Walton Choral

Composed for the Tapiola Choir, the theme for this work is For The Peace, describing in its three sections how provocation and violence are turned into understanding and peace. Available: SSAA a cappe...

The lovely poem is set for two-part treble chorus, starting out in unison to set the mood and then dividing. Available: 2PT.

This text from the Song of Solomon has inspired many composers. This setting is for mixed choir with piano and horn accompaniment. Available: SATB.

Commissioned by the National ACDA Junior High/Middle School Honor Choir 2001 it is a joyous and challenging work for a young choir. The words by California poet Gabriel Navar speak in beautiful imager...

With Sanctus already available in print, the Kyrie is the second installment in a mass in progress by this Swedish composer, whose Lo, How a Rose E'er Blooming has been frequently performed and record...

The miniature love letter by New England poet Amy Lowell (1874-1925) inspired composer and guitarist Jeffrey Van to write this lovely, soft-spoken SATB setting with a delicate guitar accompaniment. A...

This work is set to a stunning love poem, which translates to 'You are the Love of my Soul'. It was written in the early 1500s by Spanish author Garcilaso de la Vega. It may be performed with or witho...

Written for the Edinburg North High School in Texas, the music is set to a poem by California poet Gabriel Navar, celebrating the excitement and joy of living. Paul Basler's work is accessible for sch...

Here is the SATB version of this wonderful, spirited work - one of last year's big hits in its TTB version! The limited ranges, diatonic harmonies, and a vocal line supported by the accompaniment help...

This fun piece, subtitled The Computer Blues clearly depicts the frustration of dealing with computers in the school room, as seen by composer Geoffrey Bell in this easy arrangement. Students from mid...

This piece to text from Matthew is very appropriate for church or school alike. The melodic line has hints at contemporary ballads. The ranges in the two part mixed chorus setting are very comfortable...

A beautifully simple and short piece for SATB voices. Comfortable vocal range for all parts and a great selection for church and school alike.

Here is an upbeat song of praise! Unison and harmony parts comfortable for most voices. Moderately easy for SSA voices, suitable for festival programs. With piano and oboe.

A lovely piece for high school women's voices SSAA set to poetry by Emily Dickinson. With piano.

From Lights of Freedom, an easy non-liturgical and celebratory piece in English with a simple Hebrew refrain. For junior high level and up.

An Irish folksong popularized by Loreena McKennitt, this arrangement offers a showcase alto solo supported by lush choral harmonies and an accessible piano accompaniment.

New, accessible setting of Campion's well-known poem, exploring joy and pain resolving in the anticipation of lovers reuniting. A wonderful concert selection for high school and beyond.

Engaging e.e. cummings text in a new setting for SA voices, this would be a great novelty item for a fall concert program. Challenging piano accompaniment.

This delicate setting of an American folk hymn is readily adaptable to sacred or secular contexts. Moderately easy for both choir and accompanist.

Richly atmospheric, this 8-minute setting of a Spanish text by Miguel de Unamuno requires a large double choir and two horn players, but rewards everyone with a remarkable musical experience.

Spanish lyrics from the poem Carol to Saint Catherine of Alexandria by the famed nun and women's rights advocate Sor Juana In?s de la Cruz from the 17th century.

Performed to acclaim by the 2005 National ACDA High School Honor Choir, this moving tribute by the talented Ames will touch the hearts of your choir and audience alike. With piano, optional horn in F,...

Ann Taylor's sweet lyric will appeal to both girls and women. Short and simple, with unstrained vocal lines and a bell-like piano accompaniment. A delight.

A stunning new treatment by an acknowledged choral master, this haunting setting of the famous folk song highlights the emotional melancholy of the text.