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Besides opera's, Gaetano Donizetti (1797-1848) composed music for wind ensemble and some solopieces for wind instruments. (English Horn and Concert Band)

Besides opera's, Gaetano Donizetti (1797-1848) composed music for wind ensemble and some solopieces for wind instruments. (English Horn and Concert Band)

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Besides opera's, Gaetano Donizetti (1797-1848) composed music for wind ensemble and some solopieces for wind instruments. (English Horn and Concert Band)

Besides opera's, Gaetano Donizetti (1797-1848) composed music for wind ensemble and some solopieces for wind instruments. (English Horn and Concert Band)

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Besides opera's, Gaetano Donizetti (1797-1848) composed music for wind ensemble and some solopieces for wind instruments. (English Horn and Concert Band)

Besides opera's, Gaetano Donizetti (1797-1848) composed music for wind ensemble and some solopieces for wind instruments. (English Horn and Concert Band)

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Gabriel Fauré
(or Euphonium)

The Elegie in its original form for cello and piano dates from 1880 and seems to have been intended as the slow movement of a larger work. Faure orchestrated the piano part in 1895 and the work became...

The Elegie in its original form for cello and piano dates from 1880 and seems to have been intended as the slow movement of a larger work. Faure orchestrated the piano part in 1895 and the work became...

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Gabriel Fauré
for Cello (or Euphonium)

The Elegie in its original form for cello and piano dates from 1880 and seems to have been intended as the slow movement of a larger work. Faure orchestrated the piano part in 1895 and the work became...

The Elegie in its original form for cello and piano dates from 1880 and seems to have been intended as the slow movement of a larger work. Faure orchestrated the piano part in 1895 and the work became...

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Gabriel Fauré
(or Euphonium)

The Elegie in its original form for cello and piano dates from 1880 and seems to have been intended as the slow movement of a larger work. Faure orchestrated the piano part in 1895 and the work became...

The Elegie in its original form for cello and piano dates from 1880 and seems to have been intended as the slow movement of a larger work. Faure orchestrated the piano part in 1895 and the work became...

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Gabriel Fauré
for Cello (or Euphonium)

The Elegie in its original form for cello and piano dates from 1880 and seems to have been intended as the slow movement of a larger work. Faure orchestrated the piano part in 1895 and the work became...

The Elegie in its original form for cello and piano dates from 1880 and seems to have been intended as the slow movement of a larger work. Faure orchestrated the piano part in 1895 and the work became...

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Eugène Gigout
for Brass Choir and Symphonic Band

This transcription attempts to recreate the excitement of the original organ composition in wind ensemble form. The main concert band is essentially the great organ with the antiphonal brass choir bei...

This transcription attempts to recreate the excitement of the original organ composition in wind ensemble form. The main concert band is essentially the great organ with the antiphonal brass choir bei...

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Eugène Gigout
for Brass Choir and Symphonic Band

This transcription attempts to recreate the excitement of the original organ composition in wind ensemble form. The main concert band is essentially the great organ with the antiphonal brass choir bei...

This transcription attempts to recreate the excitement of the original organ composition in wind ensemble form. The main concert band is essentially the great organ with the antiphonal brass choir bei...

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Eugène Gigout
for Brass Choir and Symphonic Band

This transcription attempts to recreate the excitement of the original organ composition in wind ensemble form. The main concert band is essentially the great organ with the antiphonal brass choir bei...

This transcription attempts to recreate the excitement of the original organ composition in wind ensemble form. The main concert band is essentially the great organ with the antiphonal brass choir bei...

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Eugène Gigout
for Brass Choir and Symphonic Band

This transcription attempts to recreate the excitement of the original organ composition in wind ensemble form. The main concert band is essentially the great organ with the antiphonal brass choir bei...

This transcription attempts to recreate the excitement of the original organ composition in wind ensemble form. The main concert band is essentially the great organ with the antiphonal brass choir bei...

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Joseph Joseph Haydn's (1732-1809) last solo concerto was composed to help with an experiment: in an effort to break through the Trumpet's limitations Anton Weidinger - a Trumpeter of the Vienna Court...

Joseph Joseph Haydn's (1732-1809) last solo concerto was composed to help with an experiment: in an effort to break through the Trumpet's limitations Anton Weidinger - a Trumpeter of the Vienna Court...

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Joseph Haydn
for Trumpet

Joseph Joseph Haydn's (1732-1809) last solo concerto was composed to help with an experiment: in an effort to break through the Trumpet's limitations Anton Weidinger - a Trumpeter of the Vienna Court...

Joseph Joseph Haydn's (1732-1809) last solo concerto was composed to help with an experiment: in an effort to break through the Trumpet's limitations Anton Weidinger - a Trumpeter of the Vienna Court...

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Joseph Joseph Haydn's (1732-1809) last solo concerto was composed to help with an experiment: in an effort to break through the Trumpet's limitations Anton Weidinger - a Trumpeter of the Vienna Court...

