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Henry H. Prentiss (1801-1860) from Boston was originally an umbrella maker. In 1834 he opened a pianoforte and music store, which moved to 33 Court Street in 1839 - the address given on the present sc...
Henry H. Prentiss (1801-1860) from Boston was originally an umbrella maker. In 1834 he opened a pianoforte and music store, which moved to 33 Court Street in 1839 - the address given on the present sc...
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Henry H. Prentiss (1801-1860) from Boston was originally an umbrella maker. In 1834 he opened a pianoforte and music store, which moved to 33 Court Street in 1839 - the address given on the present sc...
Henry H. Prentiss (1801-1860) from Boston was originally an umbrella maker. In 1834 he opened a pianoforte and music store, which moved to 33 Court Street in 1839 - the address given on the present sc...
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- 4 Tubas
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CHRONIC PSYCHIC DISORDER Brass players are a "type". They fit in. They stick together, share their neuroses and have little to do with other musicians in the orchestra. TROMPETERS Trumpet players were...
CHRONIC PSYCHIC DISORDER Brass players are a "type". They fit in. They stick together, share their neuroses and have little to do with other musicians in the orchestra. TROMPETERS Trumpet players were...
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BLÄSER wind players were not sensitive artists with the restrained sensibility of flutists and oboists.
BLÄSER wind players were not sensitive artists with the restrained sensibility of flutists and oboists.
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BLÄSER wind players were not sensitive artists with the restrained sensibility of flutists and oboists.
BLÄSER wind players were not sensitive artists with the restrained sensibility of flutists and oboists.
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- Fanfare Orchestra
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Alu Song was mostly written in the autumn of 2017. This song for the bells should be played freely as to tempo and dynamics, at the players own discretion. Indeed, there are no dynamic markings in the...
Alu Song was mostly written in the autumn of 2017. This song for the bells should be played freely as to tempo and dynamics, at the players own discretion. Indeed, there are no dynamic markings in the...
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Alu Song was mostly written in the autumn of 2017. This song for the bells should be played freely as to tempo and dynamics, at the players own discretion. Indeed, there are no dynamic markings in the...
Alu Song was mostly written in the autumn of 2017. This song for the bells should be played freely as to tempo and dynamics, at the players own discretion. Indeed, there are no dynamic markings in the...
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Alu Dream highlights the interplay of contrapuntal lines and the close cooperation between performers to create unique timbres and attacks. Diverse damping techniques are a crucial aspect of the perfo...
Alu Dream highlights the interplay of contrapuntal lines and the close cooperation between performers to create unique timbres and attacks. Diverse damping techniques are a crucial aspect of the perfo...
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Alu Dream highlights the interplay of contrapuntal lines and the close cooperation between performers to create unique timbres and attacks. Diverse damping techniques are a crucial aspect of the perfo...
Alu Dream highlights the interplay of contrapuntal lines and the close cooperation between performers to create unique timbres and attacks. Diverse damping techniques are a crucial aspect of the perfo...
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- Brass Band
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- Jean-François Michel
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Fanfare K.S. is a concise, festive work composed in honor of Karsten Schöning and his many years of dedicated work at the Freiburg Musik Hochschule. The scoring for two antiphonal choirs, each with th...
Fanfare K.S. is a concise, festive work composed in honor of Karsten Schöning and his many years of dedicated work at the Freiburg Musik Hochschule. The scoring for two antiphonal choirs, each with th...
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Fanfare K.S. is a concise, festive work composed in honor of Karsten Schöning and his many years of dedicated work at the Freiburg Musik Hochschule. The scoring for two antiphonal choirs, each with th...
Fanfare K.S. is a concise, festive work composed in honor of Karsten Schöning and his many years of dedicated work at the Freiburg Musik Hochschule. The scoring for two antiphonal choirs, each with th...
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Mixed Voices (SATB), Piano and Percussion.
Mixed Voices (SATB), Piano and Percussion.
- Mixed Choir (SATB)
- Choral Score
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Mixed Voices (SATB), Piano and Percussion.
Mixed Voices (SATB), Piano and Percussion.
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Mixed Voices (SATB), Piano and Percussion.
Mixed Voices (SATB), Piano and Percussion.
- Mixed Choir (SATB), Piano and Percussion
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Mixed Voices (SATB), Piano and Percussion.
Mixed Voices (SATB), Piano and Percussion.
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Mixed Voices (SATB), Piano and Percussion.
Mixed Voices (SATB), Piano and Percussion.
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- Set of Parts
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Mixed Voices (SATB), Piano and Percussion.
Mixed Voices (SATB), Piano and Percussion.
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