Kalmus Orchestra Library
Hilding Rosenberg (1892-1985) has been described as the first Swedish modernist composer. Influenced by Sibelius in his early years, he later absorbed the work of Stravinsky, Schoenberg, and Hindemith...
Hilding Rosenberg (1892-1985) has been described as the first Swedish modernist composer. Influenced by Sibelius in his early years, he later absorbed the work of Stravinsky, Schoenberg, and Hindemith...
- Orchestra
- Score
- Edwin F. Kalmus
-
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Hilding Rosenberg (1892-1985) has been described as the first Swedish modernist composer. Influenced by Sibelius in his early years, he later absorbed the work of Stravinsky, Schoenberg, and Hindemith...
Hilding Rosenberg (1892-1985) has been described as the first Swedish modernist composer. Influenced by Sibelius in his early years, he later absorbed the work of Stravinsky, Schoenberg, and Hindemith...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
The first of a few works that Camille Saint-Saens (1835-1921) wrote for wind band, ORIENT AND OCCIDENT, subtitled "grand march," better resembles a tone poem. Inspired by the world travels he undertoo...
The first of a few works that Camille Saint-Saens (1835-1921) wrote for wind band, ORIENT AND OCCIDENT, subtitled "grand march," better resembles a tone poem. Inspired by the world travels he undertoo...
- Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
The first of a few works that Camille Saint-Saens (1835-1921) wrote for wind band, ORIENT AND OCCIDENT, subtitled "grand march," better resembles a tone poem. Inspired by the world travels he undertoo...
The first of a few works that Camille Saint-Saens (1835-1921) wrote for wind band, ORIENT AND OCCIDENT, subtitled "grand march," better resembles a tone poem. Inspired by the world travels he undertoo...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
Carmen-Quadrille nach Motiven der gleichnamigen Oper von G. Bizet (Carmen quadrille based on motifs from the opera of the same name by G. Bizet), Op. 134, was written by Eduard "Edi" Strauss (1835-191...
Carmen-Quadrille nach Motiven der gleichnamigen Oper von G. Bizet (Carmen quadrille based on motifs from the opera of the same name by G. Bizet), Op. 134, was written by Eduard "Edi" Strauss (1835-191...
- Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
DREI MILITARMARSCHEN (THREE MARCHES MILITAIRES), Op. 51, D. 733, were originally written for piano four-hands by Franz Schubert (1797 - 1828) during his stay at Count Johann Karl Esterházy's summer ho...
DREI MILITARMARSCHEN (THREE MARCHES MILITAIRES), Op. 51, D. 733, were originally written for piano four-hands by Franz Schubert (1797 - 1828) during his stay at Count Johann Karl Esterházy's summer ho...
- Orchestra
- Director's Score
- Theodore Moses Tobani
- Edwin F. Kalmus
-
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The piano trio version of La muse et le poète, Op. 132 was written by Camille Saint-Saëns (1835-1921) in 1910 during a vacation to North Africa, and that version premiered at Queen's Hall on June 7, 1...
The piano trio version of La muse et le poète, Op. 132 was written by Camille Saint-Saëns (1835-1921) in 1910 during a vacation to North Africa, and that version premiered at Queen's Hall on June 7, 1...
- Violin, Cello and Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
The piano trio version of La muse et le poète, Op. 132 was written by Camille Saint-Saëns (1835-1921) in 1910 during a vacation to North Africa, and that version premiered at Queen's Hall on June 7, 1...
The piano trio version of La muse et le poète, Op. 132 was written by Camille Saint-Saëns (1835-1921) in 1910 during a vacation to North Africa, and that version premiered at Queen's Hall on June 7, 1...
- Violin, Cello and Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
Written by Sergei Rachmaninoff (1873-1943) in 1934, this set of variations for piano solo and orchestra on Niccolò Paganini’s Caprice No. 24 for solo violin is much like a concerto, though it consists...
Written by Sergei Rachmaninoff (1873-1943) in 1934, this set of variations for piano solo and orchestra on Niccolò Paganini’s Caprice No. 24 for solo violin is much like a concerto, though it consists...
