Concertino
Corrette became known mainly by his numerous excellently drafted school works which aroused the admiration of his contemporaries and which are now important sources for the historical performance prac...
Corrette became known mainly by his numerous excellently drafted school works which aroused the admiration of his contemporaries and which are now important sources for the historical performance prac...
- Flute, 2 Violins and Continuo
- Score
- Schott Musik
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This concerto represents, as most of the com-poser's works, the fully matured Italian music of the 17th to 18th century. Even nowadays, this music still fascinates by its expressive character and the...
This concerto represents, as most of the com-poser's works, the fully matured Italian music of the 17th to 18th century. Even nowadays, this music still fascinates by its expressive character and the...
- 2 Violins, Viola and Continuo
- Score
- Schott Musik
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This concerto represents, as most of the com-poser's works, the fully matured Italian music of the 17th to 18th century. Even nowadays, this music still fascinates by its expressive character and the...
This concerto represents, as most of the com-poser's works, the fully matured Italian music of the 17th to 18th century. Even nowadays, this music still fascinates by its expressive character and the...
- 2 Violins, Viola and Continuo
- Set of Parts
- Schott Musik
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As to form, both the concertino and the nocturne are still strongly characterised by the features of the baroque suite. As to style, however, melody and harmonic structure point to Viennese Classicism...
As to form, both the concertino and the nocturne are still strongly characterised by the features of the baroque suite. As to style, however, melody and harmonic structure point to Viennese Classicism...
- Oboe and Strings
- Score
- Schott Musik
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- Violin and Chamber Orchestra
- Set of Parts
- Schott Musik
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This work can be scored alternatively. Oboes, even choric ones, may be added to the two violins, English horns to the two violas, a bassoon to the bass.
This work can be scored alternatively. Oboes, even choric ones, may be added to the two violins, English horns to the two violas, a bassoon to the bass.
- Chamber Orchestra
- Score
- Schott Musik
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In this small three-movement symphony written by Mozart at the age of ten, the rondo form is used for the first time in the finale. Like the 'Lambacher Sinfonie' in G major, this work can also be play...
In this small three-movement symphony written by Mozart at the age of ten, the rondo form is used for the first time in the finale. Like the 'Lambacher Sinfonie' in G major, this work can also be play...
- Orchestra
- Set of Parts
- Schott Musik
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Mozart wrote this symphony in 1768 at the age of 12 dedicating it to the Benedictine monastery of Lambach. The structure of this score follows the rediscovered parts - the autograph has disappeared.
Mozart wrote this symphony in 1768 at the age of 12 dedicating it to the Benedictine monastery of Lambach. The structure of this score follows the rediscovered parts - the autograph has disappeared.
- Orchestra
- Score
- Schott Musik
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- Orchestra
- Score
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Stimmensatz - Flöte I; Flöte II; Fagott; Horn I; Horn II; 4 Violinen I; 4 Violinen II; 2 Violen; 4 Violoncelli/Kontrabässe - Orchester
Stimmensatz - Flöte I; Flöte II; Fagott; Horn I; Horn II; 4 Violinen I; 4 Violinen II; 2 Violen; 4 Violoncelli/Kontrabässe - Orchester
- Orchestra
- Set of Parts
- Schott Musik
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Streicher-Ergänzungssatz - 2 Violinen I; 2 Violinen II; Viola; 2 Violoncelli/Kontrabässe - Orchester
Streicher-Ergänzungssatz - 2 Violinen I; 2 Violinen II; Viola; 2 Violoncelli/Kontrabässe - Orchester
- Orchestra
- Additional Parts - Strings
- Schott Musik
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Stimmensatz - Flöte; 2 Oboen I/II; 2 Klarinetten I/II; 2 Fagotte I/II; 2 Hörner I/II; 4 Violinen I; 4 Violinen II; 4 Violoncelli/Kontrabässe
Stimmensatz - Flöte; 2 Oboen I/II; 2 Klarinetten I/II; 2 Fagotte I/II; 2 Hörner I/II; 4 Violinen I; 4 Violinen II; 4 Violoncelli/Kontrabässe
- Orchestra
- Set of Parts
- Schott Musik
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This concerto was rediscovered by the editor in Paris. Its style is late classical - virtuoso and very guitaristic. The orchestral accompaniment is rather simple and transparent. An effective piece pa...
This concerto was rediscovered by the editor in Paris. Its style is late classical - virtuoso and very guitaristic. The orchestral accompaniment is rather simple and transparent. An effective piece pa...
