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Belwin Concert Band Series

Peter Iljitsch Tschaikowsky
(1st Movement From Serenade In C Major For String Orchestra, Op. 48) - Score

Here is a colorful, evocative portrait through adherence to the Classical attributes of balance, elegance, and grace. 'Finale,' the fourth movement, is also available (ALF30798).

Here is a colorful, evocative portrait through adherence to the Classical attributes of balance, elegance, and grace. 'Finale,' the fourth movement, is also available (ALF30798).

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Morris dancing has been part of English culture and tradition for more than five centuries and still flourishes today in all parts of the UK. Douglas Wagner has made use of Holst's charismatic style i...

Morris dancing has been part of English culture and tradition for more than five centuries and still flourishes today in all parts of the UK. Douglas Wagner has made use of Holst's charismatic style i...

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Morris dancing has been part of English culture and tradition for more than five centuries and still flourishes today in all parts of the UK. Douglas Wagner has made use of Holst's charismatic style i...

Morris dancing has been part of English culture and tradition for more than five centuries and still flourishes today in all parts of the UK. Douglas Wagner has made use of Holst's charismatic style i...

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Gustav Holst
Score

Morris dancing has been part of English culture and tradition for more than five centuries and still flourishes today in all parts of the UK. Douglas Wagner has made use of Holst's charismatic style i...

Morris dancing has been part of English culture and tradition for more than five centuries and still flourishes today in all parts of the UK. Douglas Wagner has made use of Holst's charismatic style i...

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Written as either a fun or serious performance piece, this work incorporates several well-known and familiar classical melodies associated with the macabre and creepy. For a more serious program, 'Pie...

Written as either a fun or serious performance piece, this work incorporates several well-known and familiar classical melodies associated with the macabre and creepy. For a more serious program, 'Pie...

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  • Patrick Roszell
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Written as either a fun or serious performance piece, this work incorporates several well-known and familiar classical melodies associated with the macabre and creepy. For a more serious program, 'Pie...

Written as either a fun or serious performance piece, this work incorporates several well-known and familiar classical melodies associated with the macabre and creepy. For a more serious program, 'Pie...

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Written as either a fun or serious performance piece, this work incorporates several well-known and familiar classical melodies associated with the macabre and creepy. For a more serious program, 'Pie...

Written as either a fun or serious performance piece, this work incorporates several well-known and familiar classical melodies associated with the macabre and creepy. For a more serious program, 'Pie...

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Nikolai Rimski-Korsakow

This work is a brilliant Russian showpiece that will inspire your ensemble's best efforts. It requires moderate technique and endurance skills. This arrangement, although not a faithful transcription,...

This work is a brilliant Russian showpiece that will inspire your ensemble's best efforts. It requires moderate technique and endurance skills. This arrangement, although not a faithful transcription,...

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Nikolai Rimski-Korsakow

This work is a brilliant Russian showpiece that will inspire your ensemble's best efforts. It requires moderate technique and endurance skills. This arrangement, although not a faithful transcription,...

This work is a brilliant Russian showpiece that will inspire your ensemble's best efforts. It requires moderate technique and endurance skills. This arrangement, although not a faithful transcription,...

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Nikolai Rimski-Korsakow
Score

This work is a brilliant Russian showpiece that will inspire your ensemble's best efforts. It requires moderate technique and endurance skills. This arrangement, although not a faithful transcription,...

This work is a brilliant Russian showpiece that will inspire your ensemble's best efforts. It requires moderate technique and endurance skills. This arrangement, although not a faithful transcription,...

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Jacques Offenbach
(from 'The Tales Of Hoffman')

Barcarolle, one of the most famous operetta melodies, is presented here for concert band. Its 'rolling' melody and simple harmonic structure have made it a favorite the world over. Written by one of t...

Barcarolle, one of the most famous operetta melodies, is presented here for concert band. Its 'rolling' melody and simple harmonic structure have made it a favorite the world over. Written by one of t...

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  • Jack Bullock
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Jacques Offenbach
(from 'The Tales Of Hoffman')

Barcarolle, one of the most famous operetta melodies, is presented here for concert band. Its 'rolling' melody and simple harmonic structure have made it a favorite the world over. Written by one of t...

Barcarolle, one of the most famous operetta melodies, is presented here for concert band. Its 'rolling' melody and simple harmonic structure have made it a favorite the world over. Written by one of t...

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Jacques Offenbach
(from 'The Tales Of Hoffman') - Score

Barcarolle, one of the most famous operetta melodies, is presented here for concert band. Its 'rolling' melody and simple harmonic structure have made it a favorite the world over. Written by one of t...

Barcarolle, one of the most famous operetta melodies, is presented here for concert band. Its 'rolling' melody and simple harmonic structure have made it a favorite the world over. Written by one of t...

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  • Jack Bullock
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Edvard Grieg
(from Holberg Suite, Op. 40)

From Grieg's Holberg Suite, Op. 40, the 'Praeludium' is the first - and perhaps the most powerful - movement of that cherished work. Regal and bold in nature, this transcription will serve admirably a...

From Grieg's Holberg Suite, Op. 40, the 'Praeludium' is the first - and perhaps the most powerful - movement of that cherished work. Regal and bold in nature, this transcription will serve admirably a...

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Edvard Grieg
(from Holberg Suite, Op. 40) - Score

From Grieg's Holberg Suite, Op. 40, the 'Praeludium' is the first - and perhaps the most powerful - movement of that cherished work. Regal and bold in nature, this transcription will serve admirably a...

