Concertino
The genre of the violoncello concerto was born in 17th-century Italy. Thanks to the Venetian composer Antonio Vivaldi (1678-1741), there exists today not only a wealth of magnificent violin concertos...
The genre of the violoncello concerto was born in 17th-century Italy. Thanks to the Venetian composer Antonio Vivaldi (1678-1741), there exists today not only a wealth of magnificent violin concertos...
- 2 Cellos, String Orchestra and Continuo
- Score (Urtext)
- Schott Musik
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The genre of the violoncello concerto was born in 17th-century Italy. Thanks to the Venetian composer Antonio Vivaldi (1678-1741), there exists today not only a wealth of magnificent violin concertos...
The genre of the violoncello concerto was born in 17th-century Italy. Thanks to the Venetian composer Antonio Vivaldi (1678-1741), there exists today not only a wealth of magnificent violin concertos...
- 2 Cellos, String Orchestra and Continuo
- Set of Parts (Urtext)
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A perfect example for an early symphony in the Neapolitan style.
A perfect example for an early symphony in the Neapolitan style.
- String Orchestra
- Score
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Boccherini, one of the greatest violoncellists of the 18th century, left numerous concertos for his favourite instrument. In the very first of these works, the personal style of the composer is unmist...
Boccherini, one of the greatest violoncellists of the 18th century, left numerous concertos for his favourite instrument. In the very first of these works, the personal style of the composer is unmist...
- Cello and Orchestra
- Score
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- Cello and Orchestra
- Score
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Stimmensatz - 5 V I, 5 V II, 3 Va, 4 Vc/Kb
Stimmensatz - 5 V I, 5 V II, 3 Va, 4 Vc/Kb
- Cello and Orchestra
- Set of Parts
- Schott Musik
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Perhaps the best-known and most played work of Corelli, standard repertoire of each violinist, in an arrangement for string orchestra.
Perhaps the best-known and most played work of Corelli, standard repertoire of each violinist, in an arrangement for string orchestra.
- String Orchestra
- Set of Parts
- Eduard Martini
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Imaginative fresh thematic construction and wide variety of compositional techniques are the characteristic features of this concerto full of brio. Clearly arranged and spirited music of French ease.
Imaginative fresh thematic construction and wide variety of compositional techniques are the characteristic features of this concerto full of brio. Clearly arranged and spirited music of French ease.
- Flute, Piano and String Orchestra
- Score
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This work created in 1955 is one of the most rewarding and accessible pieces of contemporary literature for string orchestra. The balance between technical simplicity and musical and tonal effect is e...
This work created in 1955 is one of the most rewarding and accessible pieces of contemporary literature for string orchestra. The balance between technical simplicity and musical and tonal effect is e...
- String Orchestra
- Set of Parts
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The 'Divertimento giocoso' by Harald Genzmer created in 1960 is scored for two woodwind instruments (flutes, recorders or transverse flute and oboe) as solo instruments opposed to the string orchestra...
The 'Divertimento giocoso' by Harald Genzmer created in 1960 is scored for two woodwind instruments (flutes, recorders or transverse flute and oboe) as solo instruments opposed to the string orchestra...
- 2 Woodwind Instruments and String Orchestra
- Score
- Schott Musik
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Harald Genzmer's composition Divertimento di danza for string orchestra clearly continues the baroque form of the divertimento. This light music - in the truest sense of the word - consisted of a sequ...
Harald Genzmer's composition Divertimento di danza for string orchestra clearly continues the baroque form of the divertimento. This light music - in the truest sense of the word - consisted of a sequ...
- String Orchestra
- Score
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Partitur = Cembalo
- Violin, Harpsichord and String Orchestra
- Score
- Schott Musik
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- String Orchestra
- Score
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- 2 Violins, Cello, String Orchestra and Continuo
- Score
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Stimmensatz - 2 Hörner I/II in F, 4 Violinen I, 4 Violinen II, 2 Violen, 4 Bassi
Stimmensatz - 2 Hörner I/II in F, 4 Violinen I, 4 Violinen II, 2 Violen, 4 Bassi
- 2 Violins, Cello, String Orchestra and Continuo
- Set of Parts
- Schott Musik
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Highly expressive though transparent and comprehensible music with strict compositional technique. A demanding task for good string orchestras.
