Editions Bim

Richard Lane composed most of his 500 or so works for his circle of musician friends and each piece reflects the affection and admiration he felt for each of them. This little suite for flute and guit...

Anyone who has sung in a choir knows the unavoidable and more or less boring exercises of the beginning of a rehearsal: vocal warm-up. Caroline Charriere has drawn a parody from this phase of the rehe...

Anyone who has sung in a choir knows the unavoidable and more or less boring exercises of the beginning of a rehearsal: vocal warm-up. Caroline Charriere has drawn a parody from this phase of the rehe...

Agnus Dei for women's choir (S.S.A.A.) was first performed in 1993 by the Choeur de Jade of Fribourg (Switzerland) in that city. It was during the period of war time in the former Yugoslavia, and I wa...

Agnus Dei for women's choir (S.S.A.A.) was first performed in 1993 by the Choeur de Jade of Fribourg (Switzerland) in that city. It was during the period of war time in the former Yugoslavia, and I wa...

Psaume 27 (Psalm 27) has been commissioned by Marc Bochud, director of the great girls choir of the Schola of Sion (Valais, Switzerland). Both pieces require a harp accompaniement. The first one, Exau...

Psaume 27 (Psalm 27) has been commissioned by Marc Bochud, director of the great girls choir of the Schola of Sion (Valais, Switzerland). Both pieces require a harp accompaniement. The first one, Exau...

The beginning is taken from one of my previous works (1994) written for women's choir with harp and incorporated into this Libera me, with the addition of two horns. The first performance was given in...

Musical comedy, 6 solo voices and orchestra Exact instrumentation: 6 solo singers (Goose, Peacock, Raven, Hare, Cock, Fox). Orchestra: 1.(+ picc.).1(+ EH).2(+ Eb-Kl. / + BKl.).1(+ Kfg.) - 1.1.0.0. - T...

1 C'est un vieux banc sur la colline, Les moineaux vont s'y réchauffer Quand le soleil sur l'aubépine Chasse au loin gel et giboulées. Doux printemps d'aimer, ô, J'ai gravé nos coeurs pour toujours. L...

In this short song, Caroline Charrière sets to music a poem by the Vaud poetess José-Flore Tappy. She dedicates it to the Fribourg politician Solange Berset, in gratitude for her commitment to the cre...

In this short song, Caroline Charrière sets to music a poem by the Vaud poetess José-Flore Tappy. She dedicates it to the Fribourg politician Solange Berset, in gratitude for her commitment to the cre...

The Work Caroline Charriere felt at home in the world of the American poet Emily Dickinson (1830-1886) and it is not by coincidence. Writing poems in secret was for Emily Dickinson, who lived in a str...

The Work Caroline Charriere felt at home in the world of the American poet Emily Dickinson (1830-1886) and it is not by coincidence. Writing poems in secret was for Emily Dickinson, who lived in a str...

Caroline Charriere felt at home in the world of the American poet Emily Dickinson (1830-1886) and it is not by coincidence. Writing poems in secret was for Emily Dickinson, who lived in a strict purit...

Caroline Charriere felt at home in the world of the American poet Emily Dickinson (1830-1886) and it is not by coincidence. Writing poems in secret was for Emily Dickinson, who lived in a strict purit...

Vocal drama for soprano solo, mixed choir, orchestra, synthesizer and tape Exact instrumentation: 3(picc).3(eh).2.3(cbs)-4.4.3.1-timpani, percussion, harp and strings

In 1941, Bernard Reichel composed 'Trois Prières latines ' (Three Latin Prayers), which he dedicated to Charles Faller. The lyrics of these songs are extracted from psalms and perhaps reflect the tens...

In 1941, Bernard Reichel composed 'Trois Prières latines ' (Three Latin Prayers), which he dedicated to Charles Faller. The lyrics of these songs are extracted from psalms and perhaps reflect the tens...

The work is conceived as a semi-scenic choral work in which the tuba player embodies the character from the poem. The music explores the rhythmic nuances of the German text. These rhythms form the bas...

The work is conceived as a semi-scenic choral work in which the tuba player embodies the character from the poem. The music explores the rhythmic nuances of the German text. These rhythms form the bas...

Mixed choir (SATB) and piano or accordion.