Easy Jazz Ensemble Series

With an almost hypnotic 3/4 rhythmic pattern, here is an effective yet easy version of this standard made famous by John Coltrane. The saxes are featured on the first chorus then the brass get a choru...

With an almost hypnotic 3/4 rhythmic pattern, here is an effective yet easy version of this standard made famous by John Coltrane. The saxes are featured on the first chorus then the brass get a choru...

With an almost hypnotic 3/4 rhythmic pattern, here is an effective yet easy version of this standard made famous by John Coltrane. The saxes are featured on the first chorus then the brass get a choru...

With an almost hypnotic 3/4 rhythmic pattern, here is an effective yet easy version of this standard made famous by John Coltrane. The saxes are featured on the first chorus then the brass get a choru...

With an almost hypnotic 3/4 rhythmic pattern, here is an effective yet easy version of this standard made famous by John Coltrane. The saxes are featured on the first chorus then the brass get a choru...

With an almost hypnotic 3/4 rhythmic pattern, here is an effective yet easy version of this standard made famous by John Coltrane. The saxes are featured on the first chorus then the brass get a choru...

With an almost hypnotic 3/4 rhythmic pattern, here is an effective yet easy version of this standard made famous by John Coltrane. The saxes are featured on the first chorus then the brass get a choru...

With an almost hypnotic 3/4 rhythmic pattern, here is an effective yet easy version of this standard made famous by John Coltrane. The saxes are featured on the first chorus then the brass get a choru...

With an almost hypnotic 3/4 rhythmic pattern, here is an effective yet easy version of this standard made famous by John Coltrane. The saxes are featured on the first chorus then the brass get a choru...

With an almost hypnotic 3/4 rhythmic pattern, here is an effective yet easy version of this standard made famous by John Coltrane. The saxes are featured on the first chorus then the brass get a choru...

With an almost hypnotic 3/4 rhythmic pattern, here is an effective yet easy version of this standard made famous by John Coltrane. The saxes are featured on the first chorus then the brass get a choru...

One of the classic examples of the Afro-Cuban style in jazz, Manteca endures as a true standard. Available here in a version playable by young bands, Michael Sweeney carefully simplifies the complexit...

One of the classic examples of the Afro-Cuban style in jazz, Manteca endures as a true standard. Available here in a version playable by young bands, Michael Sweeney carefully simplifies the complexit...

One of the classic examples of the Afro-Cuban style in jazz, Manteca endures as a true standard. Available here in a version playable by young bands, Michael Sweeney carefully simplifies the complexit...

One of the classic examples of the Afro-Cuban style in jazz, Manteca endures as a true standard. Available here in a version playable by young bands, Michael Sweeney carefully simplifies the complexit...

One of the classic examples of the Afro-Cuban style in jazz, Manteca endures as a true standard. Available here in a version playable by young bands, Michael Sweeney carefully simplifies the complexit...

One of the classic examples of the Afro-Cuban style in jazz, Manteca endures as a true standard. Available here in a version playable by young bands, Michael Sweeney carefully simplifies the complexit...

One of the classic examples of the Afro-Cuban style in jazz, Manteca endures as a true standard. Available here in a version playable by young bands, Michael Sweeney carefully simplifies the complexit...

One of the classic examples of the Afro-Cuban style in jazz, Manteca endures as a true standard. Available here in a version playable by young bands, Michael Sweeney carefully simplifies the complexit...

One of the classic examples of the Afro-Cuban style in jazz, Manteca endures as a true standard. Available here in a version playable by young bands, Michael Sweeney carefully simplifies the complexit...

One of the classic examples of the Afro-Cuban style in jazz, Manteca endures as a true standard. Available here in a version playable by young bands, Michael Sweeney carefully simplifies the complexit...

One of the classic examples of the Afro-Cuban style in jazz, Manteca endures as a true standard. Available here in a version playable by young bands, Michael Sweeney carefully simplifies the complexit...

One of the classic examples of the Afro-Cuban style in jazz, Manteca endures as a true standard. Available here in a version playable by young bands, Michael Sweeney carefully simplifies the complexit...

One of the classic examples of the Afro-Cuban style in jazz, Manteca endures as a true standard. Available here in a version playable by young bands, Michael Sweeney carefully simplifies the complexit...

One of the classic examples of the Afro-Cuban style in jazz, Manteca endures as a true standard. Available here in a version playable by young bands, Michael Sweeney carefully simplifies the complexit...