Musik unserer Zeit

Ricercar and Doubles is one of Sir Peter Maxwell Davies' earliest chamber works, crystalline and contained it inhabits both the 17th and 20th centuries in Max's inimitable style.

Ricercar and Doubles is one of Sir Peter Maxwell Davies' earliest chamber works, crystalline and contained it inhabits both the 17th and 20th centuries in Max's inimitable style.

This concerto has the unusual addition of an optional male voice choir. Many Russian elements influenced Bryars when he was writing the piece, not least the text for the bass voices which is taken fro...

This concerto has the unusual addition of an optional male voice choir. Many Russian elements influenced Bryars when he was writing the piece, not least the text for the bass voices which is taken fro...

Discover a brilliant gem of Neoclassicism: The "Concerto in E flat" (widely known as "Dumbarton Oaks") for chamber orchestra captivates listeners with its vibrant rhythmic vitality, contrapuntal sophi...

Discover a brilliant gem of Neoclassicism: The "Concerto in E flat" (widely known as "Dumbarton Oaks") for chamber orchestra captivates listeners with its vibrant rhythmic vitality, contrapuntal sophi...

Immerse yourself in the enchanting charm of “Sérénade – pour petit orchestre,” published by the renowned Schott Music. This captivating piece for chamber orchestra beautifully captures the refined int...

During the period in which these arrangements were created, Hans Werner Henze was far from being a Wagnerite. Despite this, he deliberately set out to study Wagner's music. Tristan und Isolde was the...

During the period in which these arrangements were created, Hans Werner Henze was far from being a Wagnerite. Despite this, he deliberately set out to study Wagner's music. Tristan und Isolde was the...

Immerse yourself in fascinating sonic worlds with the masterful "Hamburgisches Konzert". This extraordinary work for solo horn and chamber orchestra stands out through its highly original and rich ins...

In this double concerto the Violin and Viola represent both aspects of a Janus-faced being: monolithic chordal blocks (in the second movement culminating in C major!) versus delicate melodic lines spr...