Bärenreiter Urtext

Mozart's final work, the Requiem K. 626, was left incomplete. The completion of the fragmentary score by his assistant Franz Xaver Süssmayr, who helped him with The Magic Flute, has the character of a...

This edition of Frank Martin’s mass is a scholarly-critical as well as a performing edition that takes all sources into account. As a matter of fact, it was only during the research for this edition t...

Piano reduction with German/English text - Passio secundum Johannem. Soprano solo, alto solo, tenor solo (2), bass solo (2), mixed choir-SATB, orchestra > This edition replaces the previous piano redu...

> BA 5038-90 replaces the previous vocal score but retains its longstanding article number. > The pagination has been adopted from the previous edition. This means that you can rehearse and perform th...

Piano reduction based on the Urtext of the New Mozart Edition. Mixed choir-SATB, trumpet (2), clarino trumpet (2), timpani, strings, organ - piano reduction

The richly orchestrated Missa in C minor K. 317 was probably one of the first church music works that Mozart composed at the beginning of 1779 as the newly appointed Salzburg court organist. With a la...

Missa in C major "Coronation Mass"

Mozart’s magnificent unfinished 'Great Mass in C minor K. 427' is impressive not only for its monumentality and musical beauty but for its fragmentary state which has fascinated scholars and performer...

> Score and orchestral parts in large format (25.5 x 32.5 cm) > Includes source descriptions and a Critical Commentary with alternative readings (Eng) > Informative Introduction on the work's history...

A mendicant woman from the Haynstrasse, aged 59 years, Anna Magdalena, née Wilckin, widow of Mr. Johann Sebastian Bach, cantor at the St. Thomas School – thus reads the entry dated 29 February 1760 in...

This publication offers a source-critical edition of Mozart's fragmentary 'Requiem' as well as an alternative to the traditional Süßmayr version. It makes it possible to perform 1) the fragment, ident...

Piano reduction based on the Urtext of the New Mozart Edition. Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir-SATB, Trombone (3), Strings (without Va), Organ - Piano reduction

Psalm for solo voice, choir and orchestra. Piano reduction based on the Urtext of the New Mozart Edition. Soprano solo, mixed choir-SATB, bassoon, strings, organ - piano reduction

Soprano solo, alto solo, tenor solo, bass solo, gemCh, 2 flute, 2 oboe, 2 trumpet, timp, organ, strings

The setting of the 42nd Psalm 'Wie der Hirsch schreit nach frischem Wasser' op. 42 for soloists, choir and large orchestra was composed in 1837. For the present edition, the renowned Mendelssohn speci...

The piano reduction of Mozart's G major violin concerto is easier to play, uncluttered and practical with page turns where you need them and where necessary fold-out pages. The solo part gives players...

This new publication of Vivaldi's masterpiece is a critical performing edition of the Manchester manuscript source, which originates from Vivaldi's circle and represents an alternative (in many cases,...

> Bärenreiter Urtext edition by Federico Maria Sardelli > Preface (German/English) and Critical Report (English) > Inspiring information on historical performance practice It was in 1990 - more than 2...

The new Urtext performing editions to Mozart's violin concertos nos. 1-5 contain new easy to play piano reductions. They offer in addition to the Urtext solo violin part, an extra violin part prepared...

Although it has not been possible to identify the composer of the 'Eight Little Preludes and Fugues' Alfred Dürr writes in his preface to this edition 'Since the value of a musical work is in no way d...

Arrangiert für gemischten Chor a cappella - Arranged for mixed choir a cappella. Gemischter Chor-SATB - Singpartitur

High voice

Oratorio in 3 parts. Piano reduction (English/German) after the Urtext of the Hallische Händel-Ausgabe - Oratorio in three Parts. Vocal (english/german). Soprano solo, Alto solo (2), Tenor solo, Bass...