From Grieg's Holberg Suite, Op. 40, the 'Praeludium' is the first - and perhaps the most powerful - movement of that cherished work. Regal and bold in nature, this transcription will serve admirably a...

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Edvard Grieg
(from The 'Holberg Suite', Op. 40)

Sarabande and Gavotte are the second and third movements of the Holberg Suite, Op. 40, a standard movement of the Baroque suite. Both movements may be performed as part of the entire suite or as a sta...

Sarabande and Gavotte are the second and third movements of the Holberg Suite, Op. 40, a standard movement of the Baroque suite. Both movements may be performed as part of the entire suite or as a sta...

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Edvard Grieg
(from The 'Holberg Suite', Op. 40) - Score

Sarabande and Gavotte are the second and third movements of the Holberg Suite, Op. 40, a standard movement of the Baroque suite. Both movements may be performed as part of the entire suite or as a sta...

Sarabande and Gavotte are the second and third movements of the Holberg Suite, Op. 40, a standard movement of the Baroque suite. Both movements may be performed as part of the entire suite or as a sta...

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Edvard Grieg
Lyric Suite (orchestration Of Op. 54) No. 4

This setting of the march from Grieg's Lyric Suite is a charming and colorful work in ABA form. Delicate at the beginning, it develops the lyric melody, then the march builds with intensity to a drama...

This setting of the march from Grieg's Lyric Suite is a charming and colorful work in ABA form. Delicate at the beginning, it develops the lyric melody, then the march builds with intensity to a drama...

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  • Michael Story
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Edvard Grieg
Lyric Suite (orchestration Of Op. 54) No. 4

This setting of the march from Grieg's Lyric Suite is a charming and colorful work in ABA form. Delicate at the beginning, it develops the lyric melody, then the march builds with intensity to a drama...

This setting of the march from Grieg's Lyric Suite is a charming and colorful work in ABA form. Delicate at the beginning, it develops the lyric melody, then the march builds with intensity to a drama...

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Edvard Grieg
Lyric Suite (orchestration Of Op. 54) No. 4 - Score

This setting of the march from Grieg's Lyric Suite is a charming and colorful work in ABA form. Delicate at the beginning, it develops the lyric melody, then the march builds with intensity to a drama...

This setting of the march from Grieg's Lyric Suite is a charming and colorful work in ABA form. Delicate at the beginning, it develops the lyric melody, then the march builds with intensity to a drama...

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Edvard Grieg

Edvard Greig's 'Air,' in ABA form, is one of his most beautiful and tender works while the 'Rigaudon' is a characteristically playful French baroque-style dance. (9:00) This installment concludes the...

Edvard Greig's 'Air,' in ABA form, is one of his most beautiful and tender works while the 'Rigaudon' is a characteristically playful French baroque-style dance. (9:00) This installment concludes the...

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Edvard Grieg

Edvard Greig's 'Air,' in ABA form, is one of his most beautiful and tender works while the 'Rigaudon' is a characteristically playful French baroque-style dance. (9:00) This installment concludes the...

Edvard Greig's 'Air,' in ABA form, is one of his most beautiful and tender works while the 'Rigaudon' is a characteristically playful French baroque-style dance. (9:00) This installment concludes the...

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Edvard Grieg
Score

Edvard Greig's 'Air,' in ABA form, is one of his most beautiful and tender works while the 'Rigaudon' is a characteristically playful French baroque-style dance. (9:00) This installment concludes the...

Edvard Greig's 'Air,' in ABA form, is one of his most beautiful and tender works while the 'Rigaudon' is a characteristically playful French baroque-style dance. (9:00) This installment concludes the...

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Erik Satie
(Gymnopédie No. 3)

The Gymnopédies, published in Paris starting in 1888, are three piano compositions written by French composer and pianist Erik Satie. The name referrers to an ancient Greek festival and dance. This pi...

The Gymnopédies, published in Paris starting in 1888, are three piano compositions written by French composer and pianist Erik Satie. The name referrers to an ancient Greek festival and dance. This pi...

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  • Jerry Brubaker
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Erik Satie
(Gymnopédie No. 3)

The Gymnopédies, published in Paris starting in 1888, are three piano compositions written by French composer and pianist Erik Satie. The name referrers to an ancient Greek festival and dance. This pi...

The Gymnopédies, published in Paris starting in 1888, are three piano compositions written by French composer and pianist Erik Satie. The name referrers to an ancient Greek festival and dance. This pi...

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Belwin Concert Band

The medium-easy wind band tunes of the Concert Band series from Belwin Music are in the ringing keys of C F B Eb and A-flat as well as the time signatures 2/4, 3/4 4/4, 6/8 and Alla Breve, the smallest note values are 16th notes, dotting occurs (difficulty level 3-3.5).

Equipment:
Piccolo flute in C, 1st flute./2nd flute (f1-g3)
Oboe
Bassoon
1st-3rd clarinet (1st: g-c3, 2nd: g-g2)
Bass clarinet
1st/2nd alto saxophone
Tenor saxophone
Baritone saxophone
1st-3rd trumpet (1st.: a-g2, 2nd: a-e2, 3rd a-c2)
1st/2nd horn (c1-d2)
1st-3rd trombone
euphonium
tuba
sticks
timbals
percussion
Optional: synthesizer, percussion & electric bass.