- Piano and Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
Nikolai Rimsky-Korsakov's (1844-1908) path to completion of his Symphony No. 1, Op. 1 was less direct than is usual. While he had sketched ideas for the symphony as a result of his compositions lesson...
Nikolai Rimsky-Korsakov's (1844-1908) path to completion of his Symphony No. 1, Op. 1 was less direct than is usual. While he had sketched ideas for the symphony as a result of his compositions lesson...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
Count d'Ogny commissioned Franz Joseph Haydn (1732-1809) to write three symphonies for the Concert de la Loge Olympique, which was then recognized as one of the finest orchestras in Europe. He complet...
Count d'Ogny commissioned Franz Joseph Haydn (1732-1809) to write three symphonies for the Concert de la Loge Olympique, which was then recognized as one of the finest orchestras in Europe. He complet...
- Orchestra
- Score
- Howard Chandler Robbins Landon
- Edwin F. Kalmus
-
ships within 2-4 weeks
Count d'Ogny commissioned Franz Joseph Haydn (1732-1809) to write three symphonies for the Concert de la Loge Olympique, which was then recognized as one of the finest orchestras in Europe. He complet...
Count d'Ogny commissioned Franz Joseph Haydn (1732-1809) to write three symphonies for the Concert de la Loge Olympique, which was then recognized as one of the finest orchestras in Europe. He complet...
- Orchestra
- Score and Parts
- Howard Chandler Robbins Landon
- Edwin F. Kalmus
-
ships within 2-4 weeks
Originally written in 1908 as a "Little Suite" for piano, CHILDREN'S CORNER was dedicated to Claude Debussy's (1862-1918) daughter, Claude-Emma: "To my beloved little Chouchou with the tender excuses...
Originally written in 1908 as a "Little Suite" for piano, CHILDREN'S CORNER was dedicated to Claude Debussy's (1862-1918) daughter, Claude-Emma: "To my beloved little Chouchou with the tender excuses...
- Orchestra
- Score and Parts
- André Caplet Hubert Mouton
- Edwin F. Kalmus
-
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SIGURD JORSALFAR, OP. 22, was composed by Edvard Grieg (1843-1907) for a play by Bjørnstjerne Bjørnson in honor of King Sigurd I. First performed in Christiania on April 10, 1872, the incidental music...
SIGURD JORSALFAR, OP. 22, was composed by Edvard Grieg (1843-1907) for a play by Bjørnstjerne Bjørnson in honor of King Sigurd I. First performed in Christiania on April 10, 1872, the incidental music...
- Orchestra
- Score and Parts
- Charles J. Roberts
- Edwin F. Kalmus
-
ships within 2-4 weeks
SIGURD JORSALFAR, OP. 22, was composed by Edvard Grieg (1843-1907) for a play by Bjørnstjerne Bjørnson in honor of King Sigurd I. First performed in Christiania on April 10, 1872, the incidental music...
SIGURD JORSALFAR, OP. 22, was composed by Edvard Grieg (1843-1907) for a play by Bjørnstjerne Bjørnson in honor of King Sigurd I. First performed in Christiania on April 10, 1872, the incidental music...
- Orchestra
- Director's Score
- Charles J. Roberts
- Edwin F. Kalmus
-
ships within 2-4 weeks
Two series of Slavonic Dances, each of them consisting of eight numbers and separated by eight years, were composed by Antonín Dvorák (1841-1904). The idea was suggested to the composer by the publish...
Two series of Slavonic Dances, each of them consisting of eight numbers and separated by eight years, were composed by Antonín Dvorák (1841-1904). The idea was suggested to the composer by the publish...
- Orchestra
- Score and Parts
- Leopold Bohuslav
- Edwin F. Kalmus
-
ships within 2-4 weeks
Two series of Slavonic Dances, each of them consisting of eight numbers and separated by eight years, were composed by Antonín Dvorák (1841-1904). The idea was suggested to the composer by the publish...
Two series of Slavonic Dances, each of them consisting of eight numbers and separated by eight years, were composed by Antonín Dvorák (1841-1904). The idea was suggested to the composer by the publish...
