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Like Robert Schumann who often favoured the horn, Sir Michael Tippett who died on 8 January 1998 makes full use of the instrument‘s tonal possibilities in this work. He translated the Romantic g...
Like Robert Schumann who often favoured the horn, Sir Michael Tippett who died on 8 January 1998 makes full use of the instrument‘s tonal possibilities in this work. He translated the Romantic g...
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Like Robert Schumann who often favoured the horn, Sir Michael Tippett who died on 8 January 1998 makes full use of the instrument‘s tonal possibilities in this work. He translated the Romantic g...
Like Robert Schumann who often favoured the horn, Sir Michael Tippett who died on 8 January 1998 makes full use of the instrument‘s tonal possibilities in this work. He translated the Romantic g...
- Horn Quartet
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Like Robert Schumann who often favoured the horn, Sir Michael Tippett who died on 8 January 1998 makes full use of the instrument‘s tonal possibilities in this work. He translated the Romantic g...
Like Robert Schumann who often favoured the horn, Sir Michael Tippett who died on 8 January 1998 makes full use of the instrument‘s tonal possibilities in this work. He translated the Romantic g...
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- String Trio (Cello, Viola and Violin)
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- String Quartet
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- String Quartet
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- String Quartet
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String Quartet No. 1 ('Between the National and the Bristol'), was commissioned by the Vienna Festival for the Arditti Quartet to perform in October 1985. '... a great deal of the music is in the high...
String Quartet No. 1 ('Between the National and the Bristol'), was commissioned by the Vienna Festival for the Arditti Quartet to perform in October 1985. '... a great deal of the music is in the high...
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String Quartet No. 2 was written in 1990 commissioned by the Huddersfield Festival and the Balanescu Quartet.'This second quartet is a more relaxed, easy-going piece than the first.
String Quartet No. 2 was written in 1990 commissioned by the Huddersfield Festival and the Balanescu Quartet.'This second quartet is a more relaxed, easy-going piece than the first.
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- Flute, Oboe, 2 Clarinets, Horn and Bassoon
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- Flute, Oboe, 2 Clarinets, Horn and Bassoon
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- Soloists, Children's Choir and Chamber Orchestra
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- Soloists, Children's Choir and Chamber Orchestra
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Taking Thomas Hardy's short story as its starting point, we are transported to the present for a contemporary take on the novella which explores the power the mind can have over that person's actions....
Taking Thomas Hardy's short story as its starting point, we are transported to the present for a contemporary take on the novella which explores the power the mind can have over that person's actions....
- Soloists and Chamber Orchestra
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Taking Thomas Hardy's short story as its starting point, we are transported to the present for a contemporary take on the novella which explores the power the mind can have over that person's actions....
Taking Thomas Hardy's short story as its starting point, we are transported to the present for a contemporary take on the novella which explores the power the mind can have over that person's actions....
- Soloists and Chamber Orchestra
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Tenor und kleines Orchester
- Orchestra
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Tenor und kleines Orchester
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- Soloists, Mixed Choir (SATB), Audio Tape and Orchestra
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- Mixed Choir and Orchestra
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Gavin Bryars has for many years shied away from writing for piano, indeed there are only a smattering of works in his catalogue for the instrument. So for him to embark upon his first piano concerto i...
Gavin Bryars has for many years shied away from writing for piano, indeed there are only a smattering of works in his catalogue for the instrument. So for him to embark upon his first piano concerto i...
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Gavin Bryars has for many years shied away from writing for piano, indeed there are only a smattering of works in his catalogue for the instrument. So for him to embark upon his first piano concerto i...
Gavin Bryars has for many years shied away from writing for piano, indeed there are only a smattering of works in his catalogue for the instrument. So for him to embark upon his first piano concerto i...
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In his 80th year, Peter Maxwell Davies returns in music to Rome, where he studied with Goffredo Petrassi in the late 1950's. Full of darkly glowing sonorities (recalling the earlier Roma, Amor of 1998...
In his 80th year, Peter Maxwell Davies returns in music to Rome, where he studied with Goffredo Petrassi in the late 1950's. Full of darkly glowing sonorities (recalling the earlier Roma, Amor of 1998...
- Mixed Choir (SATB) and Orchestra
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