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Sich einfach mal dem Spiel der Klänge hinzugeben, empfiehlt Wilhelm Killmayer den Hörern seiner 'Nachtgedanken'. Wie in der Nacht verdrängte Gedanken aus dem Unterbewusstsein aufsteigen, so entfalten...
Sich einfach mal dem Spiel der Klänge hinzugeben, empfiehlt Wilhelm Killmayer den Hörern seiner 'Nachtgedanken'. Wie in der Nacht verdrängte Gedanken aus dem Unterbewusstsein aufsteigen, so entfalten...
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Dirigier- und Studienpartitur. Atembogen für Orchester (1974/75): Musik entlang verwischten Spuren. Musik im Bereich zwischen 'noch klingen' und 'nicht mehr klingen'. Leisheit und Stille nicht als Idy...
Dirigier- und Studienpartitur. Atembogen für Orchester (1974/75): Musik entlang verwischten Spuren. Musik im Bereich zwischen 'noch klingen' und 'nicht mehr klingen'. Leisheit und Stille nicht als Idy...
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The oeuvre of Bernd Alois Zimmermann is chracterized by the abundant use of musical quotations. In Dialoge he transferred this 'pluralistic composition technique' to a large-scale symphony orchestra f...
The oeuvre of Bernd Alois Zimmermann is chracterized by the abundant use of musical quotations. In Dialoge he transferred this 'pluralistic composition technique' to a large-scale symphony orchestra f...
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Heinz Holliger won the 'Prix de Composition Musicale 1994 de la Fondation Prince Pierre de Monaco' for this orchestral piece.
Heinz Holliger won the 'Prix de Composition Musicale 1994 de la Fondation Prince Pierre de Monaco' for this orchestral piece.
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In this work Schnebel attempts to apply the idea of the Baroque canon - as exemplified in Bach's 'Art of Fugue' - to modern concepts of tonal colouring. The 'Motu proprio' of the 7 mixed groups of orc...
In this work Schnebel attempts to apply the idea of the Baroque canon - as exemplified in Bach's 'Art of Fugue' - to modern concepts of tonal colouring. The 'Motu proprio' of the 7 mixed groups of orc...
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This music is taken from the second act of my early opera King Stag. In the original, the aria - here rescored for the orchestra alone - is sung by the protagonist (tenor) who yearns to return to the...
This music is taken from the second act of my early opera King Stag. In the original, the aria - here rescored for the orchestra alone - is sung by the protagonist (tenor) who yearns to return to the...
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