Kalmus Vocal Library
The song cycle LES NUITS D'ETE (SUMMER NIGHTS) is a setting of six poems by composer Hector Berlioz' (1803-1869) neighbor and friend, Théophile Gautier. The text deals in themes of love in all its fac...
The song cycle LES NUITS D'ETE (SUMMER NIGHTS) is a setting of six poems by composer Hector Berlioz' (1803-1869) neighbor and friend, Théophile Gautier. The text deals in themes of love in all its fac...
- Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
The song cycle LES NUITS D'ETE (SUMMER NIGHTS) is a setting of six poems by composer Hector Berlioz' (1803-1869) neighbor and friend, Théophile Gautier. The text deals in themes of love in all its fac...
The song cycle LES NUITS D'ETE (SUMMER NIGHTS) is a setting of six poems by composer Hector Berlioz' (1803-1869) neighbor and friend, Théophile Gautier. The text deals in themes of love in all its fac...
- Orchestra
- Score and Parts
- Robert Sutherland
- Edwin F. Kalmus
-
ships within 2-4 weeks
Gustav Mahler (1860-1911) composed Songs to Poems by Rueckert (Songs after Rückert; Rückert-Lieder) between 1901 and 1902. They were not conceived of as a cycle, with each song only connected by the p...
Gustav Mahler (1860-1911) composed Songs to Poems by Rueckert (Songs after Rückert; Rückert-Lieder) between 1901 and 1902. They were not conceived of as a cycle, with each song only connected by the p...
- Orchestra
- Score
- Max Puttmann
- Edwin F. Kalmus
-
ships within 2-4 weeks
Gustav Mahler (1860-1911) composed Songs to Poems by Rueckert (Songs after Rückert; Rückert-Lieder) between 1901 and 1902. They were not conceived of as a cycle, with each song only connected by the p...
Gustav Mahler (1860-1911) composed Songs to Poems by Rueckert (Songs after Rückert; Rückert-Lieder) between 1901 and 1902. They were not conceived of as a cycle, with each song only connected by the p...
- Orchestra
- Score and Parts
- Antonio Vivaldi
- Edwin F. Kalmus
-
ships within 2-4 weeks
Gabriel Faure's (1845-1924) REQIUEM, Op. 48, is the best known of the composer's large works. Seemingly not written for the death of any particular person, he wrote of the work, "Everything I managed...
Gabriel Faure's (1845-1924) REQIUEM, Op. 48, is the best known of the composer's large works. Seemingly not written for the death of any particular person, he wrote of the work, "Everything I managed...
- Orchestra, High Voice and Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
Gabriel Faure's (1845-1924) REQIUEM, Op. 48, is the best known of the composer's large works. Seemingly not written for the death of any particular person, he wrote of the work, "Everything I managed...
Gabriel Faure's (1845-1924) REQIUEM, Op. 48, is the best known of the composer's large works. Seemingly not written for the death of any particular person, he wrote of the work, "Everything I managed...
- Orchestra, High Voice and Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
This version of O HOLY NIGHT in C was arranged by William Ryden for full orchestra and low voice. Instrumentation in set: 2.2.2.2: 4.3.3.0: Timp.Perc: Hp: Str(9-8-7-6-5): Solo Voice.
This version of O HOLY NIGHT in C was arranged by William Ryden for full orchestra and low voice. Instrumentation in set: 2.2.2.2: 4.3.3.0: Timp.Perc: Hp: Str(9-8-7-6-5): Solo Voice.
- Orchestra
- Score
- William Ryden
- Edwin F. Kalmus
-
ships within 2-4 weeks
This version of O HOLY NIGHT in C was arranged by William Ryden for full orchestra and low voice. Instrumentation in set: 2.2.2.2: 4.3.3.0: Timp.Perc: Hp: Str(9-8-7-6-5): Solo Voice.
This version of O HOLY NIGHT in C was arranged by William Ryden for full orchestra and low voice. Instrumentation in set: 2.2.2.2: 4.3.3.0: Timp.Perc: Hp: Str(9-8-7-6-5): Solo Voice.
- Orchestra
- Score and Parts
- William Ryden
- Edwin F. Kalmus
-
ships within 2-4 weeks
This version of O HOLY NIGHT in E-flat was arranged by William Ryden for full orchestra and high voice. Instrumentation in set: 2.2.2.2: 4.3.3.0: Timp.Perc: Hp: Str(9-8-7-6-5): Solo Voice.
This version of O HOLY NIGHT in E-flat was arranged by William Ryden for full orchestra and high voice. Instrumentation in set: 2.2.2.2: 4.3.3.0: Timp.Perc: Hp: Str(9-8-7-6-5): Solo Voice.
- Orchestra
- Score
- William Ryden
- Edwin F. Kalmus
-
ships within 2-4 weeks
This version of O HOLY NIGHT in E-flat was arranged by William Ryden for full orchestra and high voice. Instrumentation in set: 2.2.2.2: 4.3.3.0: Timp.Perc: Hp: Str(9-8-7-6-5): Solo Voice.
This version of O HOLY NIGHT in E-flat was arranged by William Ryden for full orchestra and high voice. Instrumentation in set: 2.2.2.2: 4.3.3.0: Timp.Perc: Hp: Str(9-8-7-6-5): Solo Voice.
