Concertino
This work can be scored alternatively. Oboes, even choric ones, may be added to the two violins, English horns to the two violas, a bassoon to the bass.
This work can be scored alternatively. Oboes, even choric ones, may be added to the two violins, English horns to the two violas, a bassoon to the bass.
- Chamber Orchestra
- Score
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In this small three-movement symphony written by Mozart at the age of ten, the rondo form is used for the first time in the finale. Like the 'Lambacher Sinfonie' in G major, this work can also be play...
In this small three-movement symphony written by Mozart at the age of ten, the rondo form is used for the first time in the finale. Like the 'Lambacher Sinfonie' in G major, this work can also be play...
- Orchestra
- Set of Parts
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Mozart wrote this symphony in 1768 at the age of 12 dedicating it to the Benedictine monastery of Lambach. The structure of this score follows the rediscovered parts - the autograph has disappeared.
Mozart wrote this symphony in 1768 at the age of 12 dedicating it to the Benedictine monastery of Lambach. The structure of this score follows the rediscovered parts - the autograph has disappeared.
- Orchestra
- Score
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- Orchestra
- Score
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Stimmensatz - Flöte I; Flöte II; Fagott; Horn I; Horn II; 4 Violinen I; 4 Violinen II; 2 Violen; 4 Violoncelli/Kontrabässe - Orchester
Stimmensatz - Flöte I; Flöte II; Fagott; Horn I; Horn II; 4 Violinen I; 4 Violinen II; 2 Violen; 4 Violoncelli/Kontrabässe - Orchester
- Orchestra
- Set of Parts
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Streicher-Ergänzungssatz - 2 Violinen I; 2 Violinen II; Viola; 2 Violoncelli/Kontrabässe - Orchester
Streicher-Ergänzungssatz - 2 Violinen I; 2 Violinen II; Viola; 2 Violoncelli/Kontrabässe - Orchester
- Orchestra
- Additional Parts - Strings
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Stimmensatz - Flöte; 2 Oboen I/II; 2 Klarinetten I/II; 2 Fagotte I/II; 2 Hörner I/II; 4 Violinen I; 4 Violinen II; 4 Violoncelli/Kontrabässe
Stimmensatz - Flöte; 2 Oboen I/II; 2 Klarinetten I/II; 2 Fagotte I/II; 2 Hörner I/II; 4 Violinen I; 4 Violinen II; 4 Violoncelli/Kontrabässe
- Orchestra
- Set of Parts
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This concerto was rediscovered by the editor in Paris. Its style is late classical - virtuoso and very guitaristic. The orchestral accompaniment is rather simple and transparent. An effective piece pa...
This concerto was rediscovered by the editor in Paris. Its style is late classical - virtuoso and very guitaristic. The orchestral accompaniment is rather simple and transparent. An effective piece pa...
- Guitar and Orchestra
- Set of Parts
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A romantic concerto full of expressivity, virtuoso and suited to the playing techniques of the clarinet.
A romantic concerto full of expressivity, virtuoso and suited to the playing techniques of the clarinet.
- Clarinet and Orchestra
- Set of Parts
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A romantic concerto full of expressivity, virtuoso and suited to the playing techniques of the clarinet.
A romantic concerto full of expressivity, virtuoso and suited to the playing techniques of the clarinet.
- Clarinet and Orchestra
- Set of Parts
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Streicher-Ergänzungssatz - 2 Violinen I; 2 Violinen II; Viola; Violoncello/Kontrabass - Orchester.
Streicher-Ergänzungssatz - 2 Violinen I; 2 Violinen II; Viola; Violoncello/Kontrabass - Orchester.
- Orchestra
- Additional Parts - Strings
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In dem Concerto des auch als Flötist berühmten französischen Komponisten sind klassische Heiterkeit und elegante Virtuosität miteinander verbunden.
In dem Concerto des auch als Flötist berühmten französischen Komponisten sind klassische Heiterkeit und elegante Virtuosität miteinander verbunden.
- Flute and Orchestra
- Score
- Janos Szebenyi
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For comparison, Hindemith begins the 'Suite französischer Tänze' with the original movements by Pierre d'Attaignant. This is meant to be a demonstration and motivation for the player of today to add o...
For comparison, Hindemith begins the 'Suite französischer Tänze' with the original movements by Pierre d'Attaignant. This is meant to be a demonstration and motivation for the player of today to add o...
- Orchestra
- Set of Parts
- Paul Hindemith
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We know very little of this play which is prob-ably based on the classical legend of the untying of the Gordian knot by Alexander the Great. The libretto was never printed. Of the piece it-self, only...
We know very little of this play which is prob-ably based on the classical legend of the untying of the Gordian knot by Alexander the Great. The libretto was never printed. Of the piece it-self, only...
- String Quartet (2 Violins, Viola and Double Bass)
- Score
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Stimmensatz solistisch - 2 Violinen, Violoncello und Kontrabass (solistisch oder chorisch)
Stimmensatz solistisch - 2 Violinen, Violoncello und Kontrabass (solistisch oder chorisch)
- String Quartet (2 Violins, Cello and Double Bass)
- Set of Parts
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A brilliant, early classical work that can also be performed by a string quartet. Carl Stamitz indicated exactly in his Quartetto Concertante which sections of the individual parts have to be scored f...
A brilliant, early classical work that can also be performed by a string quartet. Carl Stamitz indicated exactly in his Quartetto Concertante which sections of the individual parts have to be scored f...
- String Quartet
- Score
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A brilliant, early classical work that can also be performed by a string quartet. Carl Stamitz indicated exactly in his Quartetto Concertante which sections of the individual parts have to be scored f...
A brilliant, early classical work that can also be performed by a string quartet. Carl Stamitz indicated exactly in his Quartetto Concertante which sections of the individual parts have to be scored f...
- String Quartet
- Set of Parts
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A brilliant, early classical work that can also be performed by a string quartet. Carl Stamitz indicated exactly in his Quartetto Concertante which sections of the individual parts have to be scored f...
A brilliant, early classical work that can also be performed by a string quartet. Carl Stamitz indicated exactly in his Quartetto Concertante which sections of the individual parts have to be scored f...
- String Quartet
- Set of Parts
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Telemann's work in Sorau as music director in the court of Count Erdmann von Promnitz and the trips involved as far as Cracow put him in touch with Polish folk music. One example of his artistic exami...
Telemann's work in Sorau as music director in the court of Count Erdmann von Promnitz and the trips involved as far as Cracow put him in touch with Polish folk music. One example of his artistic exami...
- String Quartet (2 Violins, Viola and Cello)
- Piano Score
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Not well-known are the numerous small pieces composed by Beethoven almost 'on the side' for musical use in everyday life.The 'Ländlerische Tänze' are intended to be -orchestral representing welcome pl...
Not well-known are the numerous small pieces composed by Beethoven almost 'on the side' for musical use in everyday life.The 'Ländlerische Tänze' are intended to be -orchestral representing welcome pl...
- String Trio (2 Violins and Double Bass)
- Score
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Not well-known are the numerous small pieces composed by Beethoven almost 'on the side' for musical use in everyday life.The 'Ländlerische Tänze' are intended to be -orchestral representing welcome pl...
Not well-known are the numerous small pieces composed by Beethoven almost 'on the side' for musical use in everyday life.The 'Ländlerische Tänze' are intended to be -orchestral representing welcome pl...
- String Trio (2 Violins and Double Bass)
- Set of Parts
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The four-part concertos of the important Neapolitan master Durante can be performed by string orchestras with or without basso continuo, the concertos in F minor and E minor even with string quartet.
The four-part concertos of the important Neapolitan master Durante can be performed by string orchestras with or without basso continuo, the concertos in F minor and E minor even with string quartet.
- String Quartet (2 Violins, Viola and Cello)
- Score
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The imitatively set ricercari of Palestrina's contemporary can be played soloistically or chorically by 'fiddling or blowing instruments'. A valuable collection of authentic Renaissance music.
The imitatively set ricercari of Palestrina's contemporary can be played soloistically or chorically by 'fiddling or blowing instruments'. A valuable collection of authentic Renaissance music.
- String Quartet
- Set of Parts
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Stimmensatz - Oboe I; Oboe II; Fagott; 4 Violinen I; 4 Violinen II; 2 Violen; 4 Violoncelli/Kontrabässe
Stimmensatz - Oboe I; Oboe II; Fagott; 4 Violinen I; 4 Violinen II; 2 Violen; 4 Violoncelli/Kontrabässe
- 2 Oboes, Bassoon, String Orchestra and Continuo
- Set of Parts
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This valuable though seldom played early work from his Salzburg period contains the entire youthful charme of Mozart. It can be played without wind instruments whose parts are in-cluded in the strings...
This valuable though seldom played early work from his Salzburg period contains the entire youthful charme of Mozart. It can be played without wind instruments whose parts are in-cluded in the strings...
- 2 Oboes, 2 Horns and String Orchestra
- Score
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