Kalmus Orchestra Library
Felix Mendelssohn (1809-1847) wrote music for William Shakespeare's play A MIDSUMMER NIGHT'S DREAM on two separate occasions. He first wrote the concert overture in E Major, Op. 21 in 1826 at the age...
Felix Mendelssohn (1809-1847) wrote music for William Shakespeare's play A MIDSUMMER NIGHT'S DREAM on two separate occasions. He first wrote the concert overture in E Major, Op. 21 in 1826 at the age...
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In 1840, the King of Prussia invited Felix Mendelssohn (1809-1847) to accept a lofty musical appointment in the French Academie Royale. A few years later, Wilhelm IV commissioned the composer to write...
In 1840, the King of Prussia invited Felix Mendelssohn (1809-1847) to accept a lofty musical appointment in the French Academie Royale. A few years later, Wilhelm IV commissioned the composer to write...
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In 1840, the King of Prussia invited Felix Mendelssohn (1809-1847) to accept a lofty musical appointment in the French Academie Royale. A few years later, Wilhelm IV commissioned the composer to write...
In 1840, the King of Prussia invited Felix Mendelssohn (1809-1847) to accept a lofty musical appointment in the French Academie Royale. A few years later, Wilhelm IV commissioned the composer to write...
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Le Nozze Di Figaro (The Marriage of Figaro), K. 492, is based on La folle journee ou le Mariage de Figaro (1784), a play adapted from the novel by Alexandre Dumas fils. The opera was originally titled...
Le Nozze Di Figaro (The Marriage of Figaro), K. 492, is based on La folle journee ou le Mariage de Figaro (1784), a play adapted from the novel by Alexandre Dumas fils. The opera was originally titled...
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Le Nozze Di Figaro (The Marriage of Figaro), K. 492, is based on La folle journee ou le Mariage de Figaro (1784), a play adapted from the novel by Alexandre Dumas fils. The opera was originally titled...
Le Nozze Di Figaro (The Marriage of Figaro), K. 492, is based on La folle journee ou le Mariage de Figaro (1784), a play adapted from the novel by Alexandre Dumas fils. The opera was originally titled...
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This overture, written two days before the fairy-tale opera's 1791 premiere, is among the best known in the classical literature. Instrumentation: 2.2.2.2: 2.2.3.0: Timp: Str (4-4-3-3-3 in set).
This overture, written two days before the fairy-tale opera's 1791 premiere, is among the best known in the classical literature. Instrumentation: 2.2.2.2: 2.2.3.0: Timp: Str (4-4-3-3-3 in set).
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Wolfgang Amadeus Mozart (1756-1791) first wrote his CONCERTO FOR THREE PIANOS AND ORCHESTRA in F, No. 7, K. 242 in February of 1776. While it was originally composed for three solo pianos, Mozart reco...
Wolfgang Amadeus Mozart (1756-1791) first wrote his CONCERTO FOR THREE PIANOS AND ORCHESTRA in F, No. 7, K. 242 in February of 1776. While it was originally composed for three solo pianos, Mozart reco...
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Wolfgang Amadeus Mozart (1756-1791) first wrote his CONCERTO FOR THREE PIANOS AND ORCHESTRA in F, No. 7, K. 242 in February of 1776. While it was originally composed for three solo pianos, Mozart reco...
Wolfgang Amadeus Mozart (1756-1791) first wrote his CONCERTO FOR THREE PIANOS AND ORCHESTRA in F, No. 7, K. 242 in February of 1776. While it was originally composed for three solo pianos, Mozart reco...
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In 1775, Wolfgang Amadeus Mozart (1756-1791) wrote his five violin concertos for Gaetano Brunetti, a violinist in the Salzburg court where he served as Konzertmeister. In a letter to his father, he re...
In 1775, Wolfgang Amadeus Mozart (1756-1791) wrote his five violin concertos for Gaetano Brunetti, a violinist in the Salzburg court where he served as Konzertmeister. In a letter to his father, he re...
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In 1775, Wolfgang Amadeus Mozart (1756-1791) wrote his five violin concertos for Gaetano Brunetti, a violinist in the Salzburg court where he served as Konzertmeister. In a letter to his father, he re...
In 1775, Wolfgang Amadeus Mozart (1756-1791) wrote his five violin concertos for Gaetano Brunetti, a violinist in the Salzburg court where he served as Konzertmeister. In a letter to his father, he re...
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Sinfonia Concertante, K. 364 (320d) was written by W.A. Mozart (1756-1791) in 1779 while he was on a tour of Europe that included Mannheim and Paris. A sort of hybrid between a symphony and a concerto...
Sinfonia Concertante, K. 364 (320d) was written by W.A. Mozart (1756-1791) in 1779 while he was on a tour of Europe that included Mannheim and Paris. A sort of hybrid between a symphony and a concerto...
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Sinfonia Concertante, K. 364 (320d) was written by W.A. Mozart (1756-1791) in 1779 while he was on a tour of Europe that included Mannheim and Paris. A sort of hybrid between a symphony and a concerto...
Sinfonia Concertante, K. 364 (320d) was written by W.A. Mozart (1756-1791) in 1779 while he was on a tour of Europe that included Mannheim and Paris. A sort of hybrid between a symphony and a concerto...
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- Edwin F. Kalmus
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In 1778, while in Paris, Wolfgang Amadeus Mozart (1756-1791) wrote to his father that he had written a Sinfonia Concertante for soli flute, oboe, horn, and bassoon with orchestra accompaniment, but th...
In 1778, while in Paris, Wolfgang Amadeus Mozart (1756-1791) wrote to his father that he had written a Sinfonia Concertante for soli flute, oboe, horn, and bassoon with orchestra accompaniment, but th...
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- Edwin F. Kalmus
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In 1778, while in Paris, Wolfgang Amadeus Mozart (1756-1791) wrote to his father that he had written a Sinfonia Concertante for soli flute, oboe, horn, and bassoon with orchestra accompaniment, but th...
In 1778, while in Paris, Wolfgang Amadeus Mozart (1756-1791) wrote to his father that he had written a Sinfonia Concertante for soli flute, oboe, horn, and bassoon with orchestra accompaniment, but th...
- Oboe, Clarinet, Bassoon, Horn and Orchestra
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- Edwin F. Kalmus
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Wolfgang Amadeus Mozart's (1756-1791) completed his three-movement Concerto for Clarinet in A, K. 622 on a few weeks before his death in 1791, and it is considered his last great completed work. It wa...
Wolfgang Amadeus Mozart's (1756-1791) completed his three-movement Concerto for Clarinet in A, K. 622 on a few weeks before his death in 1791, and it is considered his last great completed work. It wa...
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Wolfgang Amadeus Mozart's (1756-1791) completed his three-movement Concerto for Clarinet in A, K. 622 on a few weeks before his death in 1791, and it is considered his last great completed work. It wa...
Wolfgang Amadeus Mozart's (1756-1791) completed his three-movement Concerto for Clarinet in A, K. 622 on a few weeks before his death in 1791, and it is considered his last great completed work. It wa...
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- Edwin F. Kalmus
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Wolfgang Amadeus Mozart (1756-1791) originally wrote his CONCERTO FOR OBOE in C Major, K. 314/274k, in 1777. One year later, he adapted the work to create his CONCERTO FOR FLUTE No. 2 in D, K. 314/285...
Wolfgang Amadeus Mozart (1756-1791) originally wrote his CONCERTO FOR OBOE in C Major, K. 314/274k, in 1777. One year later, he adapted the work to create his CONCERTO FOR FLUTE No. 2 in D, K. 314/285...
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Wolfgang Amadeus Mozart (1756-1791) originally wrote his CONCERTO FOR OBOE in C Major, K. 314/274k, in 1777. One year later, he adapted the work to create his CONCERTO FOR FLUTE No. 2 in D, K. 314/285...
Wolfgang Amadeus Mozart (1756-1791) originally wrote his CONCERTO FOR OBOE in C Major, K. 314/274k, in 1777. One year later, he adapted the work to create his CONCERTO FOR FLUTE No. 2 in D, K. 314/285...
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Written by Wolfgang Amadeus Mozart (1756-1791) between 1784 and 1787, the Horn Concerto No. 3 in E-flat, K. 447, the work was likely written for hornist Joseph Leutgeb, whose name is mentioned in the...
Written by Wolfgang Amadeus Mozart (1756-1791) between 1784 and 1787, the Horn Concerto No. 3 in E-flat, K. 447, the work was likely written for hornist Joseph Leutgeb, whose name is mentioned in the...
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Written by Wolfgang Amadeus Mozart (1756-1791) between 1784 and 1787, the Horn Concerto No. 3 in E-flat, K. 447, the work was likely written for hornist Joseph Leutgeb, whose name is mentioned in the...
Written by Wolfgang Amadeus Mozart (1756-1791) between 1784 and 1787, the Horn Concerto No. 3 in E-flat, K. 447, the work was likely written for hornist Joseph Leutgeb, whose name is mentioned in the...
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Wolfgang Amadeus Mozart (1756-1791) completed his Symphony No. 25 in G minor, K. 183/173dB in October of 1773, when the young composer was only 17 years old. One of two symphonies Mozart wrote in G mi...
Wolfgang Amadeus Mozart (1756-1791) completed his Symphony No. 25 in G minor, K. 183/173dB in October of 1773, when the young composer was only 17 years old. One of two symphonies Mozart wrote in G mi...
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Wolfgang Amadeus Mozart (1756-1791) completed his Symphony No. 25 in G minor, K. 183/173dB in October of 1773, when the young composer was only 17 years old. One of two symphonies Mozart wrote in G mi...
Wolfgang Amadeus Mozart (1756-1791) completed his Symphony No. 25 in G minor, K. 183/173dB in October of 1773, when the young composer was only 17 years old. One of two symphonies Mozart wrote in G mi...
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Composed in 1774 when Wolfgang Amadeus Mozart (1756-1791) was just 18 years old, SYMPHONY No. 29 in A major, K. 201/186a marks a significant step forward in the young composer's symphonic writing. Cre...
Composed in 1774 when Wolfgang Amadeus Mozart (1756-1791) was just 18 years old, SYMPHONY No. 29 in A major, K. 201/186a marks a significant step forward in the young composer's symphonic writing. Cre...
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Composed in 1774 when Wolfgang Amadeus Mozart (1756-1791) was just 18 years old, SYMPHONY No. 29 in A major, K. 201/186a marks a significant step forward in the young composer's symphonic writing. Cre...
Composed in 1774 when Wolfgang Amadeus Mozart (1756-1791) was just 18 years old, SYMPHONY No. 29 in A major, K. 201/186a marks a significant step forward in the young composer's symphonic writing. Cre...
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In 1778, Wolfgang Amadeus Mozart (1756-1791) charmed his way into the music scene in Paris with his Symphony No. 31 in D major, first performed on June 12 at the house of Count Sickingen by the Concer...
In 1778, Wolfgang Amadeus Mozart (1756-1791) charmed his way into the music scene in Paris with his Symphony No. 31 in D major, first performed on June 12 at the house of Count Sickingen by the Concer...
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