Jazz Ensemble Library Series

Recorded by the Brian Setzer Orchestra on the album Vavroom, this high-energy swing tune gives the entire ensemble a workout! The melody is skillfully traded around between sections of the ensemble, a...

Recorded by the Brian Setzer Orchestra on the album Vavroom, this high-energy swing tune gives the entire ensemble a workout! The melody is skillfully traded around between sections of the ensemble, a...

Based on the classic version recorded by Clifford Brown, this chart opens with a frantic 'traffic jam' effect before settling into a more relaxed uptempo swing style. The melody is first stated by a c...

Based on the classic version recorded by Clifford Brown, this chart opens with a frantic 'traffic jam' effect before settling into a more relaxed uptempo swing style. The melody is first stated by a c...

Based on the classic version recorded by Clifford Brown, this chart opens with a frantic 'traffic jam' effect before settling into a more relaxed uptempo swing style. The melody is first stated by a c...

Based on the classic version recorded by Clifford Brown, this chart opens with a frantic 'traffic jam' effect before settling into a more relaxed uptempo swing style. The melody is first stated by a c...

Based on the classic version recorded by Clifford Brown, this chart opens with a frantic 'traffic jam' effect before settling into a more relaxed uptempo swing style. The melody is first stated by a c...

Based on the classic version recorded by Clifford Brown, this chart opens with a frantic 'traffic jam' effect before settling into a more relaxed uptempo swing style. The melody is first stated by a c...

Based on the classic version recorded by Clifford Brown, this chart opens with a frantic 'traffic jam' effect before settling into a more relaxed uptempo swing style. The melody is first stated by a c...

Based on the classic version recorded by Clifford Brown, this chart opens with a frantic 'traffic jam' effect before settling into a more relaxed uptempo swing style. The melody is first stated by a c...

Based on the classic version recorded by Clifford Brown, this chart opens with a frantic 'traffic jam' effect before settling into a more relaxed uptempo swing style. The melody is first stated by a c...

Based on the classic version recorded by Clifford Brown, this chart opens with a frantic 'traffic jam' effect before settling into a more relaxed uptempo swing style. The melody is first stated by a c...

Based on the classic version recorded by Clifford Brown, this chart opens with a frantic 'traffic jam' effect before settling into a more relaxed uptempo swing style. The melody is first stated by a c...

Based on the classic version recorded by Clifford Brown, this chart opens with a frantic 'traffic jam' effect before settling into a more relaxed uptempo swing style. The melody is first stated by a c...

Based on the classic version recorded by Clifford Brown, this chart opens with a frantic 'traffic jam' effect before settling into a more relaxed uptempo swing style. The melody is first stated by a c...

Based on the classic version recorded by Clifford Brown, this chart opens with a frantic 'traffic jam' effect before settling into a more relaxed uptempo swing style. The melody is first stated by a c...

Based on the classic version recorded by Clifford Brown, this chart opens with a frantic 'traffic jam' effect before settling into a more relaxed uptempo swing style. The melody is first stated by a c...

Based on the classic version recorded by Clifford Brown, this chart opens with a frantic 'traffic jam' effect before settling into a more relaxed uptempo swing style. The melody is first stated by a c...

Based on the classic version recorded by Clifford Brown, this chart opens with a frantic 'traffic jam' effect before settling into a more relaxed uptempo swing style. The melody is first stated by a c...

Based on the classic version recorded by Clifford Brown, this chart opens with a frantic 'traffic jam' effect before settling into a more relaxed uptempo swing style. The melody is first stated by a c...

Based on the classic version recorded by Clifford Brown, this chart opens with a frantic 'traffic jam' effect before settling into a more relaxed uptempo swing style. The melody is first stated by a c...

Based on the classic version recorded by Clifford Brown, this chart opens with a frantic 'traffic jam' effect before settling into a more relaxed uptempo swing style. The melody is first stated by a c...

Based on the classic version recorded by Clifford Brown, this chart opens with a frantic 'traffic jam' effect before settling into a more relaxed uptempo swing style. The melody is first stated by a c...

Based on the classic version recorded by Clifford Brown, this chart opens with a frantic 'traffic jam' effect before settling into a more relaxed uptempo swing style. The melody is first stated by a c...

Mark Taylor uses a mix of small group playing contrasted with full ensemble passages in this early composition from jazz master Wayne Shorter. After a solo section featuring alto sax then trombone, a...