Baton Orchestral
In 1880, while on a convalescent holiday at the coastal resort of Saint-Pair, Emmanuel Chabrier composed what were to be called 'Pièces pittoresques'. He used 4 of these 10 pieces for piano to orchest...
In 1880, while on a convalescent holiday at the coastal resort of Saint-Pair, Emmanuel Chabrier composed what were to be called 'Pièces pittoresques'. He used 4 of these 10 pieces for piano to orchest...
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- Marcel Baars
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In 1880, while on a convalescent holiday at the coastal resort of Saint-Pair, Emmanuel Chabrier composed what were to be called 'Pièces pittoresques'. He used 4 of these 10 pieces for piano to orchest...
In 1880, while on a convalescent holiday at the coastal resort of Saint-Pair, Emmanuel Chabrier composed what were to be called 'Pièces pittoresques'. He used 4 of these 10 pieces for piano to orchest...
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- Marcel Baars
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José Gomes de Abreu, better known as Zequinha de Abreu (1880-1935) was a Brazilian musician and composer. He was one of the prominent Brazilian composers of the 'Belle Époque', having contributed to t...
José Gomes de Abreu, better known as Zequinha de Abreu (1880-1935) was a Brazilian musician and composer. He was one of the prominent Brazilian composers of the 'Belle Époque', having contributed to t...
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- Sergio Rodríguez Pena
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José Gomes de Abreu, better known as Zequinha de Abreu (1880-1935) was a Brazilian musician and composer. He was one of the prominent Brazilian composers of the 'Belle Époque', having contributed to t...
José Gomes de Abreu, better known as Zequinha de Abreu (1880-1935) was a Brazilian musician and composer. He was one of the prominent Brazilian composers of the 'Belle Époque', having contributed to t...
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- Sergio Rodríguez Pena
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Nielsen's Rhapsodic Overture (1927) represents the romantic musical element in orchestral composition. The sub-title A fantasy journey to FaroÙr belies the imaginative character of the piece, which is...
Nielsen's Rhapsodic Overture (1927) represents the romantic musical element in orchestral composition. The sub-title A fantasy journey to FaroÙr belies the imaginative character of the piece, which is...
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- Jos van de Braak
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The 'polonaise' and 'ecossaise' are both dances that were very popular in France and Great Britain at the end of the 18th century and at the beginning of the 19th. These compositions were mainly writt...
The 'polonaise' and 'ecossaise' are both dances that were very popular in France and Great Britain at the end of the 18th century and at the beginning of the 19th. These compositions were mainly writt...
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- Sergio Rodríguez Pena
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The 'polonaise' and 'ecossaise' are both dances that were very popular in France and Great Britain at the end of the 18th century and at the beginning of the 19th. These compositions were mainly writt...
The 'polonaise' and 'ecossaise' are both dances that were very popular in France and Great Britain at the end of the 18th century and at the beginning of the 19th. These compositions were mainly writt...
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- Sergio Rodríguez Pena
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The 'polonaise' and 'ecossaise' are both dances that were very popular in France and Great Britain at the end of the 18th century and at the beginning of the 19th. These compositions were mainly writt...
The 'polonaise' and 'ecossaise' are both dances that were very popular in France and Great Britain at the end of the 18th century and at the beginning of the 19th. These compositions were mainly writt...
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- Sergio Rodríguez Pena
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The 'polonaise' and 'ecossaise' are both dances that were very popular in France and Great Britain at the end of the 18th century and at the beginning of the 19th. These compositions were mainly writt...
The 'polonaise' and 'ecossaise' are both dances that were very popular in France and Great Britain at the end of the 18th century and at the beginning of the 19th. These compositions were mainly writt...
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- Sergio Rodríguez Pena
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Also sprach Zarathustra!', ('Thus Spoke Zarathustra') is a tone poem by Richard Strauss, composed in 1896 and inspired by Friedrich Nietzsche's philosophical novel 'Thus Spoke Zarathustra!'. The compo...
Also sprach Zarathustra!', ('Thus Spoke Zarathustra') is a tone poem by Richard Strauss, composed in 1896 and inspired by Friedrich Nietzsche's philosophical novel 'Thus Spoke Zarathustra!'. The compo...
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- Christiaan Janssen
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Also sprach Zarathustra!', ('Thus Spoke Zarathustra') is a tone poem by Richard Strauss, composed in 1896 and inspired by Friedrich Nietzsche's philosophical novel 'Thus Spoke Zarathustra!'. The compo...
Also sprach Zarathustra!', ('Thus Spoke Zarathustra') is a tone poem by Richard Strauss, composed in 1896 and inspired by Friedrich Nietzsche's philosophical novel 'Thus Spoke Zarathustra!'. The compo...
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- Christiaan Janssen
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Also sprach Zarathustra!', ('Thus Spoke Zarathustra') is a tone poem by Richard Strauss, composed in 1896 and inspired by Friedrich Nietzsche's philosophical novel 'Thus Spoke Zarathustra!'. The compo...
Also sprach Zarathustra!', ('Thus Spoke Zarathustra') is a tone poem by Richard Strauss, composed in 1896 and inspired by Friedrich Nietzsche's philosophical novel 'Thus Spoke Zarathustra!'. The compo...
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- Christiaan Janssen
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Also sprach Zarathustra!', ('Thus Spoke Zarathustra') is a tone poem by Richard Strauss, composed in 1896 and inspired by Friedrich Nietzsche's philosophical novel 'Thus Spoke Zarathustra!'. The compo...
Also sprach Zarathustra!', ('Thus Spoke Zarathustra') is a tone poem by Richard Strauss, composed in 1896 and inspired by Friedrich Nietzsche's philosophical novel 'Thus Spoke Zarathustra!'. The compo...
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- Christiaan Janssen
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Alexandre Levy (1864 - 1892) was a Brazilian composer, pianist and conductor. Born in São Paulo, he pioneered a fusion of classical composition with Brazilian folklore and regional rhythms. In 1890 Al...
Alexandre Levy (1864 - 1892) was a Brazilian composer, pianist and conductor. Born in São Paulo, he pioneered a fusion of classical composition with Brazilian folklore and regional rhythms. In 1890 Al...
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- Jos van de Braak
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Alexandre Levy (1864 - 1892) was a Brazilian composer, pianist and conductor. Born in São Paulo, he pioneered a fusion of classical composition with Brazilian folklore and regional rhythms. In 1890 Al...
Alexandre Levy (1864 - 1892) was a Brazilian composer, pianist and conductor. Born in São Paulo, he pioneered a fusion of classical composition with Brazilian folklore and regional rhythms. In 1890 Al...
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Alexandre Levy (1864 - 1892) was a Brazilian composer, pianist and conductor. Born in São Paulo, he pioneered a fusion of classical composition with Brazilian folklore and regional rhythms. In 1890 Al...
Alexandre Levy (1864 - 1892) was a Brazilian composer, pianist and conductor. Born in São Paulo, he pioneered a fusion of classical composition with Brazilian folklore and regional rhythms. In 1890 Al...
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Alexandre Levy (1864 - 1892) was a Brazilian composer, pianist and conductor. Born in São Paulo, he pioneered a fusion of classical composition with Brazilian folklore and regional rhythms. In 1890 Al...
Alexandre Levy (1864 - 1892) was a Brazilian composer, pianist and conductor. Born in São Paulo, he pioneered a fusion of classical composition with Brazilian folklore and regional rhythms. In 1890 Al...
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Naturally, because of his technical background, when Josef Strauss in 1858 sketched out a polka with the title 'Moulinet' ('Little Mill'), it was to become more than just another piece of dance music....
Naturally, because of his technical background, when Josef Strauss in 1858 sketched out a polka with the title 'Moulinet' ('Little Mill'), it was to become more than just another piece of dance music....
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- Joost van Wichen
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Naturally, because of his technical background, when Josef Strauss in 1858 sketched out a polka with the title 'Moulinet' ('Little Mill'), it was to become more than just another piece of dance music....
Naturally, because of his technical background, when Josef Strauss in 1858 sketched out a polka with the title 'Moulinet' ('Little Mill'), it was to become more than just another piece of dance music....
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- Joost van Wichen
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Naturally, because of his technical background, when Josef Strauss in 1858 sketched out a polka with the title 'Moulinet' ('Little Mill'), it was to become more than just another piece of dance music....
Naturally, because of his technical background, when Josef Strauss in 1858 sketched out a polka with the title 'Moulinet' ('Little Mill'), it was to become more than just another piece of dance music....
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- Joost van Wichen
- Baton Music
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Naturally, because of his technical background, when Josef Strauss in 1858 sketched out a polka with the title 'Moulinet' ('Little Mill'), it was to become more than just another piece of dance music....
Naturally, because of his technical background, when Josef Strauss in 1858 sketched out a polka with the title 'Moulinet' ('Little Mill'), it was to become more than just another piece of dance music....
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- Joost van Wichen
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Although Franz Lehár became most known for his contribution to the operetta repertoire, he also composed a lot of marches. One of these is 'Piave induló' (Piave Marsch, Marche form the 106th Regiment)...
Although Franz Lehár became most known for his contribution to the operetta repertoire, he also composed a lot of marches. One of these is 'Piave induló' (Piave Marsch, Marche form the 106th Regiment)...
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- Georg Zwettler
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Although Franz Lehár became most known for his contribution to the operetta repertoire, he also composed a lot of marches. One of these is 'Piave induló' (Piave Marsch, Marche form the 106th Regiment)...
Although Franz Lehár became most known for his contribution to the operetta repertoire, he also composed a lot of marches. One of these is 'Piave induló' (Piave Marsch, Marche form the 106th Regiment)...
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- Georg Zwettler
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Although Franz Lehár became most known for his contribution to the operetta repertoire, he also composed a lot of marches. One of these is 'Piave induló' (Piave Marsch, Marche form the 106th Regiment)...
Although Franz Lehár became most known for his contribution to the operetta repertoire, he also composed a lot of marches. One of these is 'Piave induló' (Piave Marsch, Marche form the 106th Regiment)...
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- Georg Zwettler
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Symphony No. 2, known as "Die Auferstehung" ("The Resurrection"), was written between 1888 and 1894, and first performed in 1895 and became one of Mahler's most popular and successful works during his...
Symphony No. 2, known as "Die Auferstehung" ("The Resurrection"), was written between 1888 and 1894, and first performed in 1895 and became one of Mahler's most popular and successful works during his...
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- Jos van de Braak
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