Southern Music Woodwind

Julius Weissenborn was an esteemed 19th century bassoon player and pedogogue, whose compositions and studies are still a major part of a young bassoonists education today. This piece is part of his 'T...

This edition has been guided by 18th century practice and style. Research on the pieces contained in this collection has shown that most of these sonatas are probably a pastiche, partly of Vivaldi con...

This edition has been guided by 18th century practice and style. Research on the pieces contained in this collection has shown that most of these sonatas are probably a pastiche, partly of Vivaldi con...

The 'Twelve Fantasies' are a faithful reflection of the 'gallant style' of the age. They were written about 1732, during the height of Telemann's career and faithfully depict his movement away from th...

Demersseman 50 Melodic Studies for solo flute are invaluable for developing a wide range of skills and expression in flute playing. The demands on the student are many-faceted, requiring equal attenti...

Francois Devienne (1759-1803), celebrated French flautist and composer, wrote many important works for the flute and a few operas, was also an oboist and played the bassoon in Paris Theatre de Monsieu...

Almost all flutist are familiar with Karg-Elert's Thirty Caprices, Opus 107. However, his study materials for other instruments, which are also valuable, have been ignored. Arthur Ephross has selected...

Most Drouet's large volume of music has been lost. These excellent studies, however, have survived, and they are most useful at the intermediate level. As with all studies, their value can be enhanced...

This edition, revised by John Wummer and Jean Albert de la Tournerie, contains detailed and helpful markings in both the accompaniment and solo parts, including dynamics, articulation, and ornamentati...

The Pavane for Oboe (or Flute) and Piano by Paris Conservatory professor and composer Charles-Marie Widor has become a favorite for recitals as well as auditions over the decades.

This adagio and variations is a wonderful recital selection for the advancing flutist, allowing players to showcase their technical skills in a musical a setting.

Composed orignally as the Paris National Conservatory Contest Piece of 1902, this solo for flute and piano is a brilliant contest or recital piece for advancing players.

This is a perfect recital piece for advanced flutists looking to perform 20th Century repertoire written in a contemporary idiom.

These pieces were conceived as a suite, and should be performed as such whenever possible, with an exception for the third movement which can be played alone. Challenging players both technically and...

A piece for unaccompanied clarinet in seven movements, with a variety of styles for an early intermediate student's first solos collection. Movements: I. Slowly and quietly moving, II. Gracefully, III...

Stuart Scott's Egyptian Suite, op. 33, was dedicated to Jane Rowland. This advanced, unaccompanied flute solo references the 4th dynasty of the ancient Egyptian Empire. This dynasty included the great...