Joseph Joseph Haydn's (1732-1809) last solo concerto was composed to help with an experiment: in an effort to break through the Trumpet's limitations Anton Weidinger - a Trumpeter of the Vienna Court...

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Joseph Haydn
for Trumpet

Joseph Joseph Haydn's (1732-1809) last solo concerto was composed to help with an experiment: in an effort to break through the Trumpet's limitations Anton Weidinger - a Trumpeter of the Vienna Court...

Joseph Joseph Haydn's (1732-1809) last solo concerto was composed to help with an experiment: in an effort to break through the Trumpet's limitations Anton Weidinger - a Trumpeter of the Vienna Court...

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Johann Baptist Georg Neruda

The original manuscript of Neruda's (c.1708) Concerto in Eb Major is found in the Music Department of the National Museum in Prague and is titled: Concerto a Corno Primo del Sig. Neruda. Nowadays it b...

The original manuscript of Neruda's (c.1708) Concerto in Eb Major is found in the Music Department of the National Museum in Prague and is titled: Concerto a Corno Primo del Sig. Neruda. Nowadays it b...

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Johann Baptist Georg Neruda

The original manuscript of Neruda's (c.1708) Concerto in Eb Major is found in the Music Department of the National Museum in Prague and is titled: Concerto a Corno Primo del Sig. Neruda. Nowadays it b...

The original manuscript of Neruda's (c.1708) Concerto in Eb Major is found in the Music Department of the National Museum in Prague and is titled: Concerto a Corno Primo del Sig. Neruda. Nowadays it b...

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Johann Baptist Georg Neruda

The original manuscript of Neruda's (c.1708) Concerto in Eb Major is found in the Music Department of the National Museum in Prague and is titled: Concerto a Corno Primo del Sig. Neruda. Nowadays it b...

The original manuscript of Neruda's (c.1708) Concerto in Eb Major is found in the Music Department of the National Museum in Prague and is titled: Concerto a Corno Primo del Sig. Neruda. Nowadays it b...

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Johann Baptist Georg Neruda

The original manuscript of Neruda's (c.1708) Concerto in Eb Major is found in the Music Department of the National Museum in Prague and is titled: Concerto a Corno Primo del Sig. Neruda. Nowadays it b...

The original manuscript of Neruda's (c.1708) Concerto in Eb Major is found in the Music Department of the National Museum in Prague and is titled: Concerto a Corno Primo del Sig. Neruda. Nowadays it b...

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Joseph Joseph Haydn's (1732-1809) last solo concerto was composed to help with an experiment: in an effort to break through the Trumpet's limitations Anton Weidinger - a Trumpeter of the Vienna Court...

Joseph Joseph Haydn's (1732-1809) last solo concerto was composed to help with an experiment: in an effort to break through the Trumpet's limitations Anton Weidinger - a Trumpeter of the Vienna Court...

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Order no.: BTM079

Joseph Joseph Haydn's (1732-1809) last solo concerto was composed to help with an experiment: in an effort to break through the Trumpet's limitations Anton Weidinger - a Trumpeter of the Vienna Court...

Joseph Joseph Haydn's (1732-1809) last solo concerto was composed to help with an experiment: in an effort to break through the Trumpet's limitations Anton Weidinger - a Trumpeter of the Vienna Court...

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Order no.: BTM079-DL

Joseph Joseph Haydn's (1732-1809) last solo concerto was composed to help with an experiment: in an effort to break through the Trumpet's limitations Anton Weidinger - a Trumpeter of the Vienna Court...

Joseph Joseph Haydn's (1732-1809) last solo concerto was composed to help with an experiment: in an effort to break through the Trumpet's limitations Anton Weidinger - a Trumpeter of the Vienna Court...

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Order no.: BTM079SC

Joseph Joseph Haydn's (1732-1809) last solo concerto was composed to help with an experiment: in an effort to break through the Trumpet's limitations Anton Weidinger - a Trumpeter of the Vienna Court...

Joseph Joseph Haydn's (1732-1809) last solo concerto was composed to help with an experiment: in an effort to break through the Trumpet's limitations Anton Weidinger - a Trumpeter of the Vienna Court...

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In the central part of the concerto, the Adagio, Mozart's preoccupation with cantabile melody opens a new world of sonority.It opens with a melody which must be one of the most beautiful ever written,...

In the central part of the concerto, the Adagio, Mozart's preoccupation with cantabile melody opens a new world of sonority.It opens with a melody which must be one of the most beautiful ever written,...

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Order no.: BTM088

In the central part of the concerto, the Adagio, Mozart's preoccupation with cantabile melody opens a new world of sonority.It opens with a melody which must be one of the most beautiful ever written,...

In the central part of the concerto, the Adagio, Mozart's preoccupation with cantabile melody opens a new world of sonority.It opens with a melody which must be one of the most beautiful ever written,...

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