Bärenreiter Urtext
Originally written by several authors (including Wilhelm Müller, Achim von Arnim, Luise and Wilhelm Hensel, Ludwig Rellstab), the poem cycle 'Die schöne Müllerin' was published in its final form in 18...
Originally written by several authors (including Wilhelm Müller, Achim von Arnim, Luise and Wilhelm Hensel, Ludwig Rellstab), the poem cycle 'Die schöne Müllerin' was published in its final form in 18...
- High Voice and Piano
- Vocal Score (Urtext)
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Mozart's final work, the Requiem K. 626, was left incomplete. The completion of the fragmentary score by his assistant Franz Xaver Süssmayr, who helped him with The Magic Flute, has the character of a...
Mozart's final work, the Requiem K. 626, was left incomplete. The completion of the fragmentary score by his assistant Franz Xaver Süssmayr, who helped him with The Magic Flute, has the character of a...
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano Reduction (Urtext)
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Johann Sebastian Bach
St. John Passion BWV 245
Piano reduction with German/English text - Passio secundum Johannem. Soprano solo, alto solo, tenor solo (2), bass solo (2), mixed choir-SATB, orchestra - This edition replaces the previous piano redu...
Piano reduction with German/English text - Passio secundum Johannem. Soprano solo, alto solo, tenor solo (2), bass solo (2), mixed choir-SATB, orchestra - This edition replaces the previous piano redu...
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano Reduction (Urtext)
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All of Bach's six authenticated motets were written between 1723 and 1727 for the Church of St. Thomas in Leipzig, of which Bach was appointed musical director in 1723. During this time Bach composed...
All of Bach's six authenticated motets were written between 1723 and 1727 for the Church of St. Thomas in Leipzig, of which Bach was appointed musical director in 1723. During this time Bach composed...
- Mixed Choir (SSATB), 2 Oboes, Bassoon, Strings and Continuo
- Choral Score (Urtext)
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This publication offers a source-critical edition of Mozart's fragmentary 'Requiem' as well as an alternative to the traditional Süßmayr version. It makes it possible to perform 1) the fragment, ident...
This publication offers a source-critical edition of Mozart's fragmentary 'Requiem' as well as an alternative to the traditional Süßmayr version. It makes it possible to perform 1) the fragment, ident...
- Soloists (SATB), Mixed Choir (SATB) and Orchestra
- Piano Reduction (Urtext)
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Johann Sebastian Bach
Magnificat D major BWV 243 - New Edition 2018
2nd version with the 4 inserts from the E-flat major version (transposed)
BA 5103-90 replaces the previous vocal score. The article number remains unchanged. > The text appears in slightly larger type size and a clearly legible font. > The pagination has been adopted from t...
BA 5103-90 replaces the previous vocal score. The article number remains unchanged. > The text appears in slightly larger type size and a clearly legible font. > The pagination has been adopted from t...
- Soloists, Mixed Choir (SATB) and Orchestra
- Piano Reduction (Urtext)
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Wolfgang Amadeus Mozart
Missa in C minor K. 427
Great Mass in C minor' - reconstructed, completed and edited by Ulrich Leisinger
Mozart’s magnificent unfinished 'Great Mass in C minor K. 427' is impressive not only for its monumentality and musical beauty but for its fragmentary state which has fascinated scholars and performer...
Mozart’s magnificent unfinished 'Great Mass in C minor K. 427' is impressive not only for its monumentality and musical beauty but for its fragmentary state which has fascinated scholars and performer...
- Soloists (SSTB), 2 Mixed Choirs (SATB) and Orchestra
- Piano Reduction (Urtext)
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Johann Sebastian Bach
Messe h-Moll BWV 232 (Missa Symbolum Nicenum: Sanctus, Osanna, Benedictus, Agnus DEi et Dona nobis pacem)
Messe für Solostimmen, Chor und Orchester
Urtext of the New Bach Edition. (score = BA5001-01). Soprano solo (2), Asolo, Tenor solo, Bass solo, Mixed choir-SSAATTBB, Orchestra, Basso continuo - Piano reduction
Urtext of the New Bach Edition. (score = BA5001-01). Soprano solo (2), Asolo, Tenor solo, Bass solo, Mixed choir-SSAATTBB, Orchestra, Basso continuo - Piano reduction
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano Reduction (Urtext)
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Ballade von Goethe für Soli, Chor und Orchester - Klavierauszug vom Komponisten Herausgegeben von John Michael Cooper Text von Johann Wolfgang von Goethe Im Sommer 1799 schrieb Goethe seine Ballade D...
