Mond ist aufgegangen' (The moon has risen). 'Eclipse finale?' is a piece which presents the age-old fear that the mo...
- Tuba and Chamber Orchestra
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The music of 'Eclipse Finale?' is a fantasy on the well-known German folk song 'Der Mond ist aufgegangen' (The moon has risen). 'Eclipse finale?' is a piece which presents the age-old fear that the mo...
The music of 'Eclipse Finale?' is a fantasy on the well-known German folk song 'Der Mond ist aufgegangen' (The moon has risen). 'Eclipse finale?' is a piece which presents the age-old fear that the mo...
- Tuba and Chamber Orchestra
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This charming and imaginative piece tells the story of a young musician and his instrument. Through contrasting characters, humorous dialogue, and lyrical passages, the music conveys a spirit of disco...
This charming and imaginative piece tells the story of a young musician and his instrument. Through contrasting characters, humorous dialogue, and lyrical passages, the music conveys a spirit of disco...
- Euphonium, Narrator and Chamber Orchestra
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This charming and imaginative piece tells the story of a young musician and his instrument. Through contrasting characters, humorous dialogue, and lyrical passages, the music conveys a spirit of disco...
This charming and imaginative piece tells the story of a young musician and his instrument. Through contrasting characters, humorous dialogue, and lyrical passages, the music conveys a spirit of disco...
- Euphonium, Narrator and Chamber Orchestra
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