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A Short Bedtime Story was written for my two grandchildren. It is a quiet piece that will help young children fall asleep and enter dreamland. A. P.
A Short Bedtime Story was written for my two grandchildren. It is a quiet piece that will help young children fall asleep and enter dreamland. A. P.
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Artemisia Sketches, as my brass sextet La Pittura, is a suite based on themes and motives from an opera-in-progress about the brilliant Baroque painter Artemisia Gentileschi. The pitch structure is ge...
Artemisia Sketches, as my brass sextet La Pittura, is a suite based on themes and motives from an opera-in-progress about the brilliant Baroque painter Artemisia Gentileschi. The pitch structure is ge...
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Artemisia Sketches, as my brass sextet La Pittura, is a suite based on themes and motives from an opera-in-progress about the brilliant Baroque painter Artemisia Gentileschi. The pitch structure is ge...
Artemisia Sketches, as my brass sextet La Pittura, is a suite based on themes and motives from an opera-in-progress about the brilliant Baroque painter Artemisia Gentileschi. The pitch structure is ge...
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- Clarinet and Piano
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- Clarinet and Piano
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This work was commissioned for the occasion of my 80th birthday (November 11, 1997). Composed in 1996, the piece consists of three movements, each a tribute to someone: 1) 'Hommage à I'Interprete' ('...
This work was commissioned for the occasion of my 80th birthday (November 11, 1997). Composed in 1996, the piece consists of three movements, each a tribute to someone: 1) 'Hommage à I'Interprete' ('...
- Clarinet and Piano
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This work was commissioned for the occasion of my 80th birthday (November 11, 1997). Composed in 1996, the piece consists of three movements, each a tribute to someone: 1) 'Hommage à I'Interprete' ('...
This work was commissioned for the occasion of my 80th birthday (November 11, 1997). Composed in 1996, the piece consists of three movements, each a tribute to someone: 1) 'Hommage à I'Interprete' ('...
- Clarinet and Piano
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Original Version for Ophicleide & Piano or Concert Band.
- Oboe and Piano
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- Edoardo Torbianelli
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Reflections was composed in 1992. It was commissioned by Marc Fink, Professor of Oboe at the University of Wisconsin-Madison. He premiered this three-movement work at the 1992 International Double Ree...
Reflections was composed in 1992. It was commissioned by Marc Fink, Professor of Oboe at the University of Wisconsin-Madison. He premiered this three-movement work at the 1992 International Double Ree...
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Reflections was composed in 1992. It was commissioned by Marc Fink, Professor of Oboe at the University of Wisconsin-Madison. He premiered this three-movement work at the 1992 International Double Ree...
Reflections was composed in 1992. It was commissioned by Marc Fink, Professor of Oboe at the University of Wisconsin-Madison. He premiered this three-movement work at the 1992 International Double Ree...
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The Pavane pour une infante défunte (Pavane for a dead Princess) was originally written for solo piano in 1899 and dedicated to the Princess de Polignac. In 1910, the composer transcribed it for small...
The Pavane pour une infante défunte (Pavane for a dead Princess) was originally written for solo piano in 1899 and dedicated to the Princess de Polignac. In 1910, the composer transcribed it for small...
- English Horn and Piano
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- Hove Carolyn
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The Pavane pour une infante défunte (Pavane for a dead Princess) was originally written for solo piano in 1899 and dedicated to the Princess de Polignac. In 1910, the composer transcribed it for small...
The Pavane pour une infante défunte (Pavane for a dead Princess) was originally written for solo piano in 1899 and dedicated to the Princess de Polignac. In 1910, the composer transcribed it for small...
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Bagatelles, similarly to 'Badineries' or 'Capprici' allow composers to express their sense of humor, of parody or derision. This genre strongly inspires Jean-François Michel as these 3 Bagatelles for...
Bagatelles, similarly to 'Badineries' or 'Capprici' allow composers to express their sense of humor, of parody or derision. This genre strongly inspires Jean-François Michel as these 3 Bagatelles for...
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Maurice Ravel originally composed his Pièce en Forme de Habanera in 1907 for bass voice and piano. Ravel later transcribed the piece for cello and piano, while retaining all the virtuosity of the orig...
Maurice Ravel originally composed his Pièce en Forme de Habanera in 1907 for bass voice and piano. Ravel later transcribed the piece for cello and piano, while retaining all the virtuosity of the orig...
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- Hove Carolyn
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Maurice Ravel originally composed his Pièce en Forme de Habanera in 1907 for bass voice and piano. Ravel later transcribed the piece for cello and piano, while retaining all the virtuosity of the orig...
Maurice Ravel originally composed his Pièce en Forme de Habanera in 1907 for bass voice and piano. Ravel later transcribed the piece for cello and piano, while retaining all the virtuosity of the orig...
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Using as its basis the Romance, Scene XV, part 4, from Berlioz' 'Damnation of Faust', which features Mezzo-Soprano and Cor Anglais as the solo voices in Berlioz' parody of Goethe's 'Faust ', Triangles...
Using as its basis the Romance, Scene XV, part 4, from Berlioz' 'Damnation of Faust', which features Mezzo-Soprano and Cor Anglais as the solo voices in Berlioz' parody of Goethe's 'Faust ', Triangles...
- Cor anglais and 3 oboes
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Using as its basis the Romance, Scene XV, part 4, from Berlioz' 'Damnation of Faust', which features Mezzo-Soprano and Cor Anglais as the solo voices in Berlioz' parody of Goethe's 'Faust ', Triangles...
Using as its basis the Romance, Scene XV, part 4, from Berlioz' 'Damnation of Faust', which features Mezzo-Soprano and Cor Anglais as the solo voices in Berlioz' parody of Goethe's 'Faust ', Triangles...
- Cor anglais and 3 oboes
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Richard Lane possesses the art of combining the instrumental voice(s) with that of the piano (whatever the degree of difficulty), admirably stimulating the expressive complicity between protagonists....
Richard Lane possesses the art of combining the instrumental voice(s) with that of the piano (whatever the degree of difficulty), admirably stimulating the expressive complicity between protagonists....
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