Ballade von Goethe für Soli, Chor und Orchester - Klavierauszug vom Komponisten Herausgegeben von John Michael Cooper Text von Johann Wolfgang von Goethe Im Sommer 1799 schrieb Goethe seine Ballade D...
- Soloists, Mixed Choir and Piano
- Piano Reduction
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> Score and orchestral parts in large format (25.5 x 32.5 cm) > Includes source descriptions and a Critical Commentary with alternative readings (Eng) > Informative Introduction on the work's history...
> Score and orchestral parts in large format (25.5 x 32.5 cm) > Includes source descriptions and a Critical Commentary with alternative readings (Eng) > Informative Introduction on the work's history...
- Piano and Orchestra
- Score
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Wolfgang Amadeus Mozart
Missa in C major K. 317 "Coronation Mass"
The richly orchestrated Missa in C minor K. 317 was probably one of the first church music works that Mozart composed at the beginning of 1779 as the newly appointed Salzburg court organist. With a la...
The richly orchestrated Missa in C minor K. 317 was probably one of the first church music works that Mozart composed at the beginning of 1779 as the newly appointed Salzburg court organist. With a la...
- Soloists (SATB), Mixed Choir (SATB) and Orchestra
- Piano Reduction (Urtext)
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Wolfgang Amadeus Mozart
Te Deum laudamus KV 141 (66b)
Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe. Gemischter Chor-SATB, Trompete (2), Clarin-Trompete (2), Pauke, Streicher, Orgel - Klavierauszug
Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe. Gemischter Chor-SATB, Trompete (2), Clarin-Trompete (2), Pauke, Streicher, Orgel - Klavierauszug
- Mixed Choir (SATB) and Piano
- Piano Reduction (Urtext)
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“A mendicant woman from the Haynstrasse, aged 59 years, Anna Magdalena, née Wilckin, widow of Mr. Johann Sebastian Bach, cantor at the St. Thomas School” – thus reads the entry dated 29 February 1760...
“A mendicant woman from the Haynstrasse, aged 59 years, Anna Magdalena, née Wilckin, widow of Mr. Johann Sebastian Bach, cantor at the St. Thomas School” – thus reads the entry dated 29 February 1760...
- Piano
- Sheet Music
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This edition of Frank Martin’s mass is a scholarly-critical as well as a performing edition that takes all sources into account. As a matter of fact, it was only during the research for this edition t...
This edition of Frank Martin’s mass is a scholarly-critical as well as a performing edition that takes all sources into account. As a matter of fact, it was only during the research for this edition t...
- 2 Mixed Choirs (SATB)
- Choral Score (Urtext)
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Antonio Vivaldi
Gloria RV 589
The 'Gloria' RV 589 (BA 7674) is one of Vivaldi's best-known compositions today and one of the most frequently performed sacred vocal works from the Baroque period. Vivaldi wrote the 'Gloria' as an in...
The 'Gloria' RV 589 (BA 7674) is one of Vivaldi's best-known compositions today and one of the most frequently performed sacred vocal works from the Baroque period. Vivaldi wrote the 'Gloria' as an in...
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano Reduction
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The Fantasias for flute without bass address themselves less to the virtuoso than to the amateur flutist, who will find everything he wishes in these pieces. Although Telemann himself may have lost tr...
The Fantasias for flute without bass address themselves less to the virtuoso than to the amateur flutist, who will find everything he wishes in these pieces. Although Telemann himself may have lost tr...