- Orchestra
- Score
- Leopold Bohuslav
- Edwin F. Kalmus
-
ships within 2-4 weeks
An der Schönen Blauen Donau (On the Beautiful Blue Danube), Op. 314, written by Johann Strauss II (1825-1899) is one of the most popular works in classical music, and remains well-known in popular cul...
An der Schönen Blauen Donau (On the Beautiful Blue Danube), Op. 314, written by Johann Strauss II (1825-1899) is one of the most popular works in classical music, and remains well-known in popular cul...
- Orchestra
- Score and Parts
- Julius Seredy
- Edwin F. Kalmus
-
ships within 2-4 weeks
An der Schönen Blauen Donau (On the Beautiful Blue Danube), Op. 314, written by Johann Strauss II (1825-1899) is one of the most popular works in classical music, and remains well-known in popular cul...
An der Schönen Blauen Donau (On the Beautiful Blue Danube), Op. 314, written by Johann Strauss II (1825-1899) is one of the most popular works in classical music, and remains well-known in popular cul...
- Orchestra
- Score
- Julius Seredy
- Edwin F. Kalmus
-
ships within 2-4 weeks
George Butterworth (1885-1916), an English composer whose life was cut short at the Battle of the Somme, wrote two song cycles based on A SHROPSHIRE LAD, a collection of 63 poems by A.E. Housman. Conc...
George Butterworth (1885-1916), an English composer whose life was cut short at the Battle of the Somme, wrote two song cycles based on A SHROPSHIRE LAD, a collection of 63 poems by A.E. Housman. Conc...
- Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
George Butterworth (1885-1916), an English composer whose life was cut short at the Battle of the Somme, wrote two song cycles based on A SHROPSHIRE LAD, a collection of 63 poems by A.E. Housman. Conc...
George Butterworth (1885-1916), an English composer whose life was cut short at the Battle of the Somme, wrote two song cycles based on A SHROPSHIRE LAD, a collection of 63 poems by A.E. Housman. Conc...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
Montage was composed by Donald O. Johnston (b. 1929) in 1989. Divided into two sections, an Introduction presents the materials that are to be developed in the Fugue that follows. Instrumentation: 2.2...
Montage was composed by Donald O. Johnston (b. 1929) in 1989. Divided into two sections, an Introduction presents the materials that are to be developed in the Fugue that follows. Instrumentation: 2.2...
- Orchestra
- Score
- Edwin F. Kalmus
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Montage was composed by Donald O. Johnston (b. 1929) in 1989. Divided into two sections, an Introduction presents the materials that are to be developed in the Fugue that follows. Instrumentation: 2.2...
Montage was composed by Donald O. Johnston (b. 1929) in 1989. Divided into two sections, an Introduction presents the materials that are to be developed in the Fugue that follows. Instrumentation: 2.2...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
Johann Strauss II composed BEI UNS Z'HAUS WALZER, Op. 361 (WITH US AT HOME or THERE IS NO PLACE LIKE HOME), in 1873 to celebrate the Vienna World's Fair (Wiener Weltausstellung), an event that symboli...
Johann Strauss II composed BEI UNS Z'HAUS WALZER, Op. 361 (WITH US AT HOME or THERE IS NO PLACE LIKE HOME), in 1873 to celebrate the Vienna World's Fair (Wiener Weltausstellung), an event that symboli...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
Johann Strauss II composed BEI UNS Z'HAUS WALZER, Op. 361 (WITH US AT HOME or THERE IS NO PLACE LIKE HOME), in 1873 to celebrate the Vienna World's Fair (Wiener Weltausstellung), an event that symboli...
Johann Strauss II composed BEI UNS Z'HAUS WALZER, Op. 361 (WITH US AT HOME or THERE IS NO PLACE LIKE HOME), in 1873 to celebrate the Vienna World's Fair (Wiener Weltausstellung), an event that symboli...
- Orchestra
- Director's Score
- Edwin F. Kalmus
-
ships within 2-4 weeks