- Orchestra
- Score and Parts
- William Ryden
- Edwin F. Kalmus
-
ships within 2-4 weeks
The Italian-American Christmas carol GESU BAMBINO, despite being a relatively new addition to the holiday repertoire (written in 1917), manages to fit right in among the older carols in style and popu...
The Italian-American Christmas carol GESU BAMBINO, despite being a relatively new addition to the holiday repertoire (written in 1917), manages to fit right in among the older carols in style and popu...
- Orchestra
- Score and Parts
- William Ryden
- Edwin F. Kalmus
-
ships within 2-4 weeks
Mattinata ("'Tis the Day") was composed in 1904 by Ruggero Leoncavallo (1857-1919), the Italian composer best known for his verismo opera Pagliacci. Written originally for voice and piano and later or...
Mattinata ("'Tis the Day") was composed in 1904 by Ruggero Leoncavallo (1857-1919), the Italian composer best known for his verismo opera Pagliacci. Written originally for voice and piano and later or...
- Medium Voice and Orchestra
- Score
- Edward Teschemacher
- Edwin F. Kalmus
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ships within 3-6 working days
Mattinata ("'Tis the Day") was composed in 1904 by Ruggero Leoncavallo (1857-1919), the Italian composer best known for his verismo opera Pagliacci. Written originally for voice and piano and later or...
Mattinata ("'Tis the Day") was composed in 1904 by Ruggero Leoncavallo (1857-1919), the Italian composer best known for his verismo opera Pagliacci. Written originally for voice and piano and later or...
- Medium Voice and Orchestra
- Score and Parts
- Edward Teschemacher
- Edwin F. Kalmus
-
ships within 3-6 working days
Io ti lascio, o cara, addio, K. Anh. 245 / K. 621a was composed in 1791 and is generally regarded as one of Wolfgang Amadeus Mozart's (1756-1791) final vocal works, though questions of authorship and...
Io ti lascio, o cara, addio, K. Anh. 245 / K. 621a was composed in 1791 and is generally regarded as one of Wolfgang Amadeus Mozart's (1756-1791) final vocal works, though questions of authorship and...
- Low Voice and String Orchestra
- Score
- Edwin F. Kalmus
-
ships within 3-6 working days
Io ti lascio, o cara, addio, K. Anh. 245 / K. 621a was composed in 1791 and is generally regarded as one of Wolfgang Amadeus Mozart's (1756-1791) final vocal works, though questions of authorship and...
Io ti lascio, o cara, addio, K. Anh. 245 / K. 621a was composed in 1791 and is generally regarded as one of Wolfgang Amadeus Mozart's (1756-1791) final vocal works, though questions of authorship and...
- Low Voice and String Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 3-6 working days
Written in 1795, Ludwig van Beethoven’s (1770-1827) Soll ein Schuh nicht drücken! for soprano and ensemble is a setting of the libretto from Austrian composer Ignaz Umlauf’s 1778 singspeil Die schöne...
Written in 1795, Ludwig van Beethoven’s (1770-1827) Soll ein Schuh nicht drücken! for soprano and ensemble is a setting of the libretto from Austrian composer Ignaz Umlauf’s 1778 singspeil Die schöne...
- Orchestra, High Voice and Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...
On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...
- Mixed Choir (SATB), Soloists and Orchestra
- Instrumental Part: Harpsichord
- Wilhelm Rust Max Seiffert
- Edwin F. Kalmus
-
ships within 2-4 weeks
In March of 1791, Wolfgang Amadeus Mozart (1756-1791) composed the concert aria PER QUESTA BELLA MANO, K. 612, shortly before beginning work on THE MAGIC FLUTE. It is known for its double bass part, n...
In March of 1791, Wolfgang Amadeus Mozart (1756-1791) composed the concert aria PER QUESTA BELLA MANO, K. 612, shortly before beginning work on THE MAGIC FLUTE. It is known for its double bass part, n...
- Vocals (low), double bass and Orchestra
- Instrumental Part: Double Bass
- Edwin F. Kalmus
-
ships within 2-4 weeks
Franz Schubert (1797-1828) wrote the beautiful melody now associated with the Latin "Ave Maria" text in 1825 as part of a setting of seven songs from Walter Scott's narrative poem THE LADY OF THE LAKE...
Franz Schubert (1797-1828) wrote the beautiful melody now associated with the Latin "Ave Maria" text in 1825 as part of a setting of seven songs from Walter Scott's narrative poem THE LADY OF THE LAKE...
- Orchestra
- Score
- William Ryden
- Edwin F. Kalmus
-
ships within 2-4 weeks
Franz Schubert (1797-1828) wrote the beautiful melody now associated with the Latin "Ave Maria" text in 1825 as part of a setting of seven songs from Walter Scott's narrative poem "The Lady of the Lak...
Franz Schubert (1797-1828) wrote the beautiful melody now associated with the Latin "Ave Maria" text in 1825 as part of a setting of seven songs from Walter Scott's narrative poem "The Lady of the Lak...
- Orchestra
- Score and Parts
- William Ryden
- Edwin F. Kalmus
-
ships within 2-4 weeks