- Flute
- Sheet Music (Urtext)
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Nicolas Chédeville
Il Pastor Fido - 6 Sonatas
for Flute, Oboe or Violin and Basso continuo - attributed to Antonio Vivaldi
> Bärenreiter Urtext edition by Federico Maria Sardelli > Preface (German/English) and Critical Report (English) > Inspiring information on historical performance practice It was in 1990 - more than 2...
> Bärenreiter Urtext edition by Federico Maria Sardelli > Preface (German/English) and Critical Report (English) > Inspiring information on historical performance practice It was in 1990 - more than 2...
- Flute and Continuo
- Piano Score and Part(s) (Urtext)
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Henry Purcell
Dido and Aeneas
The vocal score of Henry Purcell's famous opera "Dido and Aeneas" is based on the Bärenreiter Urtext edition of the full score. As its main source served the Tatton Park manuscript (National Trust), w...
The vocal score of Henry Purcell's famous opera "Dido and Aeneas" is based on the Bärenreiter Urtext edition of the full score. As its main source served the Tatton Park manuscript (National Trust), w...
- Soloists, Mixed Choir (SATB) and Orchestra
- Piano Reduction (Urtext)
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Johann Sebastian Bach
Concerto in A major
for Oboe d'amore (Oboe), Strings and Basso continuo (Reconstructed after BWV 1055)
The piano reduction for Bach's Concerto for Oboe d'amore in A major is based on the reconstruction of this work as it was published in the context of the New Bach Edition. Based on the autograph score...
The piano reduction for Bach's Concerto for Oboe d'amore in A major is based on the reconstruction of this work as it was published in the context of the New Bach Edition. Based on the autograph score...
- Oboe and Piano
- Piano Reduction
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Beethovens drittes Klavierkonzert ist das einzige, zu dem kein authentisches Manuskript der Solostimme überliefert ist. Das Autograph der Partitur ist erhalten, wobei hier jedoch Artikulations-, Dynam...
Beethovens drittes Klavierkonzert ist das einzige, zu dem kein authentisches Manuskript der Solostimme überliefert ist. Das Autograph der Partitur ist erhalten, wobei hier jedoch Artikulations-, Dynam...
- Piano and Orchestra
- Score (Urtext)
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2Fl/2Ob/2Klar/2Fag/4Hn/2Trp/Pk/2V/Va/Vc/KB
2Fl/2Ob/2Klar/2Fag/4Hn/2Trp/Pk/2V/Va/Vc/KB
- Orchestra
- Score
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- Violin
- Sheet Music (Urtext)
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Without any doubt J.S. Bach's cycle of the three Sonatas and Partitas BWV 1001-1006 represents one of the pinnacles of classical European music. According to C.P.E. Bach a contemporary voice stated th...
Without any doubt J.S. Bach's cycle of the three Sonatas and Partitas BWV 1001-1006 represents one of the pinnacles of classical European music. According to C.P.E. Bach a contemporary voice stated th...
- Violin
- Sheet Music
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Dvorák composed the 'Mass in D major' in 1887 at the suggestion of his patron Josef Hlávka for the inauguration of the Lužany castle chapel. It is written for choir and organ with sporadic passages fo...
Dvorák composed the 'Mass in D major' in 1887 at the suggestion of his patron Josef Hlávka for the inauguration of the Lužany castle chapel. It is written for choir and organ with sporadic passages fo...
- Soloists (SATB) and Mixed Choir (SATB)
- Organ Reduction (Urtext)
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Oratorium in 3 Teilen. Klavierauszug (englisch/deutsch) nach dem Urtext der Hallischen Händel-Ausgabe - Oratorio in three Parts. Vocal (english/german). Sopran solo, Alt solo (2), Tenor solo, Bass sol...
Oratorium in 3 Teilen. Klavierauszug (englisch/deutsch) nach dem Urtext der Hallischen Händel-Ausgabe - Oratorio in three Parts. Vocal (english/german). Sopran solo, Alt solo (2), Tenor solo, Bass sol...
- 4 Soloists, Mixed Choir (SATB) and Piano
- Piano Reduction (Urtext)
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