Highly expressive though transparent and comprehensible music with strict compositional technique. A demanding task for good string orchestras.
- String Orchestra
- Score
- Schott Musik
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This suite has been taken from the music of the Christmas tale of the same name. The instrumentation can be easily realized with four woodwind instruments, two brass instruments, timpani and strings....
This suite has been taken from the music of the Christmas tale of the same name. The instrumentation can be easily realized with four woodwind instruments, two brass instruments, timpani and strings....
- String Orchestra
- Score
- Franz Willms
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This suite has been taken from the music of the Christmas tale of the same name. The instrumentation can be easily realized with four woodwind instruments, two brass instruments, timpani and strings....
This suite has been taken from the music of the Christmas tale of the same name. The instrumentation can be easily realized with four woodwind instruments, two brass instruments, timpani and strings....
- String Orchestra
- Set of Parts
- Franz Willms
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Among his orchestral works, the symphonies (Wq 182) are certainly those with which C.Ph.E. Bach advances farthest into new ground in music. Contrast and surprise as well as the permanent change of aff...
Among his orchestral works, the symphonies (Wq 182) are certainly those with which C.Ph.E. Bach advances farthest into new ground in music. Contrast and surprise as well as the permanent change of aff...
- String Orchestra
- Score
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The composer born in Prague, now living in America, studied with Honegger and Nadia Boulanger. The pieces created in 1955 are very rewarding for orchestral work since all parts are treated equally. Th...
The composer born in Prague, now living in America, studied with Honegger and Nadia Boulanger. The pieces created in 1955 are very rewarding for orchestral work since all parts are treated equally. Th...
- String Orchestra
- Score
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The four movements of the Yougoslavian composer and pupil of Fortner are easy but demand an elegant leggiero manner of bowing from the violinists. A cheerful and very instructive piece.
The four movements of the Yougoslavian composer and pupil of Fortner are easy but demand an elegant leggiero manner of bowing from the violinists. A cheerful and very instructive piece.
- String Orchestra
- Score
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Joseph Haas was the teacher, Paul Hindemith the model of the director of many years' standing of the Frankfurter Musikhochschule. The 'Heitere Suite' was created in 1945. 'After a slow introduction (q...
Joseph Haas was the teacher, Paul Hindemith the model of the director of many years' standing of the Frankfurter Musikhochschule. The 'Heitere Suite' was created in 1945. 'After a slow introduction (q...
- String Orchestra
- Score
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Joseph Haas was the teacher, Paul Hindemith the model of the director of many years' standing of the Frankfurter Musikhochschule. The 'Heitere Suite' was created in 1945. 'After a slow introduction (q...
Joseph Haas was the teacher, Paul Hindemith the model of the director of many years' standing of the Frankfurter Musikhochschule. The 'Heitere Suite' was created in 1945. 'After a slow introduction (q...
- String Orchestra
- Set of Parts
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Because of its scoring, this uncomplicated little six-movement suite in a folkloric style is, above all, suitable for the first ensemble playing in violin lessons. As vigorous effective music, it suit...
Because of its scoring, this uncomplicated little six-movement suite in a folkloric style is, above all, suitable for the first ensemble playing in violin lessons. As vigorous effective music, it suit...
- Violin Quartet
- Set of Parts
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This splendidly-sounding piece consists of a vocal movement based on the baroque concertino ripieno principle and a dance movement whose particular attraction results from a long flageolet passage.
This splendidly-sounding piece consists of a vocal movement based on the baroque concertino ripieno principle and a dance movement whose particular attraction results from a long flageolet passage.
- Cello Quartet
- Score
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