- Guitar and Orchestra
- Set of Parts
- Schott Musik
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A romantic concerto full of expressivity, virtuoso and suited to the playing techniques of the clarinet.
A romantic concerto full of expressivity, virtuoso and suited to the playing techniques of the clarinet.
- Clarinet and Orchestra
- Set of Parts
- Schott Musik
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A romantic concerto full of expressivity, virtuoso and suited to the playing techniques of the clarinet.
A romantic concerto full of expressivity, virtuoso and suited to the playing techniques of the clarinet.
- Clarinet and Orchestra
- Set of Parts
- Schott Musik
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Streicher-Ergänzungssatz - 2 Violinen I; 2 Violinen II; Viola; Violoncello/Kontrabass - Orchester.
Streicher-Ergänzungssatz - 2 Violinen I; 2 Violinen II; Viola; Violoncello/Kontrabass - Orchester.
- Orchestra
- Additional Parts - Strings
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In dem Concerto des auch als Flötist berühmten französischen Komponisten sind klassische Heiterkeit und elegante Virtuosität miteinander verbunden.
In dem Concerto des auch als Flötist berühmten französischen Komponisten sind klassische Heiterkeit und elegante Virtuosität miteinander verbunden.
- Flute and Orchestra
- Score
- Janos Szebenyi
- Schott Musik
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For comparison, Hindemith begins the 'Suite französischer Tänze' with the original movements by Pierre d'Attaignant. This is meant to be a demonstration and motivation for the player of today to add o...
For comparison, Hindemith begins the 'Suite französischer Tänze' with the original movements by Pierre d'Attaignant. This is meant to be a demonstration and motivation for the player of today to add o...
- Orchestra
- Set of Parts
- Paul Hindemith
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We know very little of this play which is prob-ably based on the classical legend of the untying of the Gordian knot by Alexander the Great. The libretto was never printed. Of the piece it-self, only...
We know very little of this play which is prob-ably based on the classical legend of the untying of the Gordian knot by Alexander the Great. The libretto was never printed. Of the piece it-self, only...
- String Quartet (2 Violins, Viola and Double Bass)
- Score
- Schott Musik
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Stimmensatz solistisch - 2 Violinen, Violoncello und Kontrabass (solistisch oder chorisch)
Stimmensatz solistisch - 2 Violinen, Violoncello und Kontrabass (solistisch oder chorisch)
- String Quartet (2 Violins, Cello and Double Bass)
- Set of Parts
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A brilliant, early classical work that can also be performed by a string quartet. Carl Stamitz indicated exactly in his Quartetto Concertante which sections of the individual parts have to be scored f...
A brilliant, early classical work that can also be performed by a string quartet. Carl Stamitz indicated exactly in his Quartetto Concertante which sections of the individual parts have to be scored f...
- String Quartet
- Score
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A brilliant, early classical work that can also be performed by a string quartet. Carl Stamitz indicated exactly in his Quartetto Concertante which sections of the individual parts have to be scored f...
A brilliant, early classical work that can also be performed by a string quartet. Carl Stamitz indicated exactly in his Quartetto Concertante which sections of the individual parts have to be scored f...
- String Quartet
- Set of Parts
- Schott Musik
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A brilliant, early classical work that can also be performed by a string quartet. Carl Stamitz indicated exactly in his Quartetto Concertante which sections of the individual parts have to be scored f...
A brilliant, early classical work that can also be performed by a string quartet. Carl Stamitz indicated exactly in his Quartetto Concertante which sections of the individual parts have to be scored f...
- String Quartet
- Set of Parts
- Schott Musik
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Telemann's work in Sorau as music director in the court of Count Erdmann von Promnitz and the trips involved as far as Cracow put him in touch with Polish folk music. One example of his artistic exami...
Telemann's work in Sorau as music director in the court of Count Erdmann von Promnitz and the trips involved as far as Cracow put him in touch with Polish folk music. One example of his artistic exami...
- String Quartet (2 Violins, Viola and Cello)
- Piano Score
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Not well-known are the numerous small pieces composed by Beethoven almost 'on the side' for musical use in everyday life.The 'Ländlerische Tänze' are intended to be -orchestral representing welcome pl...
Not well-known are the numerous small pieces composed by Beethoven almost 'on the side' for musical use in everyday life.The 'Ländlerische Tänze' are intended to be -orchestral representing welcome pl...
- String Trio (2 Violins and Double Bass)
- Score
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