Choral

From his best known larger work Requiem in D minor, Faure's Sanctus is set here for 3-part mixed and SSA voices. Many of the movements from the Requiem have been used in movies and television, making...

Arranged for the Allegro Choirs of Kansas City and set for SATB voices, harpsichord or piano, and string quartet, Vivaldi is celebrated by or perhaps even introduced to your singers in this smart edit...

Arranged for the Allegro Choirs of Kansas City and set for SATB voices, harpsichord or piano, and string quartet, Vivaldi is celebrated by or perhaps even introduced to your singers in this smart edit...

Mozart's delightful melody is paired with an original text by the arranger suitable as an opening number for concert choir. The musical theme and accessible vocal writing will appeal to both high scho...

Mozart's delightful melody is paired with an original text by the arranger suitable as an opening number for concert choir. The musical theme and accessible vocal writing will appeal to both high scho...

Mozart's delightful melody is paired with an original text by the arranger suitable as an opening number for concert choir. The musical theme and accessible vocal writing will appeal to both high scho...

Mozart's delightful melody is paired with an original text by the arranger suitable as an opening number for concert choir. The musical theme and accessible vocal writing will appeal to both high scho...

When the 3-part voicing was first released, it was a groundbreaking choral for middle school voices setting Latin text in a contemporary fashion. Celebrating its first publication, we now offer this t...

When the 3-part voicing was first released, it was a groundbreaking choral for middle school voices setting Latin text in a contemporary fashion. Celebrating its first publication, we now offer this t...

Written when he was eighteen years old, Schubert's only setting of the Magnificat text is arranged here for mixed voices and piano. This exuberant piece begins with joyous acclamations in the opening...

Written when he was eighteen years old, Schubert's only setting of the Magnificat text is arranged here for mixed voices and piano. This exuberant piece begins with joyous acclamations in the opening...

Et In Terra Pax by Greg Gilpin, arranged for SAB choir with piano accompaniment.

Et In Terra Pax by Greg Gilpin, arranged for SAB choir with piano accompaniment.

Here's a proven winner from Emily Crocker, a buoyant setting of Psalm 100. Crisp rhythms and dynamic music come together in this powerful concert festival work. Available: SATB, 2-Part, 3-Part Mixed,...

Beginning with a spirited piano introduction, the voices take off with power and jubilance. Rhythmic vitality, meter changes and full divisi in voices make this piece an effective concert opener/close...

Beginning with a spirited piano introduction, the voices take off with power and jubilance. Rhythmic vitality, meter changes and full divisi in voices make this piece an effective concert opener/close...

This is the G. Schirmer edition that has become part of every musician's experience with Handel's masterwork!

This is the G. Schirmer edition that has become part of every musician's experience with Handel's masterwork!

Version for SATB Choir with Piano Accompaniment.

A lively Madrigal for SATB choir and Piano, with words imitated and adapted from the original Italian by W. A. Barrett.

Arranged by Dudley Buck for SATB Choir and Soprano or Tenor Solo, with Organ accompaniment.

A setting of the 150th Psalm, scored for SATB choir with Soprano soloist and Piano accompaniment by A. Randegger.