Baton Vocal

Soprano, Choir and Symphonic Band Emmerich Kalman's most beloved operetta 'Die Csardasfürstin' had its first performance at the Vienna 'Johann Strauss-Theater' in November 1915. Only in the German sp...

Soprano and Wind Ensemble The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von Suppe...

Soprano, Tenor, Choir and Symphonic Band The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr.,...

Two Tenors and Symphonic Band The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von S...

Just seeing its title, the Tipsy Song may not be immediately familiar. But hearing just one bar of it, it's the Annen-Polka with a vocal part in which a proper Victorian-era lady finds herself slightl...

Although Italian born Guglielmo Cottrau (1797-1847) had a political career, he preferred the arts, music, literature and journalism. Around 1825 he began his collaboration with Federico Girard to publ...

Although Italian born Guglielmo Cottrau (1797-1847) had a political career, he preferred the arts, music, literature and journalism. Around 1825 he began his collaboration with Federico Girard to publ...

As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to give his talen...

As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to give his talen...

When Puccini's opera Turandot was heard for the first time in April 1926, its composer had been dead for almost a year and a half. The story of Princess Turandot is perhaps the most repulsive that any...

When Puccini's opera Turandot was heard for the first time in April 1926, its composer had been dead for almost a year and a half. The story of Princess Turandot is perhaps the most repulsive that any...

As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to give his talen...

As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to give his talen...

A short aria for lyric soprano. Delicate orchestration contributes to an extremely moving rendition of this splendid melody.

A short aria for lyric soprano. Delicate orchestration contributes to an extremely moving rendition of this splendid melody.

In this cavatina - a short one-section aria - Mozart composed beside the soprano, who complains of a lack of love, interesting music for the bassoon and clarinet (arranged bugles and saxophones) that...

In this cavatina - a short one-section aria - Mozart composed beside the soprano, who complains of a lack of love, interesting music for the bassoon and clarinet (arranged bugles and saxophones) that...

Gershwin's opera 'Porgy and Bess' contains many songs that have become popular in their own right, becoming standards in jazz and blues in addition to their original operatic setting. One of those is...

Gershwin's opera 'Porgy and Bess' contains many songs that have become popular in their own right, becoming standards in jazz and blues in addition to their original operatic setting. One of those is...

Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...

Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...

'Die Zauberflöte' isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indi...

'Die Zauberflöte' isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indi...

'Die Zauberflöte' isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indi...

'Die Zauberflöte' isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indi...