Kalmus Orchestra Library

Claude Debussy (1862-1918) wrote the waltz La plus que lente for solo piano in 1910, a work that may or may not have been inspired by a small sculpture on his mantelpiece. The title is meant to wryly...

Two series of SLAVONIC DANCES, each of them consisting of eight numbers and separated by eight years, were composed by Antonín Dvorák (1841-1904). The idea was suggested to the composer by the publish...

Two series of SLAVONIC DANCES, each of them consisting of eight numbers and separated by eight years, were composed by Antonín Dvorák (1841-1904). The idea was suggested to the composer by the publish...

Originally written by Debussy for piano four hands, PETITE SUITE has been transcribed many times, with the orchestral arrangement by Henri Büsser being the most well-known. Perhaps due to a request fr...

Originally written by Debussy for piano four hands, PETITE SUITE has been transcribed many times, with the orchestral arrangement by Henri Büsser being the most well-known. Perhaps due to a request fr...

Uniquely, the BAUERN-POLKA (POLKA FRANÇAISE), Op. 276 by Johann Strauss II (1825-1899) included a singing part for chorus, which was quickly picked up by its first audience. The premiere took place at...

Uniquely, the BAUERN-POLKA (POLKA FRANÇAISE), Op. 276 by Johann Strauss II (1825-1899) included a singing part for chorus, which was quickly picked up by its first audience. The premiere took place at...

Uniquely, the BAUERN-POLKA (POLKA FRANÇAISE), Op. 276 by Johann Strauss II (1825-1899) included a singing part for chorus, which was quickly picked up by its first audience. The premiere took place at...

Johann Strauss II composed BEI UNS Z'HAUS WALZER, Op. 361 (WITH US AT HOME or THERE IS NO PLACE LIKE HOME), in 1873 to celebrate the Vienna World's Fair (Wiener Weltausstellung), an event that symboli...

Johann Strauss II composed BEI UNS Z'HAUS WALZER, Op. 361 (WITH US AT HOME or THERE IS NO PLACE LIKE HOME), in 1873 to celebrate the Vienna World's Fair (Wiener Weltausstellung), an event that symboli...

This orchestration is by famous Strauss conductor Max Schönherr.

This orchestration is by famous Strauss conductor Max Schönherr.

DEMOLIERER, POLKA FRANCAISE (DEMOLIERER-POLKA), Op. 269 is a polka by Johann Strauss II (1825-1899), composed in 1862 to mark the demolition of Vienna's medieval city walls following a decree by Franz...

DEMOLIERER, POLKA FRANCAISE (DEMOLIERER-POLKA), Op. 269 is a polka by Johann Strauss II (1825-1899), composed in 1862 to mark the demolition of Vienna's medieval city walls following a decree by Franz...

ENTWEDER ODER, POLKA SCHNELL, Op. 403 is a polka by Johann Strauss II (1825-1899), using themes from his 1881 operetta DER LUSTIGE KRIEG (THE FUNNY WAR). One of several short pieces based on this work...

ENTWEDER ODER, POLKA SCHNELL, Op. 403 is a polka by Johann Strauss II (1825-1899), using themes from his 1881 operetta DER LUSTIGE KRIEG (THE FUNNY WAR). One of several short pieces based on this work...

Fresh from the loss of his oldest daughter Maria Mahler, and knowing he had a serious heart condition, Gustav Mahler (1860-1911) crafted Das Lied von der Erde (The Song of the Earth) in the years 1908...

Fresh from the loss of his oldest daughter Maria Mahler, and knowing he had a serious heart condition, Gustav Mahler (1860-1911) crafted Das Lied von der Erde (The Song of the Earth) in the years 1908...

Claude Debussy (1862-1918) had originally intended for Images pour orchestre to be a sequel to the first set of Images for solo piano. However, around 1905, he had decided to orchestrate the compositi...

Claude Debussy (1862-1918) had originally intended for Images pour orchestre to be a sequel to the first set of Images for solo piano. However, around 1905, he had decided to orchestrate the compositi...

Emmanuel Chabrier (1841-1894), the French lawyer-turned-self-taught-composer wrote his LARGHETTO for Horn in 1875. Resembling an opera aria for French Horn, the work is very lyrical and achingly expre...

Emmanuel Chabrier (1841-1894), the French lawyer-turned-self-taught-composer wrote his LARGHETTO for Horn in 1875. Resembling an opera aria for French Horn, the work is very lyrical and achingly expre...

Hilding Rosenberg (1892-1985) has been described as the first Swedish modernist composer. Influenced by Sibelius in his early years, he later absorbed the work of Stravinsky, Schoenberg, and Hindemith...

Hilding Rosenberg (1892-1985) has been described as the first Swedish modernist composer. Influenced by Sibelius in his early years, he later absorbed the work of Stravinsky, Schoenberg, and Hindemith...

The first of a few works that Camille Saint-Saens (1835-1921) wrote for wind band, ORIENT AND OCCIDENT, subtitled "grand march," better resembles a tone poem. Inspired by the world travels he undertoo...