Hinshaw Sacred

Easy Easter piece for two part treble voices with piano and flute, suitable for youth or adult choirs

Valerie Showers Crescenz takes her compassion for the lost children of Romania and turns out this gripping lyrical work, works for treble voices of all ages.

For unison voices, try this lovely setting with piano and violin (or flute) during Lent. It would even work with treble adult and children's voices together.

For unison or 2-part treble voices, this lilting selection with limited range would be perfect for a school choir, a church's women's chorus, or for children's choir, suitable for Epiphany or Christma...

Written for treble voices (particularly successful with women's choir or children's choir) with keyboard and violin (or flute), this piece will be a winner at Thanksgiving, it also works for general u...

Middle school specialist Tom Shelton wrote the words and music to this work for use in celebrating the opening of a new church facility. Scored for treble voices with keyboard and handbells, the piece...

From the Accent On Youth Series. A melodic arrangement of Psalm 7 for 2-part chorus with piano and/or organ

For unison voices with keyboard and optional orff instruments, a real winner for children's voices!

Scored for treble voices with piano and cello, this is a deeply meaningful work that is suitable for Mother's Day, baptism, or services of grief and remembrance, two soloists could also sing it.

This is a wonderful work for unison voices with limited range. Try it with a treble chorus of any age.

Set to the familiar hymn tune, Ebenezer, Donna Butler gives us a well-crafted simple anthem for use during Lent, Palm/Passion Sunday, or general use.

This is an easy work for treble voices of any age scored with piano accompaniment. Optional percussion parts are to be improvised at the director's discretion (sounds great with claves, tambourine, an...

With both sacred and secular texts available to choose from, this treble work speaks of the joys of being alive with emphasis on the beauty of nature. The author, an unknown child in a Czechoslovakian...

Middle school teacher and composer Tom Shelton has scored this liturgical text for unison voices with piano and oboe (or flute or violin). It is a great work to introduce your children to the principl...

This work was adapted by Charles Gounod from J. S. Bach's 'Prelude No. 1 in C Major' from 'The Well-Tempered Clavier' written in 1859, and it has been a favorite of singers and audiences since then. I...

Taken from Mass No. 6, this advanced work for treble chorus and piano is typical of Orban's energetic rhythmic drive, it is a great piece for concert work!

Hear My Words, published by Hinshaw Music, is a sensitive and melodious setting of Psalm 5:1–4. This moving piece captivates listeners and singers alike with its warm melodic lines and profound emotio...

The creative genius of Mark Hayes makes this work now available for smaller choirs with a two-part mixed setting of this favorite. Also available for SAB (HMC1893) or SATB (HMC1576) voicing

Originally set for SATB voices (HMC1696), Jim Williams now makes the piece available in a lovely two-part mixed voicing, suitable for stewardship Sunday.

Lucy Hirt sets the delightful French carol Il Est Ne for two-part treble voices (children or adults) with piano or handbells or optional orff instruments. The handbell part is included at the back of...

Originally scored for mixed voices (HMC1627), this arrangement for treble voices with piano sets the lovely Kirkpatrick Cradle Song tune to counter melodies found in both the second voice and the pian...

This baptismal anthem based on a text by Charles Wesley is written for two-part voices, also effective for Communion

Natalie Sleeth has always been acknowledged as a composer with a special gift for the simple melody. Here, David Giardiniere arranges this tune for two-part treble voices with keyboard and optional ha...

An all time favorite, this piece can be done by quite small children or by adults. Everyone loves it! It may be done unison or as a two-part canon, or with the canon done on any C instrument, or even...

In this piece, Tom Shelton combines a number of liturgical texts with some of his own prose. Scored for two-part treble voices, descant, piano, and bells, the work can be